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Sigmund Romberg was a Hungarian-born American composer. He is best known for his musicals and operettas, particularly The Student Prince (1924), The Desert Song (1926) and The New Moon (1928).
"Lover" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart. It was sung in the movie Love Me Tonight (1932) by Jeanette MacDonald.
"In a Sentimental Mood" is a jazz composition by Duke Ellington. He composed the piece in 1935 and recorded it with his orchestra during the same year. Lyrics were written by Manny Kurtz; Ellington's manager Irving Mills gave himself a percentage of the publishing, so the song was credited to all three. Other popular versions in 1935/36 were by Benny Goodman and by Mills Blue Rhythm Band. The opening notes of the song's melody resemble Gershwin's "Someone To Watch Over Me".
"It's Only a Paper Moon" is a popular song published in 1933 with music by Harold Arlen and lyrics by Yip Harburg and Billy Rose.
"But Not for Me" is a popular song originally written by George Gershwin and Ira Gershwin for the musical Girl Crazy (1930).
"I'll Remember April" is a popular song and jazz standard with music written in 1941 by Gene de Paul, and lyrics by Patricia Johnston and Don Raye. It made its debut in the 1942 Abbott and Costello comedy Ride 'Em Cowboy, being sung by Dick Foran. The lyric uses the seasons of the year metaphorically to illustrate the growth and death of a romance. The lyric also uses the ideas of the hours in a day and the flames of a fire to illustrate a relationship growing stronger and subsequently losing strength. Another interpretation is the use of spring to express the loves that were had in youth and remember them when the autumn of life arrives with affection and nostalgia, smiling: "I'll remember April and I smile". The song has been described as one which makes use of nostalgia.
"I Didn't Know What Time It Was" is a popular song composed by Richard Rodgers with lyrics by Lorenz Hart for the 1939 musical Too Many Girls. Introduced by Richard Kollmar and Marcy Westcott in the stage musical, early hit versions were recorded by Benny Goodman and by Jimmy Dorsey .
It was then performed by Trudy Erwin and Richard Carlson in the 1940 film adaptation produced by RKO. The song was later interpolated into the score of the 1957 film Pal Joey, sung by Frank Sinatra, and has become a jazz standard.
"All the Things You Are" is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.
George Mraz was a Czech-born American jazz bassist and alto saxophonist. He was a member of Oscar Peterson's group, and worked with Pepper Adams, Stan Getz, Michel Petrucciani, Stephane Grappelli, Tommy Flanagan, Jimmy Raney, Chet Baker, Joe Henderson, John Abercrombie, John Scofield, and Richie Beirach, among others.
"Scrapple from the Apple" is a bebop composition by Charlie Parker written in 1947, commonly recognized today as a jazz standard, written in F major. The song borrows its chord progression from "Honeysuckle Rose", a common practice for Parker, as he based many of his successful tunes over already well-known chord changes.
"You Don't Know What Love Is" is a popular song of the Great American Songbook, written by Don Raye (lyrics) and Gene de Paul (music) for the Abbott and Costello film Keep 'Em Flying (1941), in which it was sung by Carol Bruce. The song was deleted from the film prior to release. The song was later included in Behind the Eight Ball (1942), starring the Ritz Brothers. "You Don't Know What Love Is" was again sung by Carol Bruce; it was her third and final film until the 1980s.
"How Deep Is the Ocean?" is a popular song written by Irving Berlin in 1932. The song was developed from an earlier Berlin song "To My Mammy" which was sung by Al Jolson in his film Mammy (1930). In the earlier song, the lyrics include the questions "How deep is the ocean? / How high is the sky?" and this was the genesis of "How Deep Is the Ocean?".
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show The New Moon, where the song was introduced by Evelyn Herbert and Robert Halliday. The song was published in 1928.
"Old Devil Moon" is a popular song composed by Burton Lane with lyrics by Yip Harburg for the 1947 musical Finian's Rainbow. It was introduced by Ella Logan and Donald Richards in the Broadway show. The song takes its title from a phrase in "Fun to Be Fooled", a song that Harburg wrote with Harold Arlen and Ira Gershwin for the 1934 musical Life Begins at 8:40.
"I Can't Get Started", also known as "I Can't Get Started with You" or "I Can't Get Started (With You)", is a popular song. It was written in 1936 by Vernon Duke (music) and Ira Gershwin (lyrics) and introduced that year in the revue Ziegfeld Follies of 1936, where it was performed by Bob Hope and Eve Arden.
"Alone Together" is a song composed by Arthur Schwartz with lyrics by Howard Dietz. It was introduced in the Broadway musical Flying Colors in 1932 by Jean Sargent.
New Moon is a 1930 black-and-white American, pre-Code romantic/drama/melodrama musical film version of the operetta The New Moon, with music by Sigmund Romberg and book and lyrics by Oscar Hammerstein II and others. The original stage version premiered on Broadway in 1928. The 1930 film is also known as Komissa Strogoff in Greece, Nymånen in Denmark and Passione cosacca in Italy. A second adaptation, also titled New Moon, was released in 1940.
"If You Could See Me Now" is a 1946 jazz standard, composed by Tadd Dameron. He wrote it especially for vocalist Sarah Vaughan, a frequent collaborator. Lyrics were written by Carl Sigman and it became one of her signature songs, inducted into the Grammy Hall of Fame in 1998. Dameron himself included a version, sung by Barbara Winfield, on his 1962 album The Magic Touch.
The Great Jazz Trio at the Village Vanguard Again is a live album by the Great Jazz Trio – pianist Hank Jones, bassist Ron Carter and drummer Tony Williams – recorded in 1977 for the Japanese East Wind label but not released until 2000.
"My Old Flame" is a 1934 song composed by Arthur Johnston with lyrics by Sam Coslow for the film Belle of the Nineties. It has since become a jazz standard.
References
- 1 2 3 4 5 6 Gioia, Ted (2012). The Jazz Standards: A Guide to the Repertoire. New York City: Oxford University Press. p. 377. ISBN 978-0-19-993739-4.
- ↑ Gioia, Ted. "The Modern Jazz Quartet: Softly, As in a Morning Sunrise". Jazz.com. Archived from the original on 18 April 2010. Retrieved 7 April 2010.
- ↑ Giddins, Gary (2004). Weather Bird: Jazz at the Dawn of Its Second Century. Oxford University Press US. p. 129. ISBN 0-19-515607-2.
- ↑ "Softly As in a Morning Sunrise". JazzStandards.com. Retrieved 2010-01-28.
- ↑ Rust, Brian (1970). Victor Master Book Vol. 2. Stanhope, New Jersey: W. C. Allen. p. 237.
- ↑ Whitburn, Joel (1986). Joel Whitburn's Pop Memories, 1890–1954: The History of American Popular Music: Compiled from America's Popular Music Charts 1890–1954. Menomonee Falls, Wisconsin: Record Research. p. 387. ISBN 0-89820-083-0.
- ↑ Henderson, Alex. "Master Plan". AllMusic. Retrieved 28 October 2018.
