| Smackwater Jack | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | October 1971 | |||
| Recorded | 1971 | |||
| Studio | A & R Studios Sound Ideas Studios | |||
| Genre | ||||
| Length | 42:48 | |||
| Label | A&M | |||
| Producer | Phil Ramone | |||
| Quincy Jones chronology | ||||
| ||||
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [2] |
| The Penguin Guide to Jazz Recordings |  [3] |
Smackwater Jack is a 1971 studio album by Quincy Jones. [4] Tracks include the theme music to Ironside and The Bill Cosby Show .
| Chart (1971) | Peak position |
|---|---|
| US Billboard 200 [7] | 56 |
| US Top R&B/Hip-Hop Albums (Billboard) [8] | 11 |
Strait Out of the Box is the first box set album by American country music artist George Strait. It contains four albums' worth of music, dating from 1976 to 1995. It mainly consists of Strait's singles, except for a select few that he decided to exclude. They were replaced by his choice of album cuts and several studio outtakes. It also contains his three singles recorded in the 1970s for indie label D Records, one of which, "I Just Can't Go on Dying Like This", was re-recorded for Strait's 2013 album Love Is Everything.
L.A. Is My Lady is the fifty-seventh and final solo studio album by American singer Frank Sinatra, released in 1984 and produced by Quincy Jones. While the album was Sinatra's last, he recorded five further songs, only four of which have been officially released.
Blues Cross Country is a 1962 studio album by Peggy Lee, principally arranged by Quincy Jones, with some arrangements by Benny Carter. The album can be described as a concept album, consisting of a musical journey across the United States through swinging blues songs, many of which were written by Lee with other contributors.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
The Original Jam Sessions 1969 is an album by Quincy Jones and Bill Cosby that was released in 2004. The album was recorded as backing music for The Bill Cosby Show in 1969.
The Quintessence is an album by Quincy Jones and his orchestra. It was released in 1962 and was his only album for Impulse! One critic called it "the sound of the modern, progressive big band at its pinnacle."
Q's Jook Joint is an album by Quincy Jones, released in 1995 by Qwest Records. The album reached No. 1 on the Billboard jazz albums chart on December 30, 1995. Q's Jook Joint won the Grammy Award for Best Engineered Album, Non-Classical in 1997.
The Swingin' Miss D is the sixth studio album by Dinah Washington, arranged by Quincy Jones. It was recorded in December 1956 and released in September 1957.
Walking in Space is a 1969 studio album by Quincy Jones. The album was recorded for A&M who released the album with a cover photo of Jones taken by Pete Turner. Vocalist Valerie Simpson is featured on the title track, an arrangement of a song from the hit rock musical Hair. "Dead End" is also from Hair and "Killer Joe" features Ray Brown on bass and Grady Tate on drums.
Gula Matari is a 1970 studio album by Quincy Jones.
You've Got It Bad Girl is a 1973 album by the American jazz musician/producer Quincy Jones.
Sounds...and Stuff Like That!! is a 1978 studio album by Quincy Jones.
This Is How I Feel About Jazz is a 1957 album by American musician Quincy Jones, his first full-length album as a bandleader after a recording debut with the 1955 split album Jazz Abroad.
"Smackwater Jack" is a song written by Gerry Goffin and Carole King. It was first released on King's 1971 album Tapestry and then on the second single from that album, along with "So Far Away", charting at number 14 on the Billboard Hot 100. It was subsequently covered by many artists, most famously by Quincy Jones as the title song of his 1971 album Smackwater Jack.
I Heard That!! is a 1976 double album by Quincy Jones.
Manufacturers of Soul is an album by soul music vocalist Jackie Wilson and jazz pianist and bandleader Count Basie featuring performances of jazz versions of contemporary R&B/soul hits recorded in 1968 and released on the Brunswick label.
Golden Boy is an album by Quincy Jones which was released by Mercury in 1964. The album includes three versions of the theme from the musical Golden Boy with three original compositions and jazz versions of pop hits.
I/We Had a Ball is an album consisting of jazz versions of songs from Jack Lawrence and Stan Freeman's musical I Had a Ball performed by Art Blakey, Milt Jackson, Oscar Peterson, Dizzy Gillespie, Quincy Jones and Chet Baker which was released by Limelight in 1965.
