Camel are an English progressive rock band formed in Guildford, Surrey, in 1971. Led by guitarist Andrew Latimer, they have released fourteen studio albums and fourteen singles, plus numerous live albums and DVDs. Without achieving mass popularity, the band gained a cult following in the 1970s with albums such as Mirage (1974) and The Snow Goose (1975). They moved into a jazzier, more commercial direction in the early 1980s, but then went on an extended hiatus. Since 1991 the band has been independent, releasing albums on their own label.
Journeyman is the eleventh solo studio album by Eric Clapton. Heralded as a return to form for Clapton, who had struggled with alcohol addiction and recently found sobriety, the album has a 1980s electronic sound, but it also includes blues songs like "Before You Accuse Me", "Running on Faith", and "Hard Times." "Bad Love" was released as a single, reaching the No. 1 position on the Album Rock Chart in the United States, and being awarded a Grammy Award for Best Male Rock Vocal Performance in 1990. "Pretending" had also reached the No. 1 position on the Album Rock Chart the previous year, remaining at the top for five weeks.
Too Low for Zero is the seventeenth studio album by English musician Elton John. Released in 1983, the album marked a comeback for John, whose previous four albums had failed to yield many enduring international hit singles, and had disappointing sales compared to his string of hit records released during the first half of the 1970s.
Rain Dances is the fifth studio album by English progressive rock band Camel. It was released in 1977 on Gama Records/Decca Records, and brought a major change to the band's lineup, by replacing bassist Doug Ferguson with ex-Caravan member Richard Sinclair and by adding saxophonist Mel Collins, formerly of King Crimson.
Moonmadness is the fourth studio album by English progressive rock band Camel. It was released in April 1976 on Decca and Gama Records and is their last album recorded by the group's original line-up of Andrew Latimer, Peter Bardens, Doug Ferguson, and Andy Ward. After reaching success with their previous album, the all instrumental The Snow Goose, the band started on a follow-up and incorporated vocals and lyrics to the new music. Moonmadness has a loose concept with one track based on the personality of each band member: "Air Born" for Andrew Latimer, "Chord Change" for Peter Bardens, "Another Night" for Doug Ferguson, and "Lunar Sea" for Andy Ward. In 2018, 42 years after its release, Camel performed the album live in its entirety.
Still Got the Blues is the eighth solo studio album by Northern Irish guitarist Gary Moore, released in March 1990. It marked a substantial change in style for Moore, who had been predominantly known for rock and hard rock music with Skid Row, Thin Lizzy, G-Force, Greg Lake and during his own extensive solo career, as well as his jazz-fusion work with Colosseum II. As indicated by its title, Still Got the Blues saw him delve into an electric blues style.
E.S.P. is the seventeenth studio album by the British group the Bee Gees. Released in 1987, it was the band's first studio album in six years, and their first release under their new contract with Warner Bros. It marked the first time in twelve years the band had worked with producer Arif Mardin, and was their first album to be recorded digitally. The album sold well in Europe, reaching No. 5 in the UK, No. 2 in Norway and Austria, and No. 1 in Germany and Switzerland, though it failed to chart higher than No. 96 in the US.
Songs is the ninth studio album by American R&B/soul singer-songwriter Luther Vandross. It was released by Epic Records on September 20, 1994. The album, a collection of cover versions, produced the singles "Endless Love", "Always and Forever", and "Ain't No Stoppin' Us Now". According to an interview both Vandross and Mariah Carey gave in Japan following the release of their duet "Endless Love", there was mention that Carey had given advice as to what songs Vandross would cover on this album.
Dust and Dreams is the eleventh studio album by Camel. Released in 1991 after a seven-year hiatus during which Andrew Latimer and Susan Hoover moved from England to California to set up their own Camel Productions label, the album was inspired by John Steinbeck's The Grapes of Wrath.
Winner in You is the eighth studio album by American R&B singer Patti LaBelle. It was released by MCA Records on April 28, 1986, in the United States. Recording sessions took place during 1985–1986. Production was handled by several record producers, including Burt Bacharach, Carole Bayer Sager, and Nickolas Ashford, among others.
Breathless is the sixth studio album by the English progressive rock band Camel, released in 1978. It is the last album to feature the group's original keyboardist, Peter Bardens, who left the group before the tour for the album.
I Can See Your House from Here is the seventh studio album by English progressive rock band Camel. Released in 1979, a new line up was introduced with founding members Andrew Latimer (guitar) and Andy Ward (drums) joined by bassist Colin Bass and keyboardists Jan Schelhaas and Kit Watkins who replaced Dave Sinclair. At one point, the album was going to be called Endangered Species.
Nude is the eighth studio album and a concept album released by the English progressive rock band Camel in January 1981. The album is based on a true story of a Japanese soldier marooned on an island in World War II who doesn't know that the war is over. 'Nude' derives from his family name 'Onoda'. Most of the album is composed of instrumentals with only a few tracks containing lyrics. The album's lyrics were mainly written by Susan Hoover, except "Please Come Home", which was written by Andrew Latimer. It was the last Camel album to feature original drummer Andy Ward, and the last Camel album to feature more than one original member.
The Single Factor, released in 1982, is the ninth studio album by English progressive rock band Camel. The album was essentially a contractual obligation album, created under pressure from Decca Records to produce a hit single, and the "made-to-order" nature of its composition resulted in a selection of songs described as "odd" on the band's official website. Unlike previous Camel albums, The Single Factor consists exclusively of shorter compositions around 3 to 5 minutes in length.
Harbour of Tears is the twelfth studio album and a concept album by English progressive rock band Camel. It tells the story of an Irish family who are painfully separated as their young ones depart to the United States to seek a better future. Released in 1996, it was their twelfth studio album.
Pressure Points: Live in Concert is a live album by progressive rock band Camel, released in 1984. A remastered version with six bonus tracks was released in 2009 as a double CD Set.
Aretha is the thirty-first studio album by American singer Aretha Franklin, originally released on October 27, 1986, by Arista Records. It is the third album with the Aretha title to be released by Franklin, following her 1961 album and 1980 album.
No Ordinary World is the seventeenth studio album by Joe Cocker, released on 9 September 1999 in Europe and on 22 August 2000 in USA. The US edition of the album features two bonus tracks and has different cover artwork. Notable songs on the album include a cover of Leonard Cohen's "First We Take Manhattan" and "She Believes in Me" co-written by Bryan Adams, who had also provided backing vocals for the song.
Sky 3 is the third album by English/Australian instrumental progressive rock band Sky, released in 1981. It reached number three in the British Albums chart. It was the first album recorded after Francis Monkman's departure from the group, with Steve Gray replacing him on keyboards.
Sky 4: Forthcoming is the fourth studio album by English/Australian instrumental progressive rock band Sky, released in 1982. It is the only Sky album to contain no original compositions - except for Kevin Peek's rewrite of a 13th-century melody - relying instead on the band's arrangements of other composers' pieces. The Album entered the UK Charts on 3 April 1982, where it peaked at No. 7.
