Sharon Core | |
---|---|
Born | 1965 (age 58–59) New Orleans, Louisiana, U.S. |
Education | University of Georgia (BFA) Yale University (MFA) |
Known for | Photography |
Awards | George Sakier Memorial Prize for Excellence in Photography, Rema Hort Mann Foundation Grant |
Sharon Core (born 1965) is an American artist and photographer. Core first gained recognition with her Thiebauds series (2003-4) in which she created photographic interpretations of American painter Wayne Thiebaud's renderings of food. Two of her works in the Thiebauds series, Candy Counter 1969 (2004) [1] and Confections (2005) [2] were acquired by the Solomon R. Guggenheim Museum in 2005. [3]
Core was born in New Orleans in 1965. She received a Bachelor of Fine Arts in 1987 from the University of Georgia and a Master of Fine Arts from the Yale University School of Art in 1998, which is where she received the George Sakier Memorial Prize for Excellence in Photography. [4]
After studying painting at the University of Georgia, Core moved to Stockholm, Sweden. She then settled in Prague in 1993, where she first practiced photography seriously and created a baking business based in her own apartment. [5] In 1996, she returned to the United States to attend the Yale University School of Art. For her thesis project, which was centered around the ritual of eating, she photographed people consuming their favorite foods.
This project led to her early series, Drunk (1998–2000), in which she captured portraits of intoxicated guests at a party she organized as well as those she found at local gatherings. [6]
Her next series, Early American (2007–2010), remodeled the still lifes of 18th century American painter Raphaelle Peale. Similar to the photographs of Thiebauds, Core again focused on the idea of process, growing the early 19th century produce in Peale's paintings in her greenhouse and collecting period dish ware. [7] She also painted the walls in the backdrop of the photographs to echo Peale's painting techniques. [8] These works were on view at the Yancey Richardson Gallery in New York City from October 23 to December 6, 2008. [9]
Core's project 1606-1907 (2011–2015) explored three centuries of flower paintings. [10]
For her subsequent project "Understory" (2015), Core takes inspiration from the seventeenth-century Sottobosco tradition of Dutch paintings of forest floors. According to a description in The New Yorker, "Core's new pictures revel in decay and wildness. Snails slither across bright, wet leaves; pink flowers collapse in a pile of petals; a toad peers from the shadows, camouflaged in the dirt." [11]
In her series Thiebauds (2003–2005), Core recreated 18 of Wayne Thiebaud's food paintings of the 1960s. She was inspired upon viewing Thiebaud's retrospective at the Whitney Museum of American Art in 2001. [12] According to Robert Panzer, the executive director of the Visual Artists and Galleries Association (the copyright collective that represents Thiebaud), "Wayne Thiebaud is concerned with the use that Sharon Core has made of his work...The reproductions she has made are largely straightforward versions of his paintings." [13]
Core lives and works in Esopus, New York. [14]
Core has presented solo exhibitions at spaces across the U.S.: [15]
Core's works have also been purchased by various institutions: [16]
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