Simone Arlene Browne (born 1973) is an author and educator. She is on the faculty at the University of Texas at Austin, [1] and the author of Dark Matters: On the Surveillance of Blackness.
Simone Arlene Browne (born 1973) is an author and educator. She is on the faculty at the University of Texas at Austin, [1] and the author of Dark Matters: On the Surveillance of Blackness.
Browne was born in 1973, [2] and grew up in Toronto, Ontario, where she received a BA (with honors), MA, and PhD at the Ontario Institute for Studies in Education in the Department of Sociology and Equity Studies at the University of Toronto. [3] Her 2001 Masters thesis was titled Surveilling the Jamaican body, leisure imperialism, immigration and the Canadian imagination. [2] Her doctoral dissertation in 2007 was titled Trusted travellers: the identity-industrial complex, race and Canada's permanent resident card. [4]
Browne is a Professor of Black Studies in the Department of African and African Diaspora Studies at the University of Texas at Austin. [1] Her most recent book, Dark Matters: On the Surveillance of Blackness, published by Duke University Press in 2015, presents a case to consider race and blackness as a central to the field of surveillance studies, and investigates the roots of present-day surveillance in practices originating in slavery and the Jim Crow era. [5] [6] Javier Arbona of the University of California, Davis, said "her wholly original scholarship best captures new kinds of thinking and theorizing in surveillance studies". [7]
She is a member of Deep Lab, a "congress of cyber-feminist researchers." [8]
She is also on the executive board of HASTAC, a virtual organization led by a dynamic Steering Committee consisting of innovators from a variety of disciplines. [9]
Her work, "Not Only Will I Stare," involves the curation of an exhibit about surveillance through black women artists at the University of Texas at Austin. [10] The exhibit "used the space to showcase selected artists and artwork which reflect the intersections and evolving history of surveillance and the Black community." [11]
Lorraine Vivian Hansberry was an American playwright and writer. She was the first African American female author to have a play performed on Broadway. Her best-known work, the play A Raisin in the Sun, highlights the lives of black Americans in Chicago living under racial segregation. The title of the play was taken from the poem "Harlem" by Langston Hughes: "What happens to a dream deferred? Does it dry up like a raisin in the sun?" At the age of 29, she won the New York Drama Critics' Circle Award — making her the first African-American dramatist, the fifth woman, and the youngest playwright to do so. Hansberry's family had struggled against segregation, challenging a restrictive covenant in the 1940 U.S. Supreme Court case Hansberry v. Lee.
The women's liberation movement (WLM) was a political alignment of women and feminist intellectualism that emerged in the late 1960s and continued into the 1980s primarily in the industrialized nations of the Western world, which effected great change throughout the world. The WLM branch of radical feminism, based in contemporary philosophy, comprised women of racially and culturally diverse backgrounds who proposed that economic, psychological, and social freedom were necessary for women to progress from being second-class citizens in their societies.
Michele Faith Wallace is a black feminist author, cultural critic, and daughter of artist Faith Ringgold. She is best known for her 1979 book Black Macho and the Myth of the Superwoman. Wallace's writings on literature, art, film, and popular culture have been widely published and have made her a leader of African-American intellectuals. She is a Professor of English at the City College of New York and the Graduate Center of the City University of New York (CUNY).
Black feminism, also known as Afro-feminism chiefly outside the United States, is a branch of feminism that focuses on the African-American woman's experiences and recognizes the intersectionality of racism and sexism. Black feminism also acknowledges the additional marginalization faced by black women due to their social identity.
Chicana feminism is a sociopolitical movement, theory, and praxis that scrutinizes the historical, cultural, spiritual, educational, and economic intersections impacting Chicanas and the Chicana/o community in the United States. Chicana feminism empowers women to challenge institutionalized social norms and regards anyone a feminist who fights for the end of women's oppression in the community.
Daniel Heath Justice is an American-born Canadian academic and citizen of the Cherokee Nation. He is professor of First Nations and Indigenous Studies and English at the University of British Columbia. He started his studies at University of Northern Colorado and received his M.A. and Ph.D. from the University of Nebraska–Lincoln. He began his career at the University of Toronto, where he taught English and worked in association with the Aboriginal Studies Program.
The John Hope Franklin Center for Interdisciplinary and International Studies (JHFC) is located at Duke University in the United States. It is a consortium of programs dedicated to studying and revitalizing theories of how knowledge is gained and exchanged. The more than twenty participants come from a broad range of disciplines, converging to explore intellectual, social, and political issues, including race and race relations, the legacy of the African-American Experience, equality and opportunity amongst populations, and the implications of globalization. In essence, the Center's mission is to facilitate the interactions of humanists and others involved in the social sciences in an intellectual setting amenable to diverse partnerships.
Hip hop feminism is a sub-set of black feminism that centers on intersectional subject positions involving race and gender in a way that acknowledges the contradictions in being a black feminist, such as black women's enjoyment in hip hop music and culture, rather than simply focusing on the victimization of black women in hip hop culture due to interlocking systems of oppressions involving race, class, and gender.
Transgender studies, also called trans studies or trans* studies, is an interdisciplinary field of academic research dedicated to the study of gender identity, gender expression, and gender embodiment, as well as to the study of various issues of relevance to transgender and gender variant populations. Interdisciplinary subfields of transgender studies include applied transgender studies, transgender history, transgender literature, transgender media studies, transgender anthropology and archaeology, transgender psychology, and transgender health. The research theories within transgender studies focus on cultural presentations, political movements, social organizations and the lived experience of various forms of gender nonconformity. The discipline emerged in the early 1990s in close connection to queer theory. Non-transgender-identified peoples are often also included under the "trans" umbrella for transgender studies, such as intersex people, crossdressers, drag artists, third gender individuals, and genderqueer people.
Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.
Deep Lab is a women's collective group composed of artists, researchers, writers, engineers, and cultural producers. These women are involved in critical assessments of contemporary digital culture and, together, work to exploit the potential for creative inquiry lying dormant in the deep web. Outside of Deep Lab, the members engage in activities that range from magazine editing, journalism, various forms of activism, and teaching. The collective's research spans a variety of topics including privacy, code, surveillance, art, social hacking, capitalism, race, anonymity, 21st century infrastructures, and practical skills for real-world applications. Deep Lab draws influence from Experiments in Art and Technology (E.A.T.), Cypherpunks, Guerrilla Girls, Free Art and Technology Lab (F.A.T.), Chaos Computer Club, and Radical Software.
Sherene Razack is a Distinguished Professor and the Penny Kanner Endowed Chair in Women’s Studies in the Department of Gender Studies, University of California at Los Angeles. As a feminist critical race scholar, her research and teaching focus on racial violence. She is best known for her contributions to feminist and critical race studies about discrimination against Muslim and Indigenous women in Canada, systemic racism in the Canadian justice system, and colonial violence against Indigenous peoples worldwide. She is the founder of the virtual research and teaching network Racial Violence Hub (RVHub). Formerly a Distinguished Professor of Critical Race and Gender Studies in the Department of Social Justice, the Ontario Institute for Studies in Education of the University of Toronto (1991-2016), she relocated to the United States from Canada in 2016.
White feminism is a term which is used to describe expressions of feminism which are perceived as focusing on white women but are perceived as failing to address the existence of distinct forms of oppression faced by ethnic minority women and women lacking other privileges. The term has been used to label and criticize theories that are perceived as focusing solely on gender-based inequality. Primarily used as a derogatory label, "white feminism" is typically used to reproach a perceived failure to acknowledge and integrate the intersection of other identity attributes into a broader movement which struggles for equality on more than one front. In white feminism, the oppression of women is analyzed through a single-axis framework, consequently erasing the identity and experiences of ethnic minority women the space. The term has also been used to refer to feminist theories perceived to focus more specifically on the experience of white, cisgender, heterosexual, able-bodied women, and in which the experiences of women without these characteristics are excluded or marginalized. This criticism has predominantly been leveled against the first waves of feminism which were seen as centered around the empowerment of white middle-class women in Western societies.
Colorism in the Caribbean describes discrimination based on skin tone, or colorism, in the Caribbean.
Keeanga-Yamahtta Taylor is an American academic, writer, and activist. She is a professor of African American Studies at Northwestern University. She is the author of From #BlackLivesMatter to Black Liberation (2016). For this book, Taylor received the 2016 Cultural Freedom Award for an Especially Notable Book from the Lannan Foundation.
Omise'eke Natasha Tinsley is Professor of Black Studies at the University of California, Santa Barbara. Previously she was an Associate Professor of African and African Diaspora Studies at the University of Texas at Austin. She is trained in literary critique, and does work in Caribbean Studies, Black Diaspora Studies, Gender and Women's Studies, and Pop Culture Studies. She is the author of Thiefing Sugar: Eroticism between Women in Caribbean Literature, and Ezili′s Mirrors: Imagining Black Queer Genders. She received the F.O. Matthiessen Visiting Professorship of Gender and Sexuality at Harvard for the 2018–2019 school year. Her latest work Beyoncé in Formation: Remixing Black Feminism was published in November 2018. It is based on her course at University of Texas Austin entitled Beyoncé Feminism, Rihanna Womanism, which launched in Spring 2015.
M. Jacqui Alexander is a writer, teacher, and activist. She is both a Professor Emeritus at the Women and Gender Studies Department of the University of Toronto as well as the creator and director of the Tobago Centre "for the study and practice of indigenous spirituality". Jacqui Alexander is an enthusiast of "the ancient African (diasporic) spiritual systems of Orisa/Ifá, and a student of yoga and Vipassana meditation". She has received teachings on this meditative practice in Nigeria, the Kôngo, India, Haiti, Trinidad and Tobago, and New York. The themes of her work have captured a range of social justice subjects from the effects of imperialism, colonialism, and enslavement with special attention paid to the "pathologizing narratives" around homosexuality, gender, nationalism. Alexander's academic areas of interest specifically include: African Diasporic Cosmologies, African Diasporic Spiritual Practices, Caribbean studies, Gender and the Sacred, Heterosexualization and State Formation, Transnational feminism.
Lantern laws refer to the 18th-century legal code in New York City that mandated Black, mixed race, and Indigenous people carry candle lanterns while walking the streets after dark and not in company of a white person.
Ratchet feminism emerged in the United States from hip hop culture in the early 2000s, largely as a critique of, and a response to, respectability politics. It is distinct from black feminism, womanism, and hip hop feminism. Ratchet feminism coopts the derogatory term (ratchet). Other terms used to describe this concept include ratchet womanism as used by Georgia Tech professor Joycelyn Wilson or ratchet radicalism used by Rutgers professor Brittney Cooper. Ratchet is an identity embraced by many millennials and Gen Z black women and girls. The idea of ratchetness as empowering, or of ratchet feminism, has been articulated by artists and celebrities like Nicki Minaj, City Girls, Amber Rose, and Junglepussy, scholars like Brittney Cooper and Mikki Kendall, and through events like Amber Rose's SlutWalk. Many view ratchet feminism as a form of female empowerment that doesn't adhere to respectability politics.
La Parole aux négresses is a founding book of Francophone African feminism by Awa Thiam published in 1978 with a foreword by Benoîte Groult. It is considered a founding essay of intersectionality exposing the specificity of black women's feminism in the feminist movement from a francophone point of view. It is composed of interviews giving voices to the concerned black women.
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