Nineveh, also known in early modern times as Kouyunjik, was an ancient Assyrian city of Upper Mesopotamia, located in the modern-day city of Mosul in northern Iraq. It is located on the eastern bank of the Tigris River and was the capital and largest city of the Neo-Assyrian Empire, as well as the largest city in the world for several decades. Today, it is a common name for the half of Mosul that lies on the eastern bank of the Tigris, and the country's Nineveh Governorate takes its name from it.
Shalmaneser III was king of the Neo-Assyrian Empire from the death of his father Ashurnasirpal II in 859 BC to his own death in 824 BC.
Hormuzd Rassam was an Assyriologist and author. He is known for making a number of important archaeological discoveries from 1877 to 1882, including the clay tablets that contained the Epic of Gilgamesh, the world's oldest notable literature. He is widely believed to be the first-known Middle Eastern and Assyrian archaeologist from the Ottoman empire. He emigrated to the United Kingdom, where he was naturalized as a British citizen, settling in Brighton. He represented the government as a diplomat, helping to free British diplomats from captivity in Ethiopia.
Nimrud is an ancient Assyrian city located in Iraq, 30 kilometres (20 mi) south of the city of Mosul, and 5 kilometres (3 mi) south of the village of Selamiyah, in the Nineveh Plains in Upper Mesopotamia. It was a major Assyrian city between approximately 1350 BC and 610 BC. The city is located in a strategic position 10 kilometres (6 mi) north of the point that the river Tigris meets its tributary the Great Zab. The city covered an area of 360 hectares. The ruins of the city were found within one kilometre (1,100 yd) of the modern-day Assyrian village of Noomanea in Nineveh Governorate, Iraq.
The Black Obelisk of Shalmaneser III is a black limestone Neo-Assyrian sculpture with many scenes in bas-relief and inscriptions. It comes from Nimrud, in northern Iraq, and commemorates the deeds of King Shalmaneser III. It is on display at the British Museum in London, and several other museums have cast replicas.
Ashur-nasir-pal II was king of Assyria from 883 to 859 BC. Ashurnasirpal II succeeded his father, Tukulti-Ninurta II. His son and successor was Shalmaneser III and his queen was Mullissu-mukannišat-Ninua.
National Museums Scotland is an executive non-departmental public body of the Scottish Government. It runs the national museums of Scotland.
Mead Art Museum houses the fine art collection of Amherst College in Amherst, Massachusetts. Opened in 1949, the building is named after architect William Rutherford Mead, of the prestigious architectural firm McKim, Mead & White. His wife, Olga Kilyeni Mead, left her entire estate to Amherst College. The museum, a member of Museums10, is free and open to the public.
Marduk-zâkir-šumi, inscribed mdAMAR.UTU-za-kir-MU in a reconstruction of two kinglists, “Marduk pronounced the name,” was a king of Babylon from 855 to 819 BC during the mixed dynastic period referred to in antiquity as the dynasty of E. He was a contemporary of the Assyrian kings, Salmānu-ašarēdu III) and Šamši-Adad V with whom he was allied.
The Department of the Middle East, numbering some 330,000 works, forms a significant part of the collections of the British Museum, and the world's largest collection of Mesopotamian antiquities outside Iraq. The collections represent the civilisations of the ancient Near East and its adjacent areas.
The Neo-Assyrian Empire was the fourth and penultimate stage of ancient Assyrian history. Beginning with the accession of Adad-nirari II in 911 BC, the Neo-Assyrian Empire grew to dominate the ancient Near East throughout much of the 8th and 7th centuries BC, becoming the largest empire in history up to that point. Because of its geopolitical dominance and ideology based in world domination, the Neo-Assyrian Empire is by many researchers regarded to have been the first world empire in history. It influenced other empires of the ancient world culturally, governmentally, and militarily, including the Babylonians, the Achaemenids, and the Seleucids. At its height, the empire was the strongest military power in the world and ruled over all of Mesopotamia, the Levant and Egypt, as well as parts of Anatolia, Arabia and modern-day Iran and Armenia.
The Balawat Gates are three sets of decorated bronze bands that had adorned the main doors of several buildings at Balawat, dating to the reigns of Ashurnasirpal II and Shalmaneser III. Their extensive use of narrative art depicting the exploits of Assyrian kings has cemented their position as some of the most important surviving works of art of the Neo-Assyrian Empire, comparable to the extensive Assyrian palace reliefs. When the Neo-Assyrian Empire fell in 614-612 BC, Balawat was destroyed. The wooden elements of the gates decomposed, leaving only the bronze bands. The remains of two sets of gates can be found in the British Museum's collection, those from the Temple of Mamu are housed in the Mosul Museum. Small sections of the Shalmaneser bronze door bands are also in the Louvre Museum at the Walters Art Museum in Baltimore and in the Istanbul Archaeology Museums.
The Statue of Ashurnasirpal II is a rare example of Assyrian sculpture in the round that was found in the mid nineteenth century at the ancient site of Kalhu by the famous archaeologist Austen Henry Layard. Dating from 883–859 BC, the statue has long been admired for its flawless condition and the high quality of its craftsmanship. It has been part of the British Museum's collection since 1851.
The White Obelisk is a large stone monolith found at the ancient Assyrian settlement of Nineveh, northern Iraq. Excavated by the British archaeologist Hormuzd Rassam in 1853, it is one of only two intact obelisks to survive from the Assyrian empire, the other being the Black Obelisk of Shalmaneser III. Both are now preserved in the British Museum. The White Obelisk dates to the beginning of the Neo-Assyrian Empire and has been variously ascribed to the reigns of Ashurnasirpal I, Tiglath-Pileser II or Ashurnasirpal II.
The Stela of Shamshi-Adad V is a large Assyrian monolith erected during the reign of Shamshi-Adad V. The stela was discovered in the mid nineteenth century at the ancient site of Kalhu by the British archaeologist Hormuzd Rassam. Dated to between 824-811 BC, the sculpture is now part of the British Museum's collection of Middle East antiquities.
Assyrian sculpture is the sculpture of the ancient Assyrian states, especially the Neo-Assyrian Empire of 911 to 612 BC, which was centered around the city of Assur in Mesopotamia which at its height, ruled over all of Mesopotamia, the Levant and Egypt, as well as portions of Anatolia, Arabia and modern-day Iran and Armenia. It forms a phase of the art of Mesopotamia, differing in particular because of its much greater use of stone and gypsum alabaster for large sculpture.
The royal Lion Hunt of Ashurbanipal is shown on a famous group of Assyrian palace reliefs from the North Palace of Nineveh that are now displayed in room 10a of the British Museum. They are widely regarded as "the supreme masterpieces of Assyrian art". They show a formalized ritual "hunt" by King Ashurbanipal in an arena, where captured Asian lions were released from cages for the king to slaughter with arrows, spears, or his sword. They were made about 645–635 BC, and originally formed different sequences placed around the palace. They would probably originally have been painted, and formed part of a brightly coloured overall decor.
The Queens' Tombs at Nimrud are a set of four tombs discovered by Muzahim Hussein at the site of what was once the ancient Assyrian city of Nimrud. Once the capital of the Neo-Assyrian Empire, Nimrud was located on the East bank of the Tigris river, in what would be modern day Northern Iraq. Nimrud became the second capital of the Assyrian empire during the ninth century BCE, under Assurnasirpal II. Assurnasirpal II expanded the city and built one of the most significant architectural achievements at Nimrud, the Northwest Palace––bētānu in Assyrian. The palace was the first of many built by Neo-Assyrian rulers, and it became a template for later palaces. During an excavation of the Northwest Palace in 1988, the Queen's Tombs were discovered under the Southern, domestic wing. All four tombs discovered within the palace were built during the ninth and eighth centuries and were primarily constructed of the mudbrick, baked brick, and limestone ––materials commonly used in Mesopotamian architecture. The architecture of the tombs as well as the Northwest Palace within which they are housed provide historical insight into the Assyrian Empire's building techniques. The most notable items found within the queens' tombs included hundreds of pieces of fine jewelry, pottery, clothing, and tablets. These objects crafted by Neo-Assyrian artists would later allow archaeologists to build on their understanding of Neo-Assyrian goldsmithing techniques. Each tomb was built in advance of a queen's death and construction began as early as the 9th century under Assurnasirpal II and continued under Shalmaneser III.
The queen of the Neo-Assyrian Empire was the consort of the Neo-Assyrian king. Though the queens derived their power and influence through their association with their husband, they were not pawns without political power. The queens oversaw their own, often considerable, finances and owned vast estates throughout the empire. To oversee their assets, the queens employed a large administrative staff headed by a set of female administrators called šakintu. Among the duties of the queens were religious responsibilities and overseeing parts of the royal palaces; their role as "rulers of the domestic realm" is reflected in their title as "Women of the Palace". The power and influence of the queens was increased further under the Sargonid dynasty (722–609 BC), when they more frequently appear in artwork and large military units directly subservient to the queen were created.
