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Necromancy is the practice of magical sorcery involving communication with the dead by summoning their spirits as apparitions or visions, or by resurrection for the purpose of divination; imparting the means to foretell future events; discovery of hidden knowledge; “returning a person to life”, or to use the dead as a weapon. Sometimes categorized under death magic, the term is occasionally also used in a more general sense to refer to black magic or witchcraft as a whole. Nowadays, ‘reanimation necromancy’ is not considered a real practice even by occultists and practitioners.
A mezzo-soprano or mezzo (; Italian: [ˌmɛddzosoˈpraːno]; meaning "half soprano") is a type of classical female singing voice whose vocal range lies between the soprano and the contralto voice types. The mezzo-soprano's vocal range usually extends from the A below middle C to the A two octaves above (i.e. A3–A5 in scientific pitch notation, where middle C = C4; 220–880 Hz). In the lower and upper extremes, some mezzo-sopranos may extend down to the F below middle C (F3, 175 Hz) and as high as "high C" (C6, 1047 Hz). The mezzo-soprano voice type is generally divided into the coloratura, lyric, and dramatic mezzo-soprano.
A breeches role is one in which an actress appears in male clothing. Breeches, tight-fitting knee-length pants, were the standard male garment at the time these roles were introduced. The theatrical term travesti covers both this sort of cross-dressing and also that of male actors dressing as female characters. Both are part of the long history of cross-dressing in music and opera and later in film and television.
Per Nørgård is a Danish composer and music theorist. Though his style has varied considerably throughout his career, his music has often included repeatedly evolving melodies—such as the infinity series—in the vein of Jean Sibelius, and a perspicuous focus on lyricism. Reflecting on this, the composer Julian Anderson described his style as "one of the most personal in contemporary music". Nørgård has received several awards, including the 2016 Ernst von Siemens Music Prize.
Pinchgut Opera is a chamber opera company in Sydney, Australia, presenting opera from the 17th and 18th centuries performed on period instruments. Founded in 2002, Pinchgut stages two operas each year in Sydney's City Recital Hall. It also performs concerts in both Sydney and Melbourne.
Susannah is an opera in two acts by the American composer Carlisle Floyd, who wrote the libretto and music while a member of the piano faculty at Florida State University. Floyd adapted the story from the Apocryphal tale of Susannah and the Elders, though the latter story has a more positive ending. The story focuses on 18-year-old Susannah Polk, an innocent girl who is targeted as a sinner in the small mountain town of New Hope Valley, in the Southern American state of Tennessee.
The Power of the Fiend is an opera in five acts by Alexander Serov, composed during 1867-1871. The libretto is derived from a drama by Alexander Ostrovsky from 1854 entitled Live Not As You Would Like To, But As God Commands. The opera was premiered posthumously on 19 April 1871 at the Mariinsky Theatre in Saint Petersburg conducted by Eduard Nápravník. Among the performers were Darya Leonova as Spiridonovna and Mikhail Sariotti as Yeryomka. Although in many ways it is more far-reaching than Serov's previous two operas, this work was not a success.
Alice Shields is an American classical composer. She is one of the pioneers of electronic music, and is particularly known for her cross-cultural operas.
Kytice z pověstí národních, also known by the short title Kytice, is a collection of ballads by the Czech author Karel Jaromír Erben. The collection was first published in 1853 and was originally made up of 12 poems. Lilie was added to the second edition in 1861.
- Kytice
- Poklad (Treasure)
- Svatební košile
- Polednice
- Zlatý kolovrat
- Štědrý den
- Holoubek
- Záhořovo lože
- Vodník
- Vrba (Willow)
- Lilie (Lily)
- Dceřina kletba
- Věštkyně (Seeress)
Philip Gordon Langridge was an English tenor, considered to be among the foremost exponents of English opera and oratorio.
Bruce Adolphe is a composer, music scholar, the author of several books on music, and pianist. He is currently Resident Lecturer and Director of Family Concerts of the Chamber Music Society of Lincoln Center and founder and creative director of The Learning Maestros, formerly called PollyRhythm Productions. He also founded the nonprofit 501(c)(3) educational organization Artful Thinkers. Adolphe performs a weekly "Piano Puzzler" segment on the nationally broadcast Performance Today classical music radio program hosted by Fred Child. "Piano Puzzler" was on National Public Radio starting in 2002, and is now on American Public Media. The program is also available as a podcast and from iTunes. Mr. Adolphe is also artistic director of Off the Hook Arts Festival, an interdisciplinary festival combining music, science, and visual arts, based in Fort Collins, Colorado.
William L. Lewis is an American operatic tenor and academic.
Lawrence Brownlee is an American operatic tenor particularly associated with the bel canto repertoire. Describing his voice, Speight Jenkins, general director of the Seattle Opera, said: "There are other singers that sing this repertory very well, but I don't think anyone else has quite as beautiful a sound and as rounded a tone," and praise his "incredible top notes", adding about his high F (F5) in "Credeasi, misera": "With him it's not a scream, it's a beautiful sound." Mezzo-soprano Joyce DiDonato adds: "He is always in service of the music. His natural instrument is just incredibly beautiful. The word 'honey' comes to mind. He also has technical prowess and agility."
Family Opera Initiative (FOI) is an American opera company based in New York City that commissions, develops, and premieres original works for cross-generational audiences. It was founded in 1995 by Grethe Barrett Holby, originally as part of American Opera Projects. Its mission was and remains to create new repertory for family audiences, to bring the experience of opera to a diverse audience, and to engage the community in the process and performance of their works.
The Snow Queen is a chamber opera in six scenes and a prologue by Matthew King. The libretto, by Andrew McKinnon, is based on the original 1844 allegorical fairy tale by Hans Christian Andersen. The opera was composed in 1992 for the British soprano Jane Manning who sang the title role in the first performance with Pal Rullestad (tenor) and Tracy Chadwell (soprano) in supporting roles. The work also has significant roles for two young singers as Gerda and Kay, the heroic children in the story and a chorus of treble voices. The work is scored for a small ensemble of eight players with conductor: string trio, flute/piccolo/alto flute, clarinet/bass clarinet, piano/celesta and percussion. The pianist also has to play a melodian. At one point, the conductor is required to play a French horn. The wide-ranging musical narrative involves a plethora of musical styles. A review of the first performance described King as being "like a bright Hollywood composer with a sense of humour" and, after a subsequent performance at the Queen Elizabeth Hall in London, another reviewer suggested that the opera contained '"music of distinctive beauty with disarming theatre sense.'"
Transformations is a chamber opera in two acts by the American composer Conrad Susa with a libretto of ten poems by Anne Sexton from her 1971 book Transformations, a collection of confessional poetry based on stories by the Brothers Grimm. Commissioned by Minnesota Opera, the work, which is described by its composer as "An Entertainment in 2 Acts", had its world premiere on 5 May 1973 at the Cedar Village Theater in Minneapolis, Minnesota. Anne Sexton, who had worked closely with Susa on the libretto, was in the audience. It went on to become one of the most frequently performed operas by an American composer with its chamber opera format of eight singers and an instrumental ensemble of eight musicians making it particularly popular with smaller opera companies and conservatories. The 2006 revival production of Transformations at the Wexford Opera Festival won the Irish Times Theatre Award for Best Opera Production.
Shirlee Emmons was an American classical soprano, voice teacher, and author on vocal pedagogy. She began her career in the early 1940s as a concert soprano, eventually becoming one of the original singers in the Robert Shaw Chorale in 1948. She branched out into opera in the 1950s; performing mainly with regional companies in the United States. She achieved several honours as a performer, including winning the Marian Anderson Award in 1953 and an Obie Award in 1956.
Don Quichotte auf der Hochzeit des Comacho, TVWV 21:32, is a one-act comic serenata by Georg Philipp Telemann. The libretto by the student poet Daniel Schiebeler is based on chapter 20 of volume 2 of Cervantes's novel Don Quixote. The opera premiered on 5 November 1761 in Hamburg. When first performed, it was given the title: Don Quichotte auf der Hochzeit des Comacho; later it was also known as Don Quixote der Löwenritter.
Jamie Barton is an American mezzo-soprano. She won the BBC Cardiff Singer of the World competition in June 2013. She is also the winner of the 2015 Richard Tucker Award.
Il proscritto is an 1842 opera by Saverio Mercadante to a libretto by Salvatore Cammarano based on the 1839 play Le proscrit by Frédéric Soulié. The premiere took place at the San Carlo Theatre in Naples on January 4, 1842.
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