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Kurt Julian Weill was a German-born American composer active from the 1920s in his native country, and in his later years in the United States. He was a leading composer for the stage who was best known for his fruitful collaborations with Bertolt Brecht. With Brecht, he developed productions such as his best-known work, The Threepenny Opera, which included the ballad "Mack the Knife". Weill held the ideal of writing music that served a socially useful purpose, Gebrauchsmusik. He also wrote several works for the concert hall and a number of works on Jewish themes. He became a United States citizen in 1943.
"Mack the Knife" or "The Ballad of Mack the Knife" is a song composed by Kurt Weill with lyrics by Bertolt Brecht for their 1928 music drama The Threepenny Opera. The song tells of a knife-wielding criminal of the London underworld from the musical named Macheath, the "Mack the Knife" of the title.
Ann Ronell was an American composer and lyricist. She was best known for the standards "Willow Weep for Me" (1932) and "Who's Afraid of the Big Bad Wolf" (1933).
Dee Dee Bridgewater is an American jazz singer and actress. She is a three-time Grammy Award-winning singer-songwriter, as well as a Tony Award-winning stage actress. For 23 years, she was the host of National Public Radio's syndicated radio show JazzSet with Dee Dee Bridgewater. She is a United Nations Goodwill Ambassador for the Food and Agriculture Organization.
Speak Love is a 1983 studio album by the American jazz singer Ella Fitzgerald, accompanied by the jazz guitarist Joe Pass.
This is New is a 2002 album by Dee Dee Bridgewater, dedicated to the songs of Kurt Weill.
The Movie Album is the thirtieth studio album by American singer Barbra Streisand, released on October 14, 2003, by Columbia Records. Overall, her sixtieth release with her record label, it was executively produced by Streisand and her manager, Jay Landers. A concept album, it contains twelve songs from the singer's favorite films ranging in release from 1935 to 1988. While curating the album, Streisand was inspired by her marriage to actor James Brolin to record songs about love and relationships. To better fit her needs, songwriting duo Alan and Marilyn Bergman were commissioned to add lyrics to several of the songs Streisand had chosen to record.
One Touch of Venus is a 1948 American black-and-white romantic musical comedy film directed by William A. Seiter starring Robert Walker, Ava Gardner, Dick Haymes, and Eve Arden. released by Universal-International, and based on the 1943 Broadway musical of the same name, book written by S. J. Perelman and Ogden Nash, with music composed by Kurt Weill. However, the film omits most of Weill's music. The actors did their own singing, except for Ava Gardner (Venus) whose singing was dubbed by Eileen Wilson. The plot is from an original 1885 novella by Thomas Anstey Guthrie.
I'll Try Something New is the third album by The Miracles. It was released on the Tamla label, a subsidiary of Motown. The title track was an important early single for the group, featuring Smokey Robinson's lead voice, a chorus led by his wife Claudette and an orchestra of strings. Other hits like "What's So Good About Goodbye" and "I've Been Good To You" are included, plus three covers of easy listening standards: "I've Got You Under My Skin" written by Cole Porter, "On the Street Where You Live" from the Broadway musical My Fair Lady, and "Speak Low" by Ogden Nash and Kurt Weill, on which both Smokey and Claudette Robinson sing lead. I'll Try Something New also features a rare lead by Miracles baritone Ronnie White on "A Love That Can Never Be", and a lead by Claudette Robinson on "He Don't Care About Me".
LoveMusik is a musical written by Alfred Uhry, using a selection of music by Kurt Weill. The story explores the romance and lives of Kurt Weill and Lotte Lenya, based on Speak Low : The Letters of Kurt Weill and Lotte Lenya, edited and translated by Lys Symonette and Kim H. Kowalke. Harold Prince had read Speak Low and suggested the idea for a musical to Uhry. Uhry and Prince worked on LoveMusik for four years to develop it into a stage work. The story spans over 25 years, from the first meeting of Lenya and Weill as struggling young artists, to their popularity in Europe and America, to Weill's death from a heart attack at age 50.
"I've Never Been in Love Before" is a song written by Frank Loesser, published in 1950.
"Somewhere", sometimes referred to as "Somewhere (There's a Place for Us)" or simply "There's a Place for Us", is a song from the 1957 Broadway musical West Side Story that was made into films in 1961 and 2021. The music is composed by Leonard Bernstein with lyrics by Stephen Sondheim.
The Calling: Celebrating Sarah Vaughan is a 2001 studio album by Dianne Reeves, recorded in tribute to Sarah Vaughan and mostly featuring songs closely identified with the great singer. In the liner notes, Reeves wrote: "Making this CD is the fulfillment of a dream born when I first heard Sarah Vaughan as a teenager. The dream continued to grow as I marveled at her magical touch with lyrics, melodies, harmonies and timbre. ... She fearlessly explored unfamiliar areas in the realm of vocal musical expression, reaching, ascending, grasping and possessing. Sarah was never content to luxuriate in her past laurels, but her musical appetite propelled her forward throughout her career. She never deserted her calling." Reeves also mentions that her first Vaughan album was Sarah Vaughan with Michel Legrand (1972) and tells of how she met Vaughan at a 1975 tribute concert for Cannonball Adderley. She told a woman she was speaking with that she loved Vaughan, not realizing that the woman was Vaughan herself.
"As If We Never Said Goodbye" is a show tune from the musical Sunset Boulevard. It was written by Don Black, Christopher Hampton, and Andrew Lloyd Webber. Ben Rimalower on Playbill calls it Andrew Lloyd Webber's greatest song.
The period from the end of the First World War until the start of the Depression in 1929 is known as the "Jazz Age". Jazz had become popular music in America, although older generations considered the music immoral and threatening to cultural values. Dances such as the Charleston and the Black Bottom were very popular during the period, and jazz bands typically consisted of seven to twelve musicians. Important orchestras in New York were led by Fletcher Henderson, Paul Whiteman and Duke Ellington. Many New Orleans jazzmen had moved to Chicago during the late 1910s in search of employment; among others, the New Orleans Rhythm Kings, King Oliver's Creole Jazz Band and Jelly Roll Morton recorded in the city. However, Chicago's importance as a center of jazz music started to diminish toward the end of the 1920s in favor of New York.
Center Stage is the sixteenth studio album by Australian-American pop singer Helen Reddy that was released in 1998 by Varèse Sarabande. Reddy describes the album as the perfect melding of two areas of her career: "the recording studio and the theatrical stage. I tried to select songs from various songwriters in different eras. I've also included a song from each of the musical shows I've performed in."
I Remember You..., is an album by vocalist Karin Krog with saxophonist Warne Marsh and bassist Red Mitchell recorded in 1980 and released on the Spotlite label.
Berlin to Broadway with Kurt Weill is a musical revue with a book by Gene Lerner, music by Kurt Weill, and lyrics by various songwriting partners Weill worked with over his career. The plot follows Weill's life as he begins his career in Germany writing the music for controversial musicals, through his journey fleeing Nazi persecution, immigrating to the United States, and becoming successful on Broadway. Songs featured include those Weill collaborated on with Maxwell Anderson, Marc Blitzstein, Bertolt Brecht, Jacques Deval, Michael Feingold, Ira Gershwin, Paul Green, Langston Hughes, Alan Jay Lerner, Ogden Nash, George Tabori and Arnold Weinstein.
John Bunch Plays Kurt Weill is a solo piano album by John Bunch. It was recorded in 1975 and issued by the Chiaroscuro imprint. When it was issued on CD, tracks recorded in 1991 were added.
References
- ↑ Allen, Warren (18 June 2010). "Moody 4B". All About Jazz . Retrieved 31 August 2020.
- ↑ Flick, Larry (22 January 1994). "Single Reviews" (PDF). Billboard . p. 61. Retrieved 16 March 2021.
- ↑ Wood, Sam (29 June 1993). "Streisand is Brilliant with Broadway Tunes". Philadelphia Inquirer .
- ↑ Harrington, Richard (27 June 1993). "Streisand's Return: Nothing Subtle, Nothing New". The Washington Post . p. G06.
