Short, sharp shock

Last updated

The phrase "short, sharp shock" describes a punishment that is severe but which only lasts for a short time. [1] It is an example of alliteration. Although the phrase originated earlier, it was popularised in Gilbert and Sullivan's 1885 comic opera The Mikado , where it appears in the song near the end of Act I, "I Am So Proud". [2] It has since been used in popular songs, song titles, and literature, as well as in general speech.

Contents

Origin

Mary I of England used the phrase in 1555 to refer to what she hoped would be a brief and effective use of brutality to persuade the populace to return to Catholicism by publicly burning a small number of visible Protestant heretics, rather than making a larger more systemic purge. [3]

John Conington's 1870 translation of the First Satire of Horace includes the following lines:

Yon soldier's lot is happier, sure, than mine:
One short, sharp shock, and presto! all is done. [4]

The Mikado

The cover of a vocal score for Gilbert and Sullivan's The Mikado The Mikado Chappell Vocal Score cover (c.1895).jpg
The cover of a vocal score for Gilbert and Sullivan's The Mikado

In Act I of the 1885 Gilbert and Sullivan opera The Mikado , the Emperor of Japan, having learned that the town of Titipu is behind on its quota of executions, has decreed that at least one beheading must occur immediately. Three government officials, Pooh-Bah, Ko-Ko and Pish-Tush, discuss which of them should be beheaded to save the town from ruin. Pooh-Bah says that, although his enormous pride would normally prompt him to volunteer for such an important civic duty, he has decided to "mortify" his pride, and so he declines this heroic undertaking. He points out that Ko-Ko is already under sentence of death for the capital crime of flirting, and so Ko-Ko is the obvious choice to be beheaded. The three characters then sing the song "I Am So Proud". In the last lines of the song, they contemplate "the sensation" of the "short, sharp shock" caused by being beheaded:

To sit in solemn silence in a dull, dark dock,
In a pestilential prison, with a lifelong lock,
Awaiting the sensation of a short, sharp shock,
From a cheap and chippy chopper on a big black block! [5]

Songs and albums

The phrase is spoken by roadie Roger Manifold in the Pink Floyd song "Us and Them" on the band's 1973 album, The Dark Side of the Moon . [6]

Short Sharp Shock is the name of a 1984 album by Chaos UK. It also appears in the title of an album, Short Sharp Shocked , by Michelle Shocked and the EP "Shortsharpshock" by Therapy?. Short Sharp Shock is the name of a crossover thrash band from Liverpool, England. The phrase is used in the song "East Side Beat" by the Toasters, and in the 1980 song Stand Down Margaret by the Beat. It can also be found in the lyrics of a Billy Bragg song entitled "It Says Here" [7] found on his 1984 album Brewing Up with Billy Bragg and of a They Might Be Giants song entitled "Circular Karate Chop" on their 2013 album Nanobots . [8]

Literature

In literature, the phrase is used in the title of a 1990 fantasy novel, A Short, Sharp Shock by Kim Stanley Robinson. In the 1996 fantasy novel by Terry Pratchett, Feet of Clay , police commander Sam Vimes is "all for giving criminals a short, sharp shock", meaning electrocution.

UK politics

Since Gilbert and Sullivan used the phrase in The Mikado, "short, sharp shock" has been used in political discourse in the UK. [9] The phrase met renewed popularity with respect to government policy on young offenders pursued by the Conservative government of 1979–1990 under Margaret Thatcher, [10] having appeared in the 1979 Conservative Policy manifesto, which promised that the party would "experiment with a tougher regime as a short, sharp shock for young criminals". [11] These policies led to the enactment of the Criminal Justice Acts of 1982 and 1988 which, among other reforms, replaced borstals with youth detention centres. [12] The "short, sharp shock" programme had no effect on reoffending, with more than half of offenders being convicted again within a year and young offenders being released back into the community "stronger, fitter, wiser and meaner". [13] [14] The policy was abandoned. [14]

Related Research Articles

<span class="mw-page-title-main">Gilbert and Sullivan</span> Victorian-era theatrical partnership

Gilbert and Sullivan refers to the Victorian-era theatrical partnership of the dramatist W. S. Gilbert (1836–1911) and the composer Arthur Sullivan (1842–1900) and to the works they jointly created. The two men collaborated on fourteen comic operas between 1871 and 1896, of which H.M.S. Pinafore, The Pirates of Penzance and The Mikado are among the best known.

<i>The Mikado</i> 1885 comic opera by Gilbert & Sullivan

The Mikado; or, The Town of Titipu is a comic opera in two acts, with music by Arthur Sullivan and libretto by W. S. Gilbert, their ninth of fourteen operatic collaborations. It opened on 14 March 1885, in London, where it ran at the Savoy Theatre for 672 performances, the second-longest run for any work of musical theatre and one of the longest runs of any theatre piece up to that time. By the end of 1885, it was estimated that, in Europe and America, at least 150 companies were producing the opera.

<i>The Swing Mikado</i> Musical

The Swing Mikado is a musical theatre adaptation, in two acts, of Gilbert and Sullivan's 1885 comic opera, The Mikado, with music arranged by Gentry Warden. It featured a setting transposed from Japan to a tropical island. The show was first staged by an all-black company in Chicago, Illinois, in 1938. Later that year, it transferred to Broadway. Other changes from the original work included the re-scoring of five of the musical numbers in "swing" style, the insertion of popular dance sequences including The Truck and the Cakewalk, and the rewriting of some of the dialogue in an attempt at black dialect. Other than that, the original dialogue and score of 1885 were used.

<span class="mw-page-title-main">Martyn Green</span> English singer and actor

William Martin Green, known by his stage name, Martyn Green, was an English actor and singer. He is remembered for his performances and recordings as principal comedian of the D'Oyly Carte Opera Company, in the leading patter roles of the Gilbert & Sullivan comic operas in the 1930s and 1940s, and for his career in America from the 1950s to the 1970s.

<i>The Hot Mikado</i> (1939 production) Musical

The Hot Mikado was a musical theatre adaptation of Gilbert and Sullivan's 1885 comic opera The Mikado with an African-American cast. It was first produced by Mike Todd on Broadway in 1939. It starred Bill "Bojangles" Robinson in the title role, with musical arrangements by Charles L. Cooke and direction by Hassard Short.

<span class="mw-page-title-main">Grand Poobah</span> Satirical term for self-important local officials

Grand Poobah is a satirical term derived from the name of the haughty character Pooh-Bah in Gilbert and Sullivan's The Mikado (1885). In this comic opera, Pooh-Bah holds numerous exalted offices, including "First Lord of the Treasury, Lord Chief Justice, Commander-in-Chief, Lord High Admiral ... Archbishop ... Lord Mayor" and "Lord High Everything Else". The name has come to be used as a mocking title for someone self-important or locally high-ranking and who either exhibits an inflated self-regard or who has limited authority while taking impressive titles. The American writer William Safire wrote that "everyone assumes [the name] Pooh-Bah merely comes from [W. S. Gilbert] combining the two negative exclamations Pooh! plus Bah!, typical put-downs from a typical bureaucrat."

<i>Hot Mikado</i> Musical comedy

Hot Mikado is a musical comedy, based on Gilbert and Sullivan's 1885 comic opera The Mikado, adapted by David H. Bell and Rob Bowman. After researching the 1939 Broadway musical, The Hot Mikado, and being disappointed at the amount of surviving material that they could find, Bell and Bowman created a new adaptation, Hot Mikado. "Not much remains, however, of the 1939 show’s African-American emphasis, save the cool hipster style which even then was beginning to be eagerly pre-empted by Americans of every ethnicity."

<span class="mw-page-title-main">Rutland Barrington</span> British opera singer and actor, born 1853

Rutland Barrington was an English singer, actor, comedian and Edwardian musical comedy star. Best remembered for originating the lyric baritone roles in the Gilbert and Sullivan operas from 1877 to 1896, his performing career spanned more than four decades. He also wrote at least a dozen works for the stage.

<span class="mw-page-title-main">Kenneth Sandford</span> English actor and singer

Kenneth Sandford was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas of Gilbert and Sullivan.

<span class="mw-page-title-main">Sydney Granville</span> British singer and actor

Sydney Granville was an English singer and actor, best known for his performances in the Savoy Operas with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">Geraldine Ulmar</span> American opera singer and actress (1862–1932)

Geraldine Ulmar was an American singer and actress, best known for her performances in soprano roles of the Gilbert and Sullivan operas with the D'Oyly Carte Opera Company.

<span class="mw-page-title-main">George Thorne (actor)</span>

George Tyrell Thorne was an English singer and actor, best known for his performances in the comic baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company, especially on tour and in the original New York City productions. He married D'Oyly Carte chorister Geraldine Thompson.

<span class="mw-page-title-main">Fred Billington</span> English operatic singer and actor

Fred Billington was an English singer and actor, best known for his performances in baritone roles of the Savoy Operas with the D'Oyly Carte Opera Company. His career with the company began in 1879 and continued with brief interruptions until his death in 1917.

<i>The Cool Mikado</i> 1963 British film by Michael Winner

The Cool Mikado is a British musical film released in 1963, directed by Michael Winner starring Frankie Howerd, Lionel Blair and Stubby Kaye. It was produced by Harold Baim, with music arranged by Martin Slavin and John Barry. The script was written by Michael Winner from an adaptation by Maurice Browning.

For nearly 150 years, Gilbert and Sullivan have pervasively influenced popular culture in the English-speaking world. Lines and quotations from the Gilbert and Sullivan operas have become part of the English language, such as "short, sharp shock", "What never? Well, hardly ever!", "let the punishment fit the crime", and "A policeman's lot is not a happy one".

<i>The Black Mikado</i> 1975 musical comedy based on The Mikado

The Black Mikado is a musical comedy, based on Gilbert and Sullivan's The Mikado, adapted by Janos Bajtala, George Larnyoh and Eddie Quansah from W. S. Gilbert's original 1885 libretto and Arthur Sullivan's score. The show premiered on 24 April 1975 at the Cambridge Theatre in London, where it ran for 472 performances before going on a national tour. A 1976 production was mounted in Soweto, South Africa, where it played at the Diepkloof Hall. After this, the musical was not revived.

<span class="mw-page-title-main">Fisher Morgan</span> Welsh singer and actor

Thomas Fisher Morgan was a Welsh singer and actor best remembered as a principal bass-baritone with the D'Oyly Carte Opera Company during the 1950s.

<i>The Mikado</i> (1939 film) 1939 film by Victor Schertzinger

The Mikado is a 1939 British musical comedy film based on Gilbert and Sullivan's 1885 comic opera The Mikado. Shot in Technicolor, the film stars Martyn Green as Ko-Ko, Sydney Granville as Pooh-Bah, the American singer Kenny Baker as Nanki-Poo and Jean Colin as Yum-Yum. Many of the other leads and choristers were or had been members of the D'Oyly Carte Opera Company.

<i>The Mikado</i> (1967 film) 1967 British film

The Mikado is a 1967 British musical film adaptation of Gilbert and Sullivan's 1885 comic opera of the same name. The film was directed by Stuart Burge and was a slightly edited adaptation of the D'Oyly Carte Opera Company's production of The Mikado and used all D'Oyly Carte singers.

<span class="mw-page-title-main">Three Little Maids from School Are We</span> Song from Gilbert and Sillivans The Mikado

"Three Little Maids from School Are We", sometimes listed as "Three Little Maids", is a song from Act I of Gilbert and Sullivan's comic opera The Mikado.

References

  1. short, sharp shock Collins Dictionary. Retrieved: 2012-08-20.
  2. Bradley, pp. 589–590
  3. Solly, Meilan. "The Myth of "Bloody Mary", Smithsonian , March 12, 2020, accessed August 29, 2021
  4. Satires of Horace, translated by John Coningsby (1870), London: Bell and Daldy
  5. Gilbert, W. S. The Mikado, libretto, p. 16, Oliver Ditson Company
  6. Longfellow, Matthew. "Pink Floyd: The Making of Dark Side of the Moon" (1997), documentary film
  7. "Billy Bragg – It Says Here Lyrics", musicsonglyrics.com, accessed 24 February 2015
  8. "They Might Be Giants – Circular Karate Chop Lyrics", Warner/chappell Music, accessed 24 February 2015
  9. Green, Edward. "Ballads, songs and speeches", BBC News, 20 September 2004, accessed 30 September 2009
  10. "Tories on Young Criminals 1984", Interview of John Wheeler on TV AM, uploaded to YouTube on 14 August 2011, accessed 24 February 2015
  11. "Conservative General Election Manifesto 1979", Margaret Thatcher Foundation, 11 April 1979, accessed 24 February 2015
  12. Grimwood, Gabrielle Garton and Pat Strickland. "Young offenders: What next?", UK House of Commons briefing paper, 23 October 2013, accessed 24 February 2015
  13. David, Scott; Helen, Codd (1 May 2010). Controversial Issues in Prisons. McGraw-Hill Education (UK). p. 60. ISBN   978-0-335-22303-9.
  14. 1 2 Jones, Bill (12 June 1999). Political Issues in Britain Today. Manchester University Press. p. 238. ISBN   978-0-7190-5432-7.

Sources