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South of No North is a collection of short stories by Charles Bukowski, originally published in 1973 as South of No North: Stories of the Buried Life by John Martin's Black Sparrow Press. South of No North also is a play that debuted off-Broadway in 2000 based on nine stories from the book.
Among the short stories collected in the book are Love for $17.50, about a man named Robert whose infatuation with a mannequin in a junk shop leads him first to buy it, then make love to it, and then eventually fall in love with "her," much to the consternation of his real-life girlfriend; Maja Thurup, about a South American tribesman with an enormous penis who is brought to Los Angeles by the woman anthropologist who has "discovered" him and become his lover; and The Devil is Hot, about an encounter with Old Nick at an amusement pier in Santa Monica, where Scratch himself is caged and on display, fed only peanut butter and dogfood, exploited by a cynical carnie.
The collection also features two of Bukowski's most famous short stories: All the Assholes in the World Plus Mine, an autobiographical rumination on the treatment of his hemorrhoids, and Confessions of a Man Insane Enough to Live With Beasts. (The latter story originally was published as a chapbook of 500 copies by Bensenville Mimeo Press in 1965.)
The short stories collected in the volume are evocative of Bukowski at his most successful, when he was one of the premier short story writers still at the top of his talent. The oddness of the subject matter can be explained by the fact that Bukowski's early lack of popularity in the U.S. meant that he wasn't being published in mainstream magazines. Instead, he was part of the "mimeograph revolution" in letters of the 1960s, appearing in mimeographed poetry magazines or chapbooks during the decade, including a magazine he himself published with Neeli Cherry, Laugh Literary and Man the Humping Guns from 1969 to 1971. To support himself, he contributed to men's magazines that were in the market for "dirty stories". The latter situation explains the presence of the soft-core pornographic story Stop Staring at My Tits, Mister, an outrageous burlesque of cowboy fiction featuring a sex-mad wagon master named "Big Bart" obsessed with "Honeydew", the amply endowed wife of "The Kid". Big Bart's obsession with Honeydew leads to the inevitable show down with The Kid, with highly unpredictable results reflecting both Bukowski's misanthropic, cynical appreciation of the absurdities of real life. Like fellow 1970s's cult artist-favorite Robert Altman in the media of film, Bukowski in fiction was able to subvert genre fiction with his acerbic world view.
South of No North was followed nearly a decade later by Bukowski's last collection solely devoted to short stories, Hot Water Music, but by then his power as a short story writer was waning.[ citation needed ] He later admitted that "the short story had deserted me", though he was able to occasionally generate a gem like No Wing High (collected in the 1990 poetry and short story collection Septuagenarian Stew ) in his later years.
South of No North (Stories of the Buried Life) is a play adapted from nine of Bukowski's short stories by Leo Farley and Jonathan Powers, who also co-directed the play for New York, New York 29th Street Rep theatrical company. The individual stories are held together by the framing device of the character of Charles Bukowski (played by actor Stephen Payne) in the act of writing. Bukowski (Payne) comments on the stories, serves as narrator, and occasionally (as in the adaptation of Love for $17.50, which The New York Times review of September 25, 2000 called the "most notable" of the stories), enters the action.
The unnamed Times reviewer wrote that:
When he and his stories intersect, the results can be revealing, funny and surprisingly theatrical.... This Bukowski is no simple hero of the disenfranchised, and South of No North is most involving when it unfurls this rare psyche through such complex moments, when Bukowski keys into his pathetic characters with frightened identification and amused sympathy. Mr. Payne finds humor and pathos in the role.... Even his narration, with its languorous hold on words even as his sentences round to a close, suggests the writer's intoxication with the life of his mind. It is a rich performance.
Payne also played Bukowski's literary alter-ego, Henry Chinaski, a character of some of the story adaptations, which were more like vignettes. The Times reviewer notes that, "The appeal of these vignettes is spotty, and neither they nor the episodic structure offers much narrative and emotional drive".
Henry Charles Bukowski was a German-American poet, novelist, and short story writer. His writing was influenced by the social, cultural, and economic ambience of his adopted home city of Los Angeles. Bukowski's work addresses the ordinary lives of poor Americans, the act of writing, alcohol, relationships with women, and the drudgery of work. The FBI kept a file on him as a result of his column Notes of a Dirty Old Man in the LA underground newspaper Open City.
Robert Shaw was a science fiction writer and fan from Northern Ireland, noted for his originality and wit. He won the Hugo Award for Best Fan Writer in 1979 and 1980. His short story "Light of Other Days" was a Hugo Award nominee in 1967, as was his novel The Ragged Astronauts in 1987.
A chapbook is a small publication of up to about 40 pages, sometimes bound with a saddle stitch.
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Henry Charles "Hank" Chinaski is the literary alter ego of the American writer Charles Bukowski, appearing in five of Bukowski's novels, a number of his short stories and poems, and the films Barfly and Factotum. Although much of Chinaski's biography is based on Bukowski's own life story, the Chinaski character is still a literary creation that is constructed with the veneer of what the writer Adam Kirsch calls "a pulp fiction hero." Works of fiction that feature the character include Confessions of a Man Insane Enough to Live With the Beasts (1965), Post Office (1971), South of No North (1973), Factotum (1975), Women (1978), Ham on Rye (1982), Hot Water Music (1983), Hollywood (1989), and Septuagenarian Stew (1990). He is also mentioned briefly in the beginning of Bukowski's last novel, Pulp (1994).
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Notes of a Dirty Old Man (1969) is a collection of underground newspaper columns written by Charles Bukowski for the Open City newspaper that were collated and published by Essex House in 1969. His short articles were marked by his trademark crude humor, as well as his attempts to present a "truthful" or objective viewpoint of various events in his life and his own subjective responses to those events. The series is currently published by City Lights Publishing Company but can also be found in Portions from a Wine-Stained Notebook, which is a collection of some of Bukowski's rare and obscure works.
"The Killers" is a short-story by Charles Bukowski collected in his 1973 collection South of No North, originally published by John Martin's Black Sparrow Press. The story elucidates Bukowski's publicly acknowledged artistic debt to Ernest Hemingway, the writer who had the most influence on American writers of Bukowksi's generation. Like Hemingway's "The Killers", Bukowski's story of the same name has as its thematic trope murder in a nihilistic universe. Unlike Hemingway, the killers actually accomplish their act in the time-frame of the story.
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