Shadowgraphy (performing art)

Last updated
Hand shadows of various creatures Hand Shadows I (7356719426).jpg
Hand shadows of various creatures

Shadowgraphy or ombromanie is the art of performing a story or show using images made by hand shadows. It can be called "cinema in silhouette". Performers are titled as a shadowgraphist or shadowgrapher.

Contents

The art has declined since the late 19th century when electricity became available to homes because light bulbs and electric lamps do not give off good shadows and because cinema and television were becoming a new form of entertainment. Shadows are greatly defined by candlelight; therefore hand shadows were common in earlier centuries.

The modern art of hand shadows was made popular by the French entertainer Félicien Trewey in the 19th century. [1] He popularized the art by making silhouettes of famous personalities.

History

An 1889 advertisement with examples of hand shadows Gale's Guernsey shadowgraphy.jpg
An 1889 advertisement with examples of hand shadows

Shadows have existed since the existence of objects obstructing light, so it is hard to say when the art was first used by humans for entertainment. It could have been practiced by ancient or later humans, but it probably originated in the Far East. [2] The French entertainer Félicien Trewey was interested in the art of Chinese shadow puppetry called Ombres Chinoises (known in china as the pi ying xi(皮影戏)), which means "Chinese shadows". He popularized the art of hand shadows when he developed shadows of famous silhouettes. It then became popular in Europe in the 19th century.

Although the art is popular amongst different kinds of entertainers it seems prominent amongst magicians, because it was popularized by a magician who inspired many other magicians. [3] Félicien Trewey perfected the widely known elephant, bird, and cat hand shadows [4] and created some of his own such as The Volunteer, Robinson Crusoe, The Jockey, The Rope Dancer and more. [4] In 1889, Trewey joined with Alexander Herrmann who most likely learned it from him. David Tobias Bamberg most likely learned it from Alexander who then passed it down to his son Okito (Tobias Leendert Bamberg) who then passed it down to his son Fu Manchu (David Theodore Bamberg). Fu Manchu passed his skill to Marcelo Contento, one of his apprentices, who became famous worldwide for it. [5] Contento died before he could pass it on to his son.

Other magicians who used hand shadows in their act include David Devant, Edward Victor, and the duo Holden and Graham in which Holden was famous for his "Monkey in the Belfry" shadow. [3]

Performance

A hand shadow being thrown Hand shadows LCCN2006691952.jpg
A hand shadow being thrown

The hands and fingers are exercised and different finger positions are practiced to help aid in forming shadows.

The light source to be used should be small and bright. The best shadows come from light proceeding from the smallest possible point. [6] Albert Almoznino suggests a candle, a flashlight (with the lens and reflector removed) or any very small light. If a bulb is used, it should be clear. J. C. Cannell suggests in his book, Modern Conjuring For Amateurs, that the best source of light is the electric arc, which Almoznino agrees to the small arc lamp, and the second best being the limelight (if used with a high-class jet). Trewey suggests the chalk for the limelight to be cut in a triangular form, or else it will produce a gray border around the shadow. Cannell states another favorite amongst shadowgraphists is the use of acetylene gas (i.e. acetylene gas lamp or carbide lamp). [7] Nowadays it is possible to use a single lensless (for example, SMD) LED.

Albert Almoznino suggests to use a white or light-colored wall, sheet or table cloth for a small audience as in a private home. If a wall is dark-colored, the sheet or table cloth can be hung against it. If performing for a large audience such as in an auditorium or on a stage, he suggests a screen made of muslin or other thin cloth attached to a frame. In a nightclub, hall or small theater, he suggests a nylon screen on a pliable aluminum frame. It is a screen sometimes used for TV projection called a rear projection screen, but the light must be stronger like a small spotlight without the projector, lenses, or diffusers, or a motion-picture projector with the front lenses removed. [2]

The performer sits or stands between the light source and the blank surface, while having the option to perform in front of the performance surface or behind it, with each having different advantages. The performer has another option to perform from the left or the right of the light source. The farther the hands are from the light, the smaller the shadows will be, while the closer the hands are to the light, the larger the shadows will be. Also, the closer the hands are to the blank surface, the sharper the shadows will be. Trewey suggests that the most convenient distance for the light from the hands is four feet while the hands from the performance surface should be about six feet. The performer should always watch their shadows instead of their hands.

Movement helps give the shadows character and brings them to life. Some shadows are performed with accessories attached to the hands or fingers to achieve movements or images not applicable to hands alone.

Notable shadowgraphers

Books

Related Research Articles

<span class="mw-page-title-main">Misdirection (magic)</span> Form of theatrical deception

In theatrical magic, misdirection is a form of deception in which the performer draws audience attention to one thing to distract it from another. Managing audience attention is the aim of all theater, and the foremost requirement of all magic acts. Whether the magic is of a "pocket trick" variety or a large stage production, misdirection is the central secret. The term describes either the effect or the sleight of hand or patter that creates it.

<span class="mw-page-title-main">Mentalism</span> Performing art in which practitioners appear to demonstrate exceptional mental abilities

Mentalism is a performing art in which its practitioners, known as mentalists, appear to demonstrate highly developed mental or intuitive abilities. Performances may appear to include hypnosis, telepathy, clairvoyance, divination, precognition, psychokinesis, mediumship, mind control, memory feats, deduction, and rapid mathematics. Mentalists perform a theatrical act that includes special effects that may appear to employ psychic or supernatural forces but that are actually achieved by "ordinary conjuring means", natural human abilities, and an in-depth understanding of key principles from human psychology or other behavioral sciences.

<span class="mw-page-title-main">Cardistry</span> Performance art

Cardistry is the performance art of card flourishing. Unlike card magic, cardistry is meant to be visually impressive and appear very hard to execute.

<span class="mw-page-title-main">Shadow play</span> Ancient form of storytelling

Shadow play, also known as shadow puppetry, is an ancient form of storytelling and entertainment which uses flat articulated cut-out figures which are held between a source of light and a translucent screen or scrim. The cut-out shapes of the puppets sometimes include translucent color or other types of detailing. Various effects can be achieved by moving both the puppets and the light source. A talented puppeteer can make the figures appear to walk, dance, fight, nod and laugh.

<span class="mw-page-title-main">Street magic</span> Genre of magic performance

Street magic falls into two genres; traditional street performance and guerrilla magic.

<span class="mw-page-title-main">David Devant</span> English stage magician

David Devant was an English magician, shadowgraphist and film exhibitor. He was born David Wighton in Holloway, London. He is regarded by magicians as a consummate exponent of suave and witty presentation of stage illusion. According to magic historian Jim Steinmeyer, Devant was “England’s greatest magician—arguably the greatest magician of the 20th Century”.

Tobias "Theo" Leendert Bamberg (1875–1963) was a professional magician. Born in the Netherlands, Bamberg performed under the name Okito which is an anagram of Tokio (Tokyo). His father had been court magician to King William III of the Netherlands, making Okito the sixth generation in a family of outstanding magicians known as the Bamberg Magical Dynasty.

Troublewit is a specially pleated paper used for entertainment purposes. The paper is used to form various items, such as hats, fans and umbrellas by stage entertainers and illusionists.

<i>Conjuring</i> (book) Illustrated book by James Randi

Conjuring is an illustrated book about conjuring, or magic, by James "The Amazing" Randi, who himself was a magician and escape artist. Drawing on his extensive knowledge and experience in the field, Randi offers a series of brief biographies of a variety of noteworthy magicians and their unique styles, including Harry Houdini, Chung Ling Soo, Harry Blackstone Sr., Harry Blackstone Jr., Howard Thurston, and many others. He also provides an overview of several genres of magic such as stage magic, escapology, and mentalism, and of specific tricks such as the bullet catch. Reviews of the book were mainly positive.

<span class="mw-page-title-main">Albert Almoznino</span> Israeli artist (1923–2020)

Albert Almoznino was an Israeli hand shadow artist. He gained international recognition in the years 1958-1975 when he performed his hand shadow skills in front of thousands of people at Radio City Music Hall New York, Paris Olympia, Reno Nevada, "The Ed Sullivan Show" and other places.

<span class="mw-page-title-main">Will Goldston</span> English stage magician (1878–1948)

Will Goldston (1878–1948) was an English stage magician in the first half of the 20th century.

<span class="mw-page-title-main">Chink-a-chink</span> Magic trick involving coins

Chink-a-chink is a simple close-up magic coin trick in which a variety of small objects, usually four, appear to magically transport themselves from location to location when covered by the performer's hands, until the items end up gathered together in the same place. Variations, especially the Sympathetic Coins also known as Coins-n-Cards, have been performed since the 1800s. Popular modern variations are Shadow Coins and Matrix. A variation using playing cards as the objects is known as Sympathetic Aces.

<span class="mw-page-title-main">Félicien Trewey</span>

Félicien Trewey, born Félicien-François Trevey, was a French magician, mime, comedian, vaudevillian, tightrope walker, balance artist, dancer, musician, chapeaugraphist and shadowgraphist. The principal of Trewey's entertainment was balancing tricks, which at the time he was a grand master. He was a great card-thrower, scaling cards at great distances. He gave musical entertainment with instruments of his own invention. He had great skill in the uncommon art of writing any words selected by his audience backwards and was an exceptional lightning sketch artist. King Edward VII had witnessed Trewey on many occasions and the Emperor of Austria, Baron Rothschild, as well as many others, have on more than one occasion sent for him to come perform for them. He has also played in several films directed by his good friend Louis Lumière of The Lumière Brothers, including Chapeaux a Transformations (1895), The Photographe (1895), Danseuses des rues (1896), and was uncredited in the 1895 film Partie de cartes.

<span class="mw-page-title-main">Ellis Stanyon</span>

William Ellis Stanyon was a professional magician and magic dealer in London.

<span class="mw-page-title-main">Max Holden (magician)</span> Scottish-American entertainer

William Holden Maxwell was a Scottish-born American vaudeville performance artist and magician.

The Bamberg Magical Dynasty were a Dutch family of magicians, consisting of six generations of Bambergs. The Bambergs were an upper middle-class unorthodox Jewish family. Three Bambergs were court magicians who entertained the Dutch royal family, and many of the Bambergs were also trained actors. This chain was unbroken for 165 years, from the 18th to the 20th centuries.

<span class="mw-page-title-main">David Bamberg</span>

David Tobias "Theodore" Bamberg was an itinerant magician who traveled with his full evening magic show from the early to mid part of the 20th century. In Bamberg's autobiography, Robert Parrish wrote in the introduction that no other great illusionist could match Bamberg's skill. The Fu Manchu show was known for its comedy, drama, and color.

<span class="mw-page-title-main">Magic (illusion)</span> Performing art involving the use of illusion

Magic, which encompasses the subgenres of illusion, stage magic, and close-up magic, among others, is a performing art in which audiences are entertained by tricks, effects, or illusions of seemingly impossible feats, using natural means. It is to be distinguished from paranormal magic which are effects claimed to be created through supernatural means. It is one of the oldest performing arts in the world.

<span class="mw-page-title-main">Projector</span> Optical device that projects an image or moving images onto a surface

A projector or image projector is an optical device that projects an image onto a surface, commonly a projection screen. Most projectors create an image by shining a light through a small transparent lens, but some newer types of projectors can project the image directly, by using lasers. A virtual retinal display, or retinal projector, is a projector that projects an image directly on the retina instead of using an external projection screen.

François Dominique Séraphin was a French entertainer who developed and popularised shadow plays in France. The art form would go on to be copied across Europe.

References

  1. "Quick Change Artistry".
  2. 1 2 The Art of Hand Shadows by Albert Almoznino
  3. 1 2 "Shadowgraphy - Magicpedia". www.geniimagazine.com.
  4. 1 2 Trewey, Felicien (Aug 19, 2020). "The art of shadowgraphy; how it is done". London Jordison via Internet Archive.
  5. MUM Magazine, March 2000. Society of American Magicians. 2000. p. 26.
  6. Cannell, J. C. (Oct 29, 2008). Modern Conjuring for Amateurs. Read Books. ISBN   9781443719049 via Google Books.
  7. Cannell, J. C. (Oct 29, 2008). Modern Conjuring for Amateurs. Read Books. ISBN   9781443719049 via Google Books.