Shu Xiuwen

Last updated

Shu Xiuwen
舒绣文
Shu Xiuwen.jpg
Shu Xiuwen in the 1940s
Born1915
Anqing, Anhui, China
Died17 March 1969(1969-03-17) (aged 53–54)
Beijing, China
Occupation(s)Film and stage actress
Notable work The Spring River Flows East
Rickshaw Boy
Guan Hanqing
Chinese name
Traditional Chinese
Simplified Chinese

Shu Xiuwen (1915 – 17 March 1969), also romanized as Shu Hsiu-wen, was a Chinese film and stage actress, as well as the first voice actress in China. She grew up in poverty but made a name for herself in the drama and film industry of Shanghai before the Second Sino-Japanese War, and then in the wartime capital Chongqing. She starred in numerous films and stage plays, including her most acclaimed film The Spring River Flows East , and was recognized as one of China's top four actresses.

Contents

After the founding of the People's Republic of China in 1949, Shu was elected to the Chinese People's Political Consultative Conference (CPPCC) and the National People's Congress. However, she was severely persecuted when the Cultural Revolution began in 1966 and died in March 1969.

Shu is known for her versatility and her performances greatly influenced later generations of Chinese actors. In 2005, she was voted as one of the 100 best actors of the 100 years of Chinese cinema.

Life

Early life

Shu Xiuwen was born in Anqing, Anhui Province, in 1915. [1] She had three sisters. Her grandfather was a prominent Confucian scholar, but her family had become impoverished. When she was six her family moved to Beijing, [1] where her father taught at a secondary school. [2] When Shu was in high school herself, her father lost his job and she was forced to drop out to help her mother with the family's housework. Her parents both became addicted to opium and fell into debt. Her father tried to sell her to repay his debts, but she escaped and worked as an escort and dancing girl at a club on East Chang'an Street. [2]

Early career

Shu on the cover of The Screen Pictorial, No. 4 (1935) Shu Xiuwen on Screen Pictorial.jpg
Shu on the cover of The Screen Pictorial, No. 4 (1935)

Considering her job humiliating, [2] Shu Xiuwen—then 16 years old—left Beijing for Shanghai in the spring of 1931 to seek better opportunities. She found work teaching Mandarin at the Tianyi Film Company and served as a voice actress in Tianyi's Sing-Song Girl Red Peony (1931), China's first sound film, thus becoming China's first voice actress. [1] [3] She was also introduced to Chen Yumei, the star actress of Tianyi, who gave Shu a minor role in the film A Girl Named Yunlan(芸兰姑娘, 1932). [2]

Her acting experience enabled her to find work with the Jimei Song and Dance Troupe. Although the troupe folded soon afterward, through her professional connections she was able to join the Mayflower Drama Troupe led by the prominent leftist playwright Tian Han. However, the Kuomintang government disbanded the troupe for its leftist plays and arrested Shu's friend Gui Jiangong. The experience prompted her to become actively involved in the leftist movement. [2] When Tian Han formed the new Spring and Autumn Troupe, Shu Xiuwen soon joined it and became its main actress. She performed many stage plays such as Death of a Star, Seven Women in the Storm, and Killing of an Infant. [2]

Following Tian Han, Shu joined the Yihua Film Company in 1932 and formally became a film actress. She starred in Tian Han's National Survival and Yang Hansheng's Raging Waves of the China Sea. She also performed with the Chinese Touring Drama Troupe. [2] [1] In 1934, she joined the Mingxing Film Company, and in the next three years she starred in at least 15 films before war broke out in 1937. Two films she co-starred in with Hu Die, Peach Flowers After Calamity and Fragrant by Night, were critically acclaimed. [2] As her career blossomed, she moved her parents and sisters to Shanghai and financially supported them. [2]

Wartime

When the Second Sino-Japanese War broke out in 1937, Shanghai's film studios were mostly destroyed in the three months of fighting known as the Battle of Shanghai. [4] Shu joined the mass exodus of refugees for the wartime capital Chongqing, where she worked for the government-run China Film Studio. She starred in several films such as Defend Our Land, A Good Husband, and Frontier Storm. When traveling to Inner Mongolia to shoot a film, she visited the Communist base at Yan'an and was received by Mao Zedong. [2]

From 1941 to 1946, Shu devoted herself to performing anti-Japanese and patriotic stage plays such as Thunderstorm and Sunrise by the famous playwright Cao Yu. [2] Her acting skills established her reputation as one of China's "Four Great Actresses" of the time, together with Bai Yang, Qin Yi, and Zhang Ruifang. [2] [5]

Shu returned to Shanghai after the war ended in 1945. She starred in several acclaimed films, including Killer, Weakness, Your Name Is Woman, and the most celebrated film of her career The Spring River Flows East . [2] [1] In 1948 and 1949, during the Chinese Civil War, Shu went to Hong Kong and starred in Flowers Fall in Spring City, Way of Love, and Wild Fire, Spring Wind. [2]

Communist China

Shu Xiuwen in the 1950s Shu Xiuwen 1.jpg
Shu Xiuwen in the 1950s

After the establishment of the People's Republic of China in 1949, Shu returned to Shanghai to work for the Shanghai Film Studio. She was transferred to Beijing in 1957 and became deputy art director of the Beijing People's Art Theatre. [1] In this period she starred in the films Female Driver and Li Shizhen, and performed in the stage plays Rickshaw Boy and Guan Hanqing . [2]

Shu was elected to the 1st Chinese People's Political Consultative Conference, the 2nd and 3rd National People's Congress, the executive committee of the All-China Women's Federation, and the China Federation of Literary and Art Circles. She also served as managing director of the China Theatre Association and the China Film Association. [1]

Like many film and drama workers, Shu Xiuwen was severely persecuted when the Cultural Revolution began in 1966. She did not survive the persecution and died on 17 March 1969 at age 54. [2]

Legacy

Shu Xiuwen is remembered as one of the greatest actresses of her era, best known for her versatility. She was able to portray a wide range of roles both in film and on stage, including a rural woman forced to kill her newborn child because of abject poverty (Killing of an Infant), a naive but kind girl (Killer), and a polished but cruel social butterfly (The Spring River Flows East). In Flowers Fall in Spring City, she played two very different roles: a poor rural woman and her daughter who had been brought up in affluence in the big city. [2] Her performances greatly influenced later generations of Chinese actors. [1]

In 2005, Shu was voted as one of the 100 best actors of the 100 years of Chinese cinema. [6]

Related Research Articles

<span class="mw-page-title-main">Shu Qi</span> Taiwanese–Hong Kong actress and model (born 1974)

Lin Li-hui, better known by her stage name Shu Qi, is a Hong Kong–Taiwanese actress and model.

<span class="mw-page-title-main">Xia Meng</span> Hong Kong actress and film producer

Xia Meng 16 February 1933 – 30 October 2016), a.k.a. Hsia Moon and Miranda Yang, born Yang Meng, was a Hong Kong actress and film producer. She was a key figure of Hong Kong's Left Wing film scene.

Xu Jinglei is a Chinese actress and film director. She was hailed as one of the Four Dan Actresses in China. In 2002, Xu won the Huabiao Award for Outstanding New Actress for her performance in I Love You and the Hundred Flowers Award for Best Actress for Spring Subway. The same year, she won the Golden Rooster Award for Best Supporting Actress for her performance in Far From Home. In 2003, she won the directing debut award of the 23rd Golden Rooster Award for the first film she directed, My Father and I. In 2004, she won the Best Director Award at the 52nd San Sebastián International Film Festival for her film Letter from an Unknown Woman, which she adapted, directed and starred in.

<span class="mw-page-title-main">Hu Mei (director)</span>

Hu Mei is a Chinese film director, television director and producer. Usually classed as a Fifth Generation director, since she graduated from the Directors' class of the 1982 Beijing Film Academy cohort, she is a classmate of famous Fifth Generation directors such as Chen Kaige and Tian Zhuangzhuang.

<i>Two Stage Sisters</i> 1964 film directed by Xie Jin

Two Stage Sisters is a 1964 Chinese drama film produced by Shanghai Tianma Film Studio and directed by Xie Jin, starring Xie Fang and Cao Yindi. Made just before the Cultural Revolution, it tells the story of two female Yue opera practitioners from the same troupe who end up taking very different paths in their lives: "one succumbs to bourgeois affluence and privilege, while the other finds inspiration and fulfilment in the social commitment associated with the May Fourth movement and the thought of Lu Xun.” The film documents their journey through abusive feudal conditions in the countryside before achieving success and prestige on the stage, meanwhile historically following Shanghai's experience under Japanese and KMT rule. This original screenplay depicts the socio-political changes encompassing China from 1935-1950 through the theatrical world of Shaoxing, and accordingly mixes both a Chinese aesthetic with Hollywood and socialist realist forms. The main protagonist is said to be based on the life of Xie Jin's friend and opera-veteran Yuan Xuefen.

<span class="mw-page-title-main">Hu Die</span> Chinese actress

Hu Die, also known by her English name Butterfly Wu, was a popular Chinese actress during the 1920s and 1930s. She was voted China's first "Movie Queen" in 1933, and won the Best Actress Award at the 1960 Asian Film Festival for her performance in Rear Door.

<span class="mw-page-title-main">Qin Yi</span> Chinese actress (1922–2022)

Qin Yi was a Chinese actress. She gained fame for her stage performances in the war-time capital Chongqing during the Second Sino-Japanese War. After the war, she became one of China's most popular film actresses throughout the 1950s and the 1960s, and was recognised as one of the country's top four actresses. Premier Zhou Enlai called her the "most beautiful woman in China".

<span class="mw-page-title-main">Zhang Ruifang</span>

Zhang Ruifang was a Chinese film and theatre actress.

Chinese Film Performance Art Academy, founded in January 1985, is a professional organization of Chinese actors.

<span class="mw-page-title-main">Shangguan Yunzhu</span> Chinese actress active from the 1940s to the 1960s

Shangguan Yunzhu was a Chinese actress active from the 1940s to the 1960s. She was considered one of the most talented and versatile actresses in China, and was named one of the 100 best actors of the 100 years of Chinese cinema in 2005.

<span class="mw-page-title-main">Wu Yin (actress)</span> Chinese actress

Wu Yin was a Chinese film and drama actress active from the 1930s to 1990. She appeared in 45 films and 48 plays, most notably in the classics The Spring River Flows East (1947), Myriad of Lights (1948), and Crows and Sparrows (1949). Famous for playing roles of older women, she was dubbed the "First Old Lady" of Chinese cinema. In 2005 she was chosen as one of the 100 best actors of the 100 years of Chinese cinema.

<span class="mw-page-title-main">Wang Renmei</span> Chinese actress and singer

Wang Renmei was a famous Chinese actress and singer nicknamed the "Wildcat of Shanghai". She was mainly active during the 1930s, and her most notable film was the 1934 Song of the Fishermen directed by Cai Chusheng, which was the first Chinese film to win an international prize. In 2005, she was chosen as one of the 100 best actors of the 100 years of Chinese cinema.

<span class="mw-page-title-main">Choo Ja-hyun</span> South Korean actress

Chu Eun-ju, known by her stage name Choo Ja-hyun, is a South Korean actress. Best known in Korea for the films Bloody Tie (2006) and Portrait of a Beauty (2008), Choo has also actively worked in China since 2007, notably in television drama The Temptation to Go Home.

<span class="mw-page-title-main">Ai Xia</span> Chinese actress and screenwriter

Ai Xia was a Chinese left-wing silent film actress and screenwriter. She committed suicide in 1934, the first Chinese actor to have done so. Her suicide inspired Cai Chusheng's classic film New Women starring Ruan Lingyu, who also killed herself soon after the release of the film.

<span class="mw-page-title-main">Bai Yang (actress)</span> Chinese actress (1920–1996)

Bai Yang was a Chinese film and drama actress mainly active from the 1930s to the 1950s, during which she was one of the country's most popular movie stars. She was considered the foremost of China's "Four Great Actresses," ahead of Qin Yi, Shu Xiuwen, and Zhang Ruifang. Her most famous films include Crossroads (1937), The Spring River Flows East (1947), Eight Thousand Li of Cloud and Moon (1947), and New Year's Sacrifice (1955).

<i>Novoland: The Castle in the Sky</i> Chinese TV series or program

Novoland: The Castle in the Sky is a 2016 Chinese television series based on an original story created by Shanghai Film Media Asia and Tencent Penguin Pictures. Set in an ancient world (Novoland) where humanity is separated into several races, the series centers on the souring relations between the Humankind Tribe and the Wingkind Tribe. It aired on Jiangsu TV from 20 July to 1 September 2016.

<span class="mw-page-title-main">Chen Bo'er</span>

Chen Bo'er was a prolific and revolutionary left-wing Chinese actress and filmmaker in the 1930s and 40s before her premature death in 1951. She began her activism work in Shanghai, writing essays for magazines and newspapers, where she expounded her beliefs about feminism, women's rights, and national salvation. It was also in Shanghai that Chen became a notable celebrity, starring in films and theatre productions and advocating for leftwing pro-communist revolution. In Yan'an, then de facto capital of Communist where she established a film studio backed by the Communist government, she produced anti-Japanese theatre and drama performances, and assisted in screenwriting, directing, and producing. She was the first female director endorsed by the Communist government. She later moved to Changchun to work as Party secretary of the Northeast Film Studio, where she was a pioneer of Chinese animation. In Beijing, Chen was made art department director of the Central Film Bureau. She advocated for the establishment of the People's Republic of China's first national film school, the Beijing Film Academy. Chen Bo'er was an ardent feminist, whose work paved the way for women filmmakers and revolutionaries in China.

<span class="mw-page-title-main">Huang Zongying</span> Chinese writer and actress (1925–2020)

Huang Zongying was a Chinese actress and writer. She starred in many black-and-white films such as Rhapsody of Happiness (1947), Crows and Sparrows (1949), Women Side by Side (1949), and The Life of Wu Xun (1950), all co-starring her third husband Zhao Dan.

Tian Chengren was a Chinese actor who appeared in more than 100 films, television dramas, and plays. He won the Flying Apsaras Award for Outstanding Actor in 1984 and was nominated for the 19th Golden Rooster Award for Best Actor and the 9th Huabiao Award for Outstanding Actor. He was best known for his performances in the television dramas the "Trilogy of Women" and the film Warm Spring.

<span class="mw-page-title-main">Jin Shan</span> Chinese actor and director

Jin Shan, formerly known as Zhao Mo, was a Chinese drama and film actor, and director. He served as a member of the Chinese Federation of Literary and Art Circles, vice chairman of the Chinese Dramatists Association, and also a member of the Fifth National Committee of the Chinese People's Political Consultative Conference. He was known as the "Drama emperor".

References

  1. 1 2 3 4 5 6 7 8 Wang, Mable (28 June 2015). "Shu Xiuwen". All-China Women's Federation.
  2. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 Lee, Lily Xiao Hong (8 July 2016). Biographical Dictionary of Chinese Women: V. 2: Twentieth Century. Routledge. pp. 461–2. ISBN   978-1-315-49924-6.
  3. 第一个女配音演员:舒绣文 (in Chinese). China.com.cn. 8 October 2008.
  4. Fu, Poshek (2003). Between Shanghai and Hong Kong: The Politics of Chinese Cinemas. Stanford University Press. p. 3. ISBN   978-0-8047-4518-5.
  5. 中国影剧界四大名旦. CNKI (in Chinese). Retrieved 22 November 2017.
  6. 中国电影百年百位优秀演员 [100 Best Actors of the 100 Years of Chinese Cinema]. Sina (in Chinese). 13 November 2005.