Jose Roberto Pulido Jr., known professionally as Bobby Pulido, is an American singer, songwriter, guitarist, and actor. He is acclaimed for pioneering the dissemination of Tejano music to a youthful audience, subsequently ascending as a teen idol and becoming one of the most influential Tejano recording artists among Mexican-American teenagers.
Amor Prohibido is the fourth studio album by American singer Selena, released on March 22, 1994, by EMI Latin. Having reached a core fan base, the label aimed to broaden her appeal with the next studio release. Finding it challenging to write a follow-up hit after "Como la Flor" (1992), Selena's brother A. B. Quintanilla enlisted the assistance from band members Ricky Vela and Pete Astudillo with writing the album's songs. The resulting album has a more mature sound featuring experimental production that blends diverse musical styles from ranchera to hip-hop music. Amor Prohibido is a Tejano cumbia album modernized with a synthesizer-rich delivery using a minimalist style that was quintessential in early 1990s Tejano music.
Entre a Mi Mundo is the third studio album by American singer Selena, released on May 6, 1992, by EMI Latin. The label endeavored to bolster Selena's popularity within the Latin music market in the United States with this release. Selena's brother, A. B. Quintanilla sustained his role as the singer's producer and, in collaboration with Selena y Los Dinos members Pete Astudillo and Ricky Vela, composed tracks for the album. The ensuing recording encompassed an eclectic array of songs, attributable to the members' diverse backgrounds, which facilitated the modernization of the sundry genres they explored. Entre a Mi Mundo is a Tejano cumbia album that encapsulated Selena's quintessential sound, characterized by engaging tunes harmonized with her distinctive, plaintive vocals and a relaxed, danceable cumbia beat. The album incorporates musical inspirations from power pop, R&B, disco, rock, funk, and synthesized Tejano music.
Selena is the self-titled debut studio album by American Tejano singer Selena, released on October 17, 1989, by EMI Latin. Its music incorporates a range of contemporary genres with a mix of cumbia and regional styles of Mexican music. The album was released following company president Jose Behar's failed crossover request for the singer. The project was denied by the heads of EMI Records' pop division, believing the singer should first strengthen her fanbase. Selena's brother and principal record producer and songwriter, A.B. Quintanilla III fought to remain the singer's producer. The band introduced Pete Astudillo and Joe Ojeda, who contributed to the album's experimental production and songwriting. Aside from A.B., Selena worked with two Mexican songwriters, Alejandro Montealegre and Reinaldo Ornelas.
Live! or Selena Live! is a live album by American Tejano pop singer Selena, which was released on May 4, 1993, by EMI Latin. The album was re-released on September 22, 2002, as being part of the Selena: 20 Years of Music collection; which included spoken liner notes by her family, friends and her former band members Selena y Los Dinos. Live! includes three cumbia-influenced studio tracks, while the rest of the album consists of live versions of previously released songs. The album was recorded during a free concert at the Memorial Coliseum in Corpus Christi, Texas, on February 7, 1993. It was certified gold by the Recording Industry Association of America in its first year, double platinum in 1995, and 8× platinum in 2017.
Dreaming of You is the fifth and final studio album by American singer Selena. Released posthumously on July 18, 1995, by EMI Latin and EMI Records, it was an immediate commercial and critical success, debuting atop the United States Billboard 200—the first predominately Spanish-language album to do so. It sold 175,000 copies on its first day of release in the U.S.—a then-record for a female vocalist. With first week sales of 331,000 units, it became the second-highest first-week sales for a female musician since Nielsen Soundscan began monitoring album sales in 1991. Billboard magazine declared it a "historic" event, while Time said the recording elevated Selena's music to a wider audience. It won Album of the Year at the 1996 Tejano Music Awards and Female Pop Album of the Year at the 3rd annual Billboard Latin Music Awards.
Anthology is the first box set by American singer Selena. It was released posthumously on April 7, 1998, through EMI Latin to commemorate the singer's works. The collection comprises 30 tracks, dispersed across three genre-themed discs: "Pop / English" showcases uptempo pop compositions, "Mariachi" highlights Mexican ballads featuring poignant narratives of heartache, and "Cumbia" presents danceable tropical rhythms. The album encompasses recordings from a 14-year-old Selena on her Alpha (1986) album to the posthumous "Disco Medley" (1997). With a limited number of unaltered tracks, Anthology predominantly features reworked and remastered musical arrangements, while preserving the singer's original vocals. Selena's death in March 1995 prompted an influx of requests from her admirers. The singer's father and manager, Abraham Quintanilla, expressed a desire to maintain his daughter's legacy through her music. However, Selena's family has faced criticism from both fans and the media, who accuse them of capitalizing on her death and commodifying her repertoire.
All My Hits: Todos Mis Éxitos is a greatest hits album by American singer Selena. It was released posthumously on March 9, 1999, through EMI Latin to commemorate its ten-year anniversary since entering the music industry. The album coincided with the fourth anniversary of Selena's death, though then-president Jose Behar rebuffed the idea that the album was an exploitive ploy by the company. Following Selena's death on March 31, 1995, Abraham Quintanilla expressed his interest in preserving his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire. According to the singer's brother, A.B. Quintanilla, one of Selena's wishes was for her to "never go away", citing a conversation he shared with Selena and their sister Suzette Quintanilla, that if anything were to happen to any one of them, their wish would be to continue on with their music.
All My Hits: Todos Mis Éxitos Vol. 2 is a greatest hits album by American singer Selena that was released on February 29, 2000, through EMI Latin. After Selena's murder in 1995, her father Abraham Quintanilla stated his commitment to preserving her music and EMI Latin pledged ongoing support for her releases. In 1999, the label's president José Behar acknowledged Selena, who remained the label's top-selling artist, for her contributions to establishing EMI Latin as "the house that Selena built". In March 1999, to commemorate the label's tenth anniversary, it released All My Hits: Todos Mis Éxitos; it achieved commercial success and a sequel was announced. All My Hits: Todos Mis Éxitos Vol. 2 contains 16 songs ranging from tracks featured on Selena's Muñequito de Trapo (1987) to the posthumous 1997 club remix of "Enamorada de Ti" (1990).
Ones is a compilation album by American singer Selena, released in the United States on October 1, 2002 by EMI Latin. It was released on November 11, 2002 in Spanish-speaking countries, while the limited edition included a bonus DVD of her music videos. Ones was released building on the popularity of the 1997 biographical film Selena. The album was aimed at Selena's new generation of fans, and its release marked the singer's twentieth year in the music industry. Ones features six number one singles namely, "Amor Prohibido", "Bidi Bidi Bom Bom", "No Me Queda Más", "Fotos y Recuerdos", and her duets with Álvaro Torres on "Buenos Amigos" and the Barrio Boyzz on "Donde Quiera Que Estés".
Momentos Intimos is a compilation album by American singer Selena and released posthumously on March 23, 2004, through EMI Latin. The album contains 24 tracks, though the last eight are spoken liner notes provided by the singer's family, friends, and her Los Dinos band. The songs on the album range from "Como Te Quiero Yo A Ti" (1988), a re-recorded version modernized and remixed on the album, to "Puede Ser", an unreleased duet with Nando "Guero" Dominguez, recorded two weeks before Selena was shot and killed in March 1995. Following Selena's death, her father Abraham Quintanilla expressed his interest in persevering his daughter's memory through her works. Selena's family has been criticized by fans and the media for exploiting the singer and cannibalizing her murder by commercializing her repertoire.
Pedro Astudillo, known as Pete Astudillo, is an American singer-songwriter, record producer, and dancer. Referred to as "the Latino Babyface", he is regarded as the mastermind behind Selena's sound, as he collaborated or coauthored the singer's top-selling and most popular recordings that cemented him into music history. Astudillo wrote or collaborated on some of the most popular Tejano music songs of the 1990s and was inducted into the Tejano Roots Hall of Fame in 2019. His impact on the United States Latin music scene lies in his role as a songwriter collaborator, according to Billboard magazine.
"Techno Cumbia" is a song recorded by American singer Selena for her fourth studio album, Amor Prohibido (1994). It was posthumously released as the b-side track to "Dreaming of You" through EMI Latin on August 14, 1995. Techno Cumbia would be put on her fifth and final studio album Dreaming of You (1995) and would be the fourth single for Dreaming Of You. "Techno Cumbia" was written by Pete Astudillo and co-written and produced by Selena's brother-producer A.B. Quintanilla. The song is a dance-pop and tecnocumbia recording with influences of dancehall, rap, Latin dance, and club music. Lyrically, Selena calls on people to dance her new style the "techno cumbia" and calls out those who cannot dance.
"Amor Prohibido" is the title song of American Tejano singer Selena's fourth studio album of the same name (1994). Released as the lead single through EMI Latin on April 13, 1994, it was written by Selena, her brother and music producer A.B. Quintanilla III, and her band's backup vocalist Pete Astudillo. A popular interpretation compares it to Romeo and Juliet.
Las Reinas del Pueblo is a compilation album by American Tejano music singer Selena and Mexican banda singer Graciela Beltrán. Posthumously released on April 4, 1995, by EMI Latin in the wake of Selena's death on March 31, 1995, the decision to produce a compilation album featuring Beltrán emerged after her tribute to the singer at a Houston memorial. The title was inspired by Mexican newspapers that referred to Selena as "an artist of the people" during a 1992 press tour in the nation and subsequently dubbed her "La Reina del Pueblo" in the aftermath of her death. Las Reinas del Pueblo encompasses six tracks by Selena and six by Beltrán, encapsulating their respective tenures with EMI Latin. Las Reinas del Pueblo peaked at number four on the US Billboard Top Latin Albums and Regional Mexican Albums chart, both behind other Selena releases. The recording peaked at number 147 on the American Billboard 200 chart. The album peaked at number ten on the Spanish albums chart in 2010. Beltrán's participation in the album yielded substantial promotional and sales enhancements.
"Ámame" is a song by American singer Selena, taken from her third studio album, Entre a Mi Mundo (1992). Selena and Chris Pérez began secretly dating subsequent to Pérez's reintegration into Selena y Los Dinos in the summer of 1991, despite her father's objections. The song was written by Selena and conveys her sentiments towards Pérez as they concealed their liaison from familial scrutiny. Pete Astudillo contributed to the lyrical development of the composition, while A. B. Quintanilla handled production. It was released as the fourth and final single from the album in April 1993.
"Buenos Amigos" is a down-tempo, pop ballad duet recorded by Salvadoran recording artist Álvaro Torres and American recording artist Selena for Torres' sixth studio album Nada Se Compara Contigo (1991). The song was released by EMI Latin in 1992, as the album's second single. Its lyrics explore a friendship built on the strong, unrequited feelings of the male narrator. Torres composed "Buenos Amigos" after attending a showcase event at which Selena was performing.
"No Quiero Saber" is a song recorded by American recording artist Selena. It was originally a track on her second studio album Ven Conmigo (1990). It was composed and produced by her brother, A.B. Quintanilla III. Pete Astudillo, a backup singer with Selena y Los Dinos, produced the song with Quintanilla. The recording was later remixed by Quintanilla III for Selena's 1996 first remix album, Siempre Selena. It was released posthumously by EMI Latin in June 1996, as the album's second single, behind "Siempre Hace Frio".
"Siempre hace frío" is a ranchera song written by Mexican singer-songwriter Cuco Sánchez in 1956. Sánchez first recorded it as a 45-rpm single for the Mexican record label Columbia. His recording features guitarist Antonio Bribiesca and harpist Benito Martínez. That same year Flor Silvestre sang it in the film La justicia del gavilán vengador, which was released in 1957.
"Donde Quiera Que Estés" is a duet recorded by American Latin pop quintet the Barrio Boyzz and American Tejano singer Selena. Released on the Barrio Boyzz' album of the same name, "Donde Quiera Que Estés" was written by K. C. Porter, Miguel Flores, Desmond Child, and produced by A.B. Quintanilla III, Domingo Padilla and Bebu Silvetti. The lyrics explore feelings felt after a breakup between first-time lovers who hope that their love will one day return. "Donde Quiera Que Estés" is a dance pop song with influences from hip-hop music.
