Stephanie Syjuco (born 1974, in Manila, Philippines), is a Filipino-American conceptual artist and educator. Born in the Philippines, she moved to the San Francisco Bay Area in 1977. Syjuco received her MFA from Stanford University in 2005, and BFA in Sculpture from the San Francisco Art Institute in 1995. She currently lives and works in Oakland, California.[1]
2016 solo exhibition at Catherine Clark Gallery, San Francisco2012 installation at Fort Point, San Francisco2012 Commission for the ZERO1 Biennial, San Jose
Stephanie Syjuco works in photography, sculpture, and installation, moving from handmade and craft-inspired mediums to digital editing and archive excavations. Her projects leverage open-source systems, shareware logic, and flows of capital, in order to investigate issues of economies and empire. Recently, she has focused on how photography and image-based processes are implicated in the construction of racialized, exclusionary narratives of American history and citizenship.[2]
Her early artwork explored the friction between the authentic and the counterfeit, addressing political concerns regarding issues of labor and economies within the capitalist system.[3] In 2009 she created Copystand: An autonomous manufacturing zone for the Frieze Art Fair in London. The Wall Street Journal notes: "Other artists, meanwhile, are openly toying with the fair's changing economics... San Francisco-based artist Stephanie Syjuco and several of her artist friends are making copycat versions of their favorite fair pieces, which she is selling at "heavily discounted" prices ranging from roughly $30 to $750."[4]
2008 Perspectives Series 164: Total Fabrications, Contemporary Arts Museum Houston, Texas
Bibliography
See, Sarita E. The Filipino primitive: accumulation and resistance in the American museum. New York: New York University Press, 2017. ISBN9780811835411
Hart, Dakin, and Jenny Dixon. Museum of stones: ancient and contemporary art at the Noguchi Museum. New York London: The Isamu Noguchi Foundation and Garden Museum in association with D Giles Limited, 2016. ISBN9781479842667
Vija Celmins is a Latvian American visual artist best known for photo-realistic paintings and drawings of natural environments and phenomena such as the ocean, spider webs, star fields, and rocks. Her earlier work included pop sculptures and monochromatic representational paintings. Based in New York City, she has been the subject of over forty solo exhibitions since 1965, and major retrospectives at the Museum of Modern Art, Whitney Museum of American Art, Los Angeles County Museum of Art, San Francisco Museum of Modern Art, Institute of Contemporary Arts, London and the Centre Pompidou, Paris.
Eva Hesse was a German-born American sculptor known for her pioneering work in materials such as latex, fiberglass, and plastics. She is one of the artists who ushered in the postminimal art movement in the 1960s.
Candida Höfer is a German photographer. She is a former student of Bernd and Hilla Becher. Like other Becher students, Höfer's work is known for technical perfection and a strictly conceptual approach. From 1997 to 2000, she taught as professor at the Hochschule für Gestaltung, Karlsruhe. Höfer is the recipient of the 2018 Outstanding Contribution to Photography award, as part of the Sony World Photography awards. She is based in Cologne.
Lorna Simpson is an American photographer and multimedia artist whose works have been exhibited both nationally and internationally. In 1990, she became the first African-American woman to exhibit at the Venice Biennale. She came to prominence in the 1980s and 1990s with photo-text installations such as Guarded Conditions and Square Deal that questioned the nature of identity, gender, race, history and representation. Simpson continues to explore these themes in relation to memory and history using photography, film, video, painting, drawing, audio, and sculpture.
Linda Connor is an American photographer living in San Francisco, California. She is known for her landscape photography.
Trisha Donnelly is a contemporary artist who is particularly well known as a conceptual artist. Donnelly works with various media including photography, drawing, audio, video, sculpture and performance. Donnelly is also a Clinical Associate Professor of Studio Art at New York University. She currently lives and works in San Francisco, California.
Established in 1991, the Catharine Clark Gallery presents the work of contemporary, living artists using a variety of media. The gallery is located in San Francisco’s Potrero Hill Neighborhood, at 248 Utah Street. The Catharine Clark Gallery is the only commercial gallery in San Francisco with an entire room dedicated to showcasing video projects.
Travis Somerville is an American artist based in San Francisco, California. Known for tackling Southern racial issues, Somerville’s works incorporate collage painting and sculptural elements, as well as site-specific installations.
Nina Katchadourian is an American interdisciplinary artist and educator. She works with photography, sculpture, video, and sound—often in playful ways. She is best known for her "Lavatory Self-Portraits in the Flemish Style," a series of self-portraits taken in airplane bathrooms.
Daniel Gordon is an American artist who lives and works in Brooklyn, New York.
Ellen Brooks is an American photographer. She began her career on the West Coast, and is associated with the Los Angeles–based art community of the late 1960s and '70s. In 1982 she moved to New York, where her practice has since been based. Her work is known for its boundary-pushing forays into sculpture, and for her use of screens and image altering pro-filmic photographic processes. She has shown at the Museum of Modern Art (MOMA), the Whitney Museum of American Art, the Los Angeles Museum of Contemporary Art, and the Centre Pompidou, and has worked in the permanent collections of the MOMA, the Whitney, the National Museum of American Art, the Getty Museum, and others.
Weston Teruya is an Oakland-based visual artist and arts administrator. Teruya's paper sculptures, installations, and drawings reconfigure symbols forming unexpected meanings that tamper with social/political realities, speculating on issues of power, control, visibility, protection and, by contrast, privilege. With Michele Carlson and Nathan Watson, he is a member of the Related Tactics artists' collective and often exhibits under that name.
Laylah Ali (born 1968) is a contemporary visual artist known for paintings in which ambiguous race relations are depicted with a graphic clarity and cartoon strip format.
Erin Shirreff is a Canadian artist who works primarily in photography, sculpture, and video.
Josh Faught is a San Francisco-based fiber artist who creates sculptures, textiles, collages, and paintings. His work incorporates techniques such as knitting, crochet, and weaving, and addresses topics of craft and queer history. His fiber sculptures, influenced by both domestic crafts and art styles such as abstract and color field painting, are often either hung on the wall or stretched over scaffolding such as garden trellises; they are three-dimensional but forward-oriented.
Ming Smith is an American photographer. She was the first African-American female photographer whose work was acquired by the Museum of Modern Art in New York City.
Alexandra Bell is an American multidisciplinary artist. She is best known for her series Counternarratives, large scale paste-ups of New York Times articles edited to challenge the presumption of "objectivity" in news media. Using marginalia, annotation, redaction, and revisions to layout and images, Bell exposes racial and gender biases embedded in print news media.
Ana Teresa Fernández is a Mexican performance artist and painter. She was born in Tampico, Tamaulipas, and currently lives and works in San Francisco. After migrating to the United States with her family at 11 years old, Fernández attended the San Francisco Art Institute, where she earned bachelor's and master's of fine arts degrees. Fernández's pieces focus on "psychological, physical and sociopolitical" themes while analyzing "gender, race, and class" through her artwork.
Gina Osterloh is a Filipino American conceptual artist who uses photography to question and investigate notions of self and identity. Best known for photographs that feature partly concealed bodies in "meticulously crafted room-sized sets," Osterloh challenges conventions of portraiture and often combines elements of performance, tableau, sculpture, installation, and drawing into photographs.
Wanxin Zhang is a Chinese-American sculptor based in San Francisco, known for his large-scale ceramic figures, formless ceramic structures, and bronze pieces. He is recognized as one of the leading artists in the new generation of the Bay Area clay movement. Zhang's work is characterized by a fusion of California Funk influence and references to Chinese history. His monumental clay figures convey themes of globalization, politics, and power by reshaping traditional symbols with contemporary pop culture elements. Zhang's work is in the Smithsonian American Art Museum Collections.
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