"South Side" is a song written and recorded by American electronica musician Moby. It was released to radio on October 10, 2000, as the seventh single from his fifth studio album, Play. Initially recorded with No Doubt frontwoman Gwen Stefani, production problems forced Moby to leave Stefani's vocals off the mix of the song included on Play; Stefani's vocals were then restored for the song's single release. The drums are sampled from "What's Up Front That Counts" by the Counts.
The Wiseguys were a British electronic duo active in the mid to late 1990s. They produced the song "Start the Commotion", which was featured in a Mitsubishi TV advertisement, as well as the films The Lizzie McGuire Movie, Zoolander and Kangaroo Jack. Another of their singles, "Ooh La La", was used in the film Big Daddy and Budweiser commercials. Both tracks are from the duo's second album, The Antidote.
"Big Yellow Taxi" is a song written, composed, and originally recorded by Canadian singer-songwriter Joni Mitchell in 1970, and originally released on her album Ladies of the Canyon. It was a hit in her native Canada as well as Australia and the UK. It only reached No. 67 in the US in 1970, but was later a bigger hit there for her in a live version released in 1974, which peaked at No. 24. Charting versions have also been recorded by the Neighborhood, and most notably by Amy Grant in 1994 and Counting Crows in 2002. The song was also sampled in Janet Jackson's "Got 'til It's Gone" (1997).
"Body Language" is a 1982 dance/funk song by British rock band Queen. It was written by the band's lead singer Freddie Mercury and was a hit in North America, where it received extensive radio play. However, the single only received a lukewarm response in the United Kingdom. The track was the second single released from their 1982 album Hot Space. The music video for the song was the first one to be banned from MTV for its nudity, despite the members of Queen being fully clothed.
"White Christmas" is an Irving Berlin song reminiscing about an old-fashioned Christmas setting. The song was written by Berlin for the 1942 musical film Holiday Inn. The composition won the Academy Award for Best Original Song at the 15th Academy Awards. Bing Crosby's record topped the Billboard chart for 11 weeks in 1942 and returned to the number one position again in December of 1943 and 1944. His version would return to the top 40 a dozen times in subsequent years.
Frank Mills is a Canadian pianist and recording artist, best known for his solo instrumental hit "Music Box Dancer".
"Our Lips Are Sealed" is a song co-written by Jane Wiedlin, guitarist of the Go-Go's, and Terry Hall, singer of the Specials and Fun Boy Three.
"Poison" is the debut single of American vocal group Bell Biv DeVoe, released as the first single from their debut album of the same name. The song, in the style of new jack swing, a late-1980s/early-1990s hybrid of R&B, hip hop and swing, was the group's most successful.
"Stay" is a doo-wop song written by Maurice Williams and first recorded in 1960 by Williams with his group the Zodiacs. Commercially successful versions were later also issued by the Hollies, the Four Seasons and Jackson Browne.
"Let's Hear It for the Boy" is a song by Deniece Williams that appeared on the soundtrack to the feature film Footloose. The song was released as a single from both the soundtrack and her album of the song's same name on February 14, 1984, by Columbia Records. It was written by Tom Snow and Dean Pitchford and produced by George Duke. The song became Williams' second number one on the US Billboard Hot 100 on May 26, 1984, also topping the dance and R&B charts, and peaked at number two on the UK Singles Chart, behind "Wake Me Up Before You Go-Go" by Wham!. It was nominated for an Academy Award for Best Original Song, and was certified platinum in the US and gold in Canada and the UK by the Recording Industry Association of America, Music Canada and the British Phonographic Industry, respectively. The music video was released in mid-April 1984. The song features background vocals from George Merrill and Shannon Rubicam, who would go on to form the duo Boy Meets Girl.
"On the Radio" is a song by American singer-songwriter Donna Summer, produced by Italian musician Giorgio Moroder, and released in late 1979 on the Casablanca record label. It was written for the soundtrack to the film Foxes and included on Summer's first international compilation album On the Radio: Greatest Hits Volumes I & II.
"Disco Inferno" is a song by American disco band the Trammps from their 1976 fourth studio album of the same name. With two other cuts by the group, it reached No. 1 on the US Billboard Dance Club Songs chart in early 1977, but had limited mainstream success until 1978, after being included on the soundtrack to the 1977 film Saturday Night Fever, when a re-release hit number eleven on the Billboard Hot 100 chart.
"Follow Me" is the debut single of American musician Uncle Kracker. It was released on November 6, 2000, as the lead single from his debut studio album, Double Wide (2000). It was written by Kracker and Michael Bradford and was produced by Bradford and Kid Rock. According to Kracker, the song has multiple meanings, with people speculating that it could be about drugs or infidelity.
"Stray Cat Strut" is the third single by American rockabilly band Stray Cats, released April 17, 1981 by Arista Records in the UK, where it peaked at No. 11 on the Singles Chart. It was taken from the band's 1981 debut album, Stray Cats. That same year, as an import, it peaked at No. 78 on the US Disco Top 80 chart.
"Forever" is a song by American recording artist Chris Brown. Brown co-wrote the song with Andre Merritt, Rob Allen, Brian Kennedy, and Jamal "Polow da Don" Jones; the latter two are also the producers. Initially created to be used for a Doublemint commercial, "Forever" was selected to be released as the lead single from the reissue version of Brown's second studio album Exclusive, titled the Forever Edition, and the fifth single overall from the album. It was first released for digital download on November 2, 2007, in a few countries, followed the next April with a retail single CD released in Europe.
"Lies" is a song by the British pop band Thompson Twins. It was released as the first single from their third studio album Quick Step & Side Kick, and the song peaked at number 67 on the UK Singles Chart. The single fared better in the United States, where it peaked at number 30 on the Billboard Hot 100 chart in the spring of 1983. Along with the B-side track "Beach Culture", "Lies" also spent two weeks at number one on the American dance chart in January 1983, becoming the band's second number one on this chart.
"Any Day Now" is a popular song written by Burt Bacharach and Bob Hilliard in 1962. It has been recorded by numerous artists over the years, including notable versions by Chuck Jackson in 1962, Alan Price in 1965, Elvis Presley in 1969, Scott Walker in 1973 and Ronnie Milsap in 1982. In the lyrics, the singer predicts the imminent demise of a romantic relationship and describes the sadness this will leave.
"I've Gotta Be Me" is a popular song that appeared in the Broadway musical Golden Rainbow, which starred Steve Lawrence and Eydie Gormé. It opened in New York City at the Shubert Theatre on February 4, 1968, and closed just under a year later, on January 11, 1969. The music and lyrics for the musical were composed and written by Walter Marks in 1967; the production featured a book by Ernest Kinoy. This song was listed in the musical as "I've Got to Be Me" and, at the end of the first act, it was sung by Lawrence's character, Larry Davis. Lawrence released it as a single in 1967, and hit #6 on the Billboard Easy Listening chart the following year, with little or no support from traditional Top 40 radio.
"Fresh" is a song by the American group Kool & the Gang. Released as a single in 1984 from the album Emergency, the song peaked at #9 on the U.S. Hot 100 chart, and #11 on the UK chart. It also reached number one on both the U.S. R&B chart and U.S. Dance chart.
The Second British Invasion was a sharp increase in the popularity of British synth-pop and new wave artists in the United States. It began in the summer of 1982, peaked in 1983, and continued throughout much of the 1980s. The catalyst for the second British Invasion was primarily the growth and popularity of the cable music channel MTV in the early 1980s. According to Rolling Stone, British acts brought a "revolution in sound and style" to the US.
