Slap the Monster on Page One

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Slap the Monster on Page One
Slap the Monster on Page One.jpg
Directed by Marco Bellocchio
Written by Sergio Donati
Goffredo Fofi
Produced byUgo Tucci
Starring Gian Maria Volonté
Corrado Solari
Laura Betti
Fabio Garriba
Cinematography Erico Menczer
Music by Nicola Piovani
Release date
  • 19 October 1972 (1972-10-19)
Running time
93 min.
Language Italian

Slap the Monster on Page One (Italian: Sbatti il mostro in prima pagina) is a 1972 Italian political thriller directed by Marco Bellocchio. [1]

Contents

Background

The film began with Sergio Donati as director but after a week of shooting, Bellocchio took over in order to turn it, with the assistance of film critic Goffredo Fofi, from an Italian western to a political thriller, inducting in the cast actress Laura Betti. By 1969, Bellocchio was an active member of the maoist Italian (Marxist–Leninist) Communist Party and his film work was often commissioned by the party, including the "Monster," and documentaries such as Viva il 1o Maggio rosso e proletario ("Long Live the Red and Proletarian 1st of May", 1970) or Il popolo calabrese ha rialzato la testa ("The Calabrese people have raised their heads again"). [2]

Eventually, the film was assessed by a critic as a rather "generic product" of the so-called cinema civile ("civil cinema") sub-genre. [3] Still, these films represent a small portion of the director's output. [1]

Plot

The film depicts the daily life of a fictitious Italian daily newspaper, Il Giornale ("The Journal"). The newspaper caters to a conservative, fascist, bourgeois readership. Its chief-editor Bizanti gives a right-wing slant to the most trivial news items, while at the same time sweetening the thornier issues, such as unemployment and police brutality. The editorial staff is thrown in a tantrum when a young girl is found raped and killed, going as far as soliciting nostalgia for the death penalty. [n 1] The paper derails the investigation, leading the police to a false culprit: a young left-wing student, who becomes a scapegoat for the newspaper's readership. The movie closes with public opinion mesmerized by Bizanti and his staff to the satisfaction of their backers and financiers.

Cast

Notes

  1. Capital punishment was abolished in Italy in the wake of the fall of Italian Fascism

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References

  1. 1 2 Aprà, Adriano (2005). Marco Bellocchio. Il cinema e i film[Mark Bellocchio. Cinema and movies] (in Italian). Marsilio. ISBN   9788831787000.
  2. Brook, Clodagh (2010). Marco Bellocchio: The Cinematic I in the Political Sphere. University of Toronto Press. ISBN   9780802096517.
  3. Miccichè, Lino (1995). Il cinema italiano: gli anni '60 e oltre[The Italian cinema: The 60s and other years] (in Italian). Marsilio. ISBN   9788831760942.