The semuncia was an ancient Roman bronze coin valued at one twenty-fourth of an as , or half an uncia , produced during the Roman Republican era. It was made during the beginning of Roman cast bronze coinage as the lowest valued denomination.
The most common obverse types were a head of Mercury or an acorn, and the most common reverse types were a prow or a caduceus . [1] It was issued until about 210 BC, at about the same time as the denarius was introduced.
A coin is a small, flat, round piece of metal or plastic used primarily as a medium of exchange or legal tender. They are standardized in weight, and produced in large quantities at a mint in order to facilitate trade. They are most often issued by a government. Coins often have images, numerals, or text on them. Obverse and its opposite, reverse, refer to the two flat faces of coins and medals. In this usage, obverse means the front face of the object and reverse means the back face. The obverse of a coin is commonly called heads, because it often depicts the head of a prominent person, and the reverse tails.
The denarius was the standard Roman silver coin from its introduction in the Second Punic War c. 211 BC to the reign of Gordian III, when it was gradually replaced by the antoninianus. It continued to be minted in very small quantities, likely for ceremonial purposes, until and through the Tetrarchy (293–313).
In ancient Roman religion, Roma was a female deity who personified the city of Rome and more broadly, the Roman state. She was created and promoted to represent and propagate certain of Rome's ideas about itself, and to justify its rule. She was portrayed on coins, sculptures, architectural designs, and at official games and festivals. Images of Roma had elements in common with other goddesses, such as Rome's Minerva, her Greek equivalent Athena and various manifestations of Greek Tyches, who protected Greek city-states; among these, Roma stands dominant, over piled weapons that represent her conquests, and promising protection to the obedient. Her "Amazonian" iconography shows her "manly virtue" (virtus) as fierce mother of a warrior race, augmenting rather than replacing local goddesses. On some coinage of the Roman Imperial era, she is shown as a serene advisor, partner and protector of ruling emperors. In Rome, the Emperor Hadrian built and dedicated a gigantic temple to her as Roma Aeterna, and to Venus Felix,, emphasising the sacred, universal and eternal nature of the empire.
The as, occasionally assarius was a bronze, and later copper, coin used during the Roman Republic and Roman Empire.
The sestertius, or sesterce, was an ancient Roman coin. During the Roman Republic it was a small, silver coin issued only on rare occasions. During the Roman Empire it was a large brass coin.
Roman currency for most of Roman history consisted of gold, silver, bronze, orichalcum and copper coinage. From its introduction to the Republic, during the third century BC, well into Imperial times, Roman currency saw many changes in form, denomination, and composition. A persistent feature was the inflationary debasement and replacement of coins over the centuries. Notable examples of this followed the reforms of Diocletian. This trend continued into Byzantine times.
The concept of liberty has frequently been represented by personifications, often loosely shown as a female classical goddess. Examples include Marianne, the national personification of the French Republic and its values of Liberté, Égalité, Fraternité, the female Liberty portrayed on United States coins for well over a century, and many others. These descend from images on ancient Roman coins of the Roman goddess Libertas and from various developments from the Renaissance onwards. The Dutch Maiden was among the first, re-introducing the cap of liberty on a liberty pole featured in many types of image, though not using the Phrygian cap style that became conventional. The 1886 Statue of Liberty by Frédéric Auguste Bartholdi is a well-known example in art, a gift from France to the United States.
The history of ancient Greek coinage can be divided into four periods: the Archaic, the Classical, the Hellenistic and the Roman. The Archaic period extends from the introduction of coinage to the Greek world during the 7th century BC until the Persian Wars in about 480 BC. The Classical period then began, and lasted until the conquests of Alexander the Great in about 330 BC, which began the Hellenistic period, extending until the Roman absorption of the Greek world in the 1st century BC. The Greek cities continued to produce their own coins for several more centuries under Roman rule. The coins produced during this period are called Roman provincial coins or Greek Imperial Coins.
The quadrigatus was a medium-sized silver coin produced by the Roman Republic during the 3rd century BC. The obverse featured a young janiform bust and the reverse featured Victory driving a quadriga, giving the coin its Roman name, with the inscription "ROMA" below.
The quadrans or teruncius was a low-value Roman bronze coin worth one quarter of an as. The quadrans was issued from the beginning of cast bronze coins during the Roman Republic with three pellets representing three unciae as a mark of value. The obverse type, after some early variations, featured the bust of Hercules, while the reverse featured the prow of a galley. Coins with the same value were issued from other cities in Central Italy, using a cast process.
Roman Republican currency refers to the Coinage struck by the various magistrates of the Roman Republic, to be used as legal tender. In modern times, the abbreviation RRC, "Roman Republican Coinage" originally the name of a reference work on the topic by Michael H. Crawford, has come to be used as an identifying tag for coins assigned a number in that work, such as RRC 367.
The Ancient Romans developed the Roman hand abacus, a portable, but less capable, base-10 version of earlier abacuses like those that were used by the Greeks and Babylonians.
The British Iron Age is a conventional name used in the archaeology of Great Britain, referring to the prehistoric and protohistoric phases of the Iron Age culture of the main island and the smaller islands, typically excluding prehistoric Ireland, which had an independent Iron Age culture of its own. The parallel phase of Irish archaeology is termed the Irish Iron Age. The Iron Age is not an archaeological horizon of common artefacts but is rather a locally-diverse cultural phase.
The ancient Roman units of measurement were primarily founded on the Hellenic system, which in turn was influenced by the Egyptian system and the Mesopotamian system. The Roman units were comparatively consistent and well documented.
Roman provincial currency was coinage minted within the Roman Empire by local civic rather than imperial authorities. These coins were often continuations of the original currencies that existed prior to the arrival of the Romans. Because so many of them were minted in the Greek areas of the empire, they were usually referred to until fairly recently as Greek Imperial coinage, and catalogued at the end of lists of coins minted by the Greek cities.
The coinage of the Seleucid Empire is based on the coins of Alexander the Great, which in turn were based on Athenian coinage of the Attic weight. Many mints and different issues are defined, with mainly base and silver coinage being in abundance. A large concentration of mints existed in the Seleucid Syria, as the Mediterranean parts of the empire were more reliant on coinage in economic function.
Aes grave is a term in numismatics indicating bronze cast coins used in central Italy during the 3rd century BC, whose value was generally indicated by signs: I for the as, S for semis and pellets for unciae. Standard weights for the as were 272, 327, or 341 grams, depending upon the issuing authority.
Like the Egyptians, Phoenicians and Carthaginians, the Etruscans were rather slow to adopt the invention of coinage. The brief period of Etruscan coinage, with the predominance of marks of value, seems to be an amalgam that reconciles two very different monetary systems: the 'primitive' bronze-weighing and aes grave economy of central Italy with that of struck silver and gold issues of southern Italian Greek type not familiar in Etruria.
Illyrian weaponry played an important role in the makeup of Illyrian armies and in conflicts involving the Illyrians. Of all the ancients sources the most important and abundant writings are those of Ennius, a Roman poet of Messapian origin. Weapons of all sorts were also placed intact in the graves of Illyrian warriors and provide a detailed picture for archaeologists on the distribution and development of Illyrian weaponry.
Ancient Greek art stands out among that of other ancient cultures for its development of naturalistic but idealized depictions of the human body, in which largely nude male figures were generally the focus of innovation. The rate of stylistic development between about 750 and 300 BC was remarkable by ancient standards, and in surviving works is best seen in sculpture. There were important innovations in painting, which have to be essentially reconstructed due to the lack of original survivals of quality, other than the distinct field of painted pottery.
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