Sonic Temple | ||||
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Studio album by | ||||
Released | 10 April 1989 [1] | |||
Recorded | September – November 1988 | |||
Studio | Little Mountain Sound Studios, Vancouver | |||
Genre | ||||
Length | 52:23 | |||
Label | ||||
Producer | Bob Rock [5] | |||
The Cult chronology | ||||
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Singles from Sonic Temple | ||||
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Sonic Temple is the fourth studio album by British rock band The Cult, released on 10 April 1989. The album features some of the band's most popular songs, including "Fire Woman" and "Edie (Ciao Baby)". Sonic Temple was the last album recorded with longtime bassist Jamie Stewart, who left in 1990, and the first to feature session drummer Mickey Curry.
During 1988, The Cult recorded the first (14 track) demo version of this album with Eric Singer (later of Kiss) on drums. Later on, they tracked a new demo version of the record (15 songs) with Chris Taylor (drummer for the Bob Rock band). Sonic Temple marked the first time the band worked with Bob Rock, who would later produce The Cult , Beyond Good and Evil , Choice of Weapon and Hidden City . The album reached the Cult's highest chart position in the US, peaking at #10 on the Billboard 200 charts, and was certified Platinum by the RIAA in 1990.
The album cover features guitarist Billy Duffy with his Gibson Les Paul, partially obscuring a picture of vocalist Ian Astbury. The back cover features bassist Jamie Stewart, and an additional illustration on the insert, from left to right, features Astbury, Duffy, and Stewart.
On 4 October 2019, Sonic Temple was re-released as a 5-CD box set and as a 2 LP/1 cassette box set, with a different cover, the original album digitally remastered, numerous rarities, a live album recorded at London Wembley Arena and a comprehensive booklet featuring rare photos and background info on the album and the band. The LP/cassette edition has a limited release of 3500 copies worldwide. [6]
Review scores | |
---|---|
Source | Rating |
AllMusic | [2] |
Classic Rock | 8/10 [7] |
Los Angeles Times | [8] |
Mojo | [9] |
NME | 7/10 [10] |
Q | [11] |
Rolling Stone | [12] |
The Rolling Stone Album Guide | [13] |
Uncut | 7/10 [14] |
The Village Voice | B− [15] |
The album received mixed reviews, with some interpreting the change in sound positively and some negatively. John Leland of The New York Times deemed Sonic Temple "both [the Cult's] most conventional album and its most convincing", continuing: "Using a few simple riffs and images, the Cult creates an entire environment, one more exciting and stimulating than our own. Bob Rock, the album's producer, washes blunt, powerful sound over the broadness of most of the band's strokes. Sonic Temple makes a virtue of its lack of subtlety." [16]
In a less enthusiastic review for The Village Voice , Robert Christgau wrote: "Having risen from cultdom as a joke metal band metal fans were too dumb to get, they transmute into a dumb metal band. Dumb was the easy part. Ha ha." [15] Los Angeles Times critic Chris Willman lambasted the album as "stupid". [8] In his book Perfect from Now On, writer John Sellers criticised the Cult for "emulating a hair-metal band" on Sonic Temple, commenting that "the Cult had moved from the hearts of alternative-music fans to the Walkmans of Warrant disciples—completely unacceptable." [17]
Karen Douthwaite of Hi-Fi News & Record Review noticed that the band "recycling the same riffs for the last few albums" and "guitar sound intensified and metallized to AC/DC proportions.". [18] Parke Puterbaugh of Stereo Review considered that the band "borrows its inspiration" from Led Zeppelin, Queen and other AOR heroes from the hard rock Seventies, but "there's something perversely addictive about this music, with its upfront aggression and its slow-motion orgasms of drums and guitars building to a raunchy climax." [19]
Publication | Country | Accolade | Year |
---|---|---|---|
Guitar World | US | Top 20 Hair Metal Albums of the Eighties [4] | 2015 |
Ulltimate Classic Rock | US | Top 30 Glam Metal Albums [20] | 2021 |
All tracks written by Ian Astbury and Billy Duffy.
There was a Saudi Arabian version released, with the track listing expanded (although "Soul Asylum" had been removed) and slightly rearranged:
Chart (1989–1990) | Peak position |
---|---|
Australian Albums (ARIA) [23] | 13 |
Billboard 200 [24] [25] | 10 |
Cash Box [26] | 4 |
UK Album Chart [27] | 3 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [28] | Gold | 35,000^ |
Canada (Music Canada) [29] | 2× Platinum | 200,000^ |
United Kingdom (BPI) [30] | Gold | 100,000^ |
United States (RIAA) [31] | Platinum | 1,000,000^ |
^ Shipments figures based on certification alone. |
The Cult are an English rock band formed in Bradford in 1983. Before settling on their current name in January 1984, the band performed under the name Death Cult, which was an evolution of the name of lead vocalist Ian Astbury's previous band Southern Death Cult. They gained a dedicated following in the United Kingdom in the mid-1980s as a post-punk and gothic rock band, with singles such as "She Sells Sanctuary", before breaking into the mainstream in the United States in the late 1980s establishing themselves as a hard rock band with singles such as "Love Removal Machine". Since its initial formation in 1983, the band have had various line-ups; the longest-serving members are Astbury and guitarist Billy Duffy, who are also the band's two main songwriters.
Ian Robert Astbury is a British singer who is the lead vocalist, frontman and a founding member of the rock band the Cult. During various hiatuses from the Cult, Astbury fronted the short-lived Holy Barbarians in 1996, and later from 2002 to 2007 served as the lead singer of Riders on the Storm, a Doors tribute band that also featured Ray Manzarek and Robby Krieger from the original Doors. He replaced Rob Tyner during an MC5 reunion in 2003, as well as appearing on several one-off guest vocal performances on other artists' songs.
Dreamtime is the debut studio album by English rock band the Cult. Released on 31 August 1984 by Beggars Banquet Records, it peaked at No. 21 on the UK Albums Chart and was later certified silver by the BPI after having sold 60,000 copies. The first single, "Spiritwalker", peaked at No. 1 on the UK Indie Chart. Dreamtime has subsequently been reissued in roughly 30 countries worldwide.
Ceremony is the fifth studio album by British rock band The Cult, first released on 23 September 1991. The most popular songs on the album are “Wild Hearted Son” and “Heart of Soul”.
Love is the second studio album by English rock band the Cult, released on 18 October 1985 by Beggars Banquet Records. The album was the band's commercial breakthrough, reaching number four in the UK and staying on the chart for 22 weeks. It produced three Top 40 singles in the UK, "She Sells Sanctuary", "Rain", and "Revolution". It has been released in nearly 30 countries and sold an estimated 2.5 million copies. Love was recorded at Jacob's Studios in Farnham, Surrey, in July and August 1985.
William Henry Duffy is an English rock musician, best known as the guitarist of the band The Cult.
Beyond Good and Evil is the seventh studio album by English rock band The Cult. Released in 2001, it marked their first new recording in six and a half years. The record debuted at No. 37 on the charts in the United States, No. 22 in Canada, No. 25 in Spain.
Pure Cult is the first of several greatest hits compilations by the British rock band The Cult, released in 1993. The title of the original release was Pure Cult: for Rockers, Ravers, Lovers, and Sinners while the 2000 reissue was titled Pure Cult: The Singles 1984–1995.
James Alec Stewart is a retired British musician who was the bassist of the post-punk/hard rock band The Cult. He recorded on The Cult's first four albums, Dreamtime, Love, Electric and Sonic Temple.
The Cult is the sixth studio album from English rock band, The Cult. It was released in October 1994 on Beggars Banquet Records and it is also the band's last album on Sire Records in the US. It is also commonly referred to as the "Black Sheep" record, due to the image of a Manx Loaghtan black sheep on the front cover. The record also features one of the very rare times when Ian Astbury and Billy Duffy have shared songwriting credit with anyone: bassist Craig Adams is credited as co-author of "Universal You".
"She Sells Sanctuary" is a song by British rock band the Cult. It is from their second studio album, Love (1985), and was released as a single on 13 May 1985, peaking at number 15 on the UK Singles Chart in July of the same year. In July 2020, the British Phonographic Industry (BPI) awarded the song a gold certification for sales and streams of over 400,000. In January 1993, the song was re-released as "Sanctuary MCMXCIII" and experienced chart success once more, matching its original peak on the UK Singles Chart and entering the top 10 in New Zealand.
Pure Cult: The Singles 1984–1995 is a singles compilation by The Cult, authorized by the band to replace the previous unauthorized High Octane Cult. It is also a reissue of the 1993 compilation Pure Cult: for Rockers, Ravers, Lovers, and Sinners, with minor changes.
"Fire Woman" is a song by British rock band the Cult, written by singer Ian Astbury and guitarist Billy Duffy. It was the first single released from their fourth studio album, Sonic Temple, and was subsequently featured on all of the Cult's compilation/greatest hits albums, as well as being a steady fixture of the band's live performances.
Born into This is The Cult's eighth studio album, and was released on October 2, 2007 in the US, Canada, South Africa, and Sweden. It was released in Hungary, Denmark, Spain and France on 1 October, and in Finland on the 3rd.
High Octane Cult is a United States and Japan greatest hits compilation featuring every single The Cult had released at the time, with the additional "Beauty's on the Street" and "In the Clouds". It was released by The Cult's then record company Beggars Banquet Records without The Cult's participation. In the years since its release, singer Ian Astbury and guitarist Billy Duffy have occasionally been vocal about their dislike of this release, with Astbury calling it "sad" on their official website in 2006. Beggars Banquet had planned on using handmade drawings by Ian Astbury for the album's artwork, but when the drawings were lost, the record company subsequently replaced it with less than stellar car photos, and the band photo from The Cult's Sonic Temple record was used in the jacket sleeve, along with a short bio about the band, which guitarist Billy Duffy publicly expressed his disapproval about.
Choice of Weapon is the ninth album by the British rock band The Cult. The album was initially planned for release in 2011, but the release date was pushed back to May 2012. It was initially released on 18 May in Europe, before being released in the UK on 21 May and then in the US the following day. Recording sessions for Choice of Weapon began in March 2011 with Chris Goss, who produced the 2010 Capsule EPs. The sessions took place at studios in New York City, Los Angeles, California, and the "California desert". The album was finished in January 2012. During the recording sessions, Bob Rock teamed up with The Cult for the first time since 2001's Beyond Good and Evil and co-produced Choice of Weapon. Choice of Weapon was named iTunes "Rock Album of the Year" in 2012.
Scar is a mini album by English rock band Lush. It was released on 9 October 1989 on 4AD. Originally intended to be a three-track single release, Scar was produced by John Fryer and the band themselves and recorded at London's Blackwing Studios in 1989.
Rare Cult is a limited edition, six-CD box set from British rock band the Cult, released in November 2000. The chronologically-organized set contains 90 tracks of studio B-sides, radio sessions, 12-inch mixes, alternate mixes, demos and the complete then-unreleased Peace album. The set is packaged in a matte black box with gold lettering, containing three 2-disc gatefold digipaks and an extensive 80-page booklet of liner notes and photos.
"Ciao!" is a song by English alternative rock band Lush from their 1996 album, Lovelife. Written as a duet sung from the perspective of a breakup, the song was written by Miki Berenyi with Jarvis Cocker of Pulp making a guest appearance to sing the male vocals.
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