 Cover of third edition (2011) | |
| Author | Kuvempu |
|---|---|
| Country | India |
| Language | Kannada |
| Published | 2011 |
| Publisher | University Of Mysore |
| Media type | Print (Hardcover) |
| Awards | Jnanpith Award (1967) |
| ISBN | 9788126017287 |
Sri Ramayana Darshanam is the most popular work and the magnum opus by Kuvempu in Kannada based on the Hindu epic Ramayana. It earned him many distinctions including the Sahitya Akademi Award and the Jnanapeeth award in 1967. [1] [2]
The theme is the well known story of Rama in Valmiki's Ramayana, transfigured in the poet's vision. The poet calls 'darshanam', it is the poet's realization that all the creation is caused, pervaded, sustained and governed by the cosmic mind. Abounding in metaphors and Homeric similes, introduced by the poet himself for the first time in Kannada, the epic brings home the truth that all beings, even the most wicked and sinful, are destined to evolve and ultimately attain perfection.
Rama was born to Kaushalya and Dasharatha in Ayodhya, the ruler of the Kingdom of Kosala. His siblings included Lakshmana, Bharata, and Shatrughna. He married Sita. Though born in a royal family, their life is described in the Hindu texts as one challenged by unexpected changes such as an exile into impoverished and difficult circumstances, ethical questions and moral dilemmas. Of all their travails, the most notable is the kidnapping of Sita by demon-king Ravana, followed by the determined and epic efforts of Rama and Lakshmana to gain her freedom and destroy the evil Ravana against great odds. The entire life story of Rama, Sita and their companions allegorically discusses duties, rights and social responsibilities of an individual. It illustrates dharma and dharmic living through model characters.
The 'Agni-pravesha' (The fire-ordeal) episode illustrates the above statement. At Sita's command, Lakshmana makes a pyre for her and Sita mounts it. It is at this point that Kuvempu makes a startling deviation from Valmiki. The moment Sita has offered herself as supreme oblation to Agni, Rama too rushes after her, and enters the blazing flames, much to the shock of all earthly spectators. In a moment, however, Rama comes out of the fire holding Sita's palm in his right hand, and the spectators get a glimpse of their divinity. By this sensational innovation Kuvempu has proclaimed the great principle of the supremacy of the law, and the equality of all before the law, not excepting the law-giver himself. What is more, if this 'Agni-pravesha' is intended to reveal to all the world the truth of Sita's chastity, it is also intended to reveal Rama's fidelity and love for Sita.
It is a single integral, ecstatic symphony in 22284 lines, running into 877 pages in print. The poet was 32 when he began and 41 when he completed this epic. Every line is chiseled to attain an incremental harmony, hardly to be met with in his lyrics. It converts every situation into a wonderful aural structure which perfectly echoes the germ motif. It is not a series of cantata but a single orchestral piece. Every line is a variation of the relevant thematic rhythm. [3] Sri Ramayana Darshanam is dedicated with deep reverence and respect to his mentor Sri TS Venkannaiah (the first Kannada professor in Karnataka (Mysore University).
The Rāmāyaṇa is a Sanskrit epic from ancient India, one of the two important epics of Hinduism, known as the Itihasas, the other being the Mahābhārata. The epic, traditionally ascribed to the Maharishi Valmiki, narrates the life of Rama, a legendary prince of Ayodhya in the kingdom of Kosala. The epic follows his fourteen-year exile to the forest urged by his father King Dasharatha, on the request of Rama's stepmother Kaikeyi; his travels across forests in the Indian subcontinent with his wife Sita and brother Lakshmana, the kidnapping of Sita by Ravana – the king of Lanka, that resulted in war; and Rama's eventual return to Ayodhya to be crowned king amidst jubilation and celebration.
Hanuman, also called Maruti and Anjaneya, is a Hindu god and a divine vanara companion of the god Rama. Hanuman is one of the central characters of the Hindu epic Ramayana. He is an ardent devotee of Rama and one of the chiranjivis. Hanuman is regarded to be the spiritual son of the wind-god Vayu, who in several stories played a direct role in Hanuman's birth. Hanuman is considered to be a partial-avatar of Shiva. Hanuman is mentioned in several other texts, such as the epic Mahabharata and the various Puranas.
Lakshmana, also spelled as Laxmana, is the younger brother of Rama and his loyalist in the Hindu epic Ramayana. He bears the epithets of Saumitra and Ramanuja. He is the twin of Shatrughna.
In the Hindu epic Ramayana, Maricha, or Mareecha is a rakshasha, who was killed by Rama, the hero of the epic and an avatar of Lord Vishnu. He is mentioned as an ally of Ravana, the antagonist of the epic. His most notable exploit is his role in the kidnapping of Sita, Rama's wife. His son Kalanemi was killed by Hanuman.
Meghanada, also referred to by his epithet Indrajitalit. 'conqueror of Indra', according to Hindu texts, was the crown prince of Lanka, who conquered Indraloka (Heaven). He is regarded as one of the greatest warriors in Hindu texts. He is a major character mentioned in the Indian epic Ramayana. Meghnada is the central character in Bengali ballad Meghnad Badh Kavya. He played an active role in the great war between Rama and Ravana. He acquired many kinds of celestial weapons from his Guru Shukra. His most prominent feat is having defeated the devas in heaven. Using the Brahmastra, Indrajita killed 670 million vanaras in a single day; nearly exterminating the entirety of the vanara race. No warrior had ever achieved this statistical feat before in the Ramayana.
Sita also called as Janaki and Vaidehi is a Hindu goddess and the female protagonist of the Hindu epic, Ramayana. She is the consort of Rama, the avatar of the god Vishnu, and is regarded as a form of Vishnu's consort, Lakshmi. She is also the chief goddess of Rama-centric Hindu traditions. Sita is known for her dedication, self-sacrifice, courage, and purity. She is one of the seventeen national heroes of Nepal.
Kumbhakarna is a powerful rakshasa and younger brother of Ravana from the Hindu epic Ramayana. Despite his gigantic size and appetite, he is described as a virtuous character and a great warrior in Hindu texts. He is said to have slaughtered 8,000 vanaras over the course of Rama's mission to rescue Sita.
Sundara Kanda is the fifth book in the Hindu epic Ramayana. The original Sundara Kanda is in Sanskrit, and was composed in popular tradition by Valmiki, who was the first to scripturally record the Ramayana. Sundara Kanda is the only chapter of the Ramayana in which the principal protagonist is not Rama, but Hanuman. The work depicts the adventures of Hanuman and his selflessness, strength, and devotion to Rama are emphasised in the text. Hanuman is believed to have been fondly called “Sundara” by his mother Anjana, and Sage Valmiki is stated to have chosen this name over others as the Sundara Kanda is about Hanuman's journey to Lanka.
Vedavati is the previous birth of the goddess Sita in Hindu mythology. She is an avatar of the goddess of prosperity, Lakshmi.
Adhyatma Ramayana is a 13th- to 15th-century Sanskrit text that allegorically interprets the story of Hindu epic Ramayana in the Advaita Vedanta framework. It is embedded in the latter portion of Brahmānda Purana, and the author is considered to be Vyasa. The Hindu tradition also attributes the text to the Bhakti movement saint Ramananda.
Shurpanakha, also known as Meenakshi, is a rakshasi (demoness) in Hindu Mythology. Her legends are mainly narrated in the epic Ramayana and its other versions. She was the sister of Lanka's king, Ravana, and the daughter of the sage Vishrava and the rakshasi Kaikeshi. Shurpanakha's role in the original epic is small, yet significant.
In Hinduism, Kabandha is a Rakshasa (demon) who is killed and freed from a curse by the god Rama – an Avatar of Vishnu – and his brother Lakshmana. Kabandha's legend appears in the Hindu epics Ramayana and Mahabharata, as well as in later Ramayana adaptations.
Depending on the methods of counting, as many as three hundred versions of the Indian Hindu epic poem, the Ramayana, are known to exist. The oldest version is generally recognized to be the Sanskrit version attributed to the sage Narada, the Mula Ramayana. Narada passed on the knowledge to Valmiki, who authored Valmiki Ramayana, the present oldest available version of Ramayana.
Rama is a major deity in Hinduism. He is the seventh and one of the most popular avatars of Vishnu. In Rama-centric traditions of Hinduism, he is considered the Supreme Being.
In some adaptations of the Hindu epic Ramayana, Maya Sita or Chaya Sita is the illusionary duplicate of the goddess Sita, who is abducted by the demon-king Ravana of Lanka instead of the real Sita.
Rama (Rāma), the hero of Ramayana, is described in the Jain scriptures as one of sixty-three illustrious persons, known as Salakapurusa. Among these, there are nine sets of Balabhadra, Vasudeva and Prati-Vasudeva. Rama was the 8th Balabhadra with Lakshmana and Ravana being his Vasudeva and Prati-Vasudeva counterparts. He is described as a young prince who is deprived of his throne and turned into a pauper. While living in exile his wife Sita is kidnapped by Ravana, King of Lanka. Rama then rescues Sita with the help of his brother Lakshmana and King Sugriva. Ravana is killed by Lakshmana and they both go into hell. Rama becomes a Jain muni and his soul attains moksha. Sita becomes a Jain sadhvi and is born into heaven as Indra.
Trijata is a rakshasi (demoness) in the Hindu epic Ramayana who is assigned the duty of guarding Sita who was kidnapped by the king of Lanka Ravana. In latter adaptions of Ramayana, Trijata is described as a daughter of Vibhishana, the brother of Ravana.
Nila, also spelled as Neela, is a character in the Hindu epic Ramayana. He is a vanara chieftain in the army of Rama, the prince of Ayodhya and avatar of the god Vishnu. He is the commander-in-chief of the vanara army under the vanara king Sugriva, and is described as leading the army in Rama's battle against the rakshasa king Ravana of Lanka and as killing many rakshasas.
Nagachandra or Abhinava Pampa was a 12th-century poet in the Kannada language.
