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Peter Sellers was an English actor and comedian. He first came to prominence performing in the BBC Radio comedy series The Goon Show. Sellers featured on a number of hit comic songs, and became known to a worldwide audience through his many film roles, among them Chief Inspector Clouseau in The Pink Panther series.
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Method acting, known as The Method, is a range of rehearsal techniques, as formulated by a number of different theatre practitioners, that seeks to encourage sincere and expressive performances through identifying with, understanding, and experiencing a character's inner motivation and emotions. These techniques are built on Stanislavski's system, developed by the Russian actor and director Konstantin Stanislavski and captured in his books An Actor Prepares, Building a Character, and Creating a Role.
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Anna Marie "Patty" Duke was an American actress and mental health advocate. Over the course of her acting career, she was the recipient of an Academy Award, two Golden Globe Awards, three Primetime Emmy Awards, and a star on the Hollywood Walk of Fame.
Harold Edgar Clurman was an American theatre director and drama critic. In 2003, he was named one of the most influential figures in U.S. theater by PBS. He was one of the three founders of New York City's Group Theatre (1931–1941). He directed more than 40 plays in his career and, during the 1950s, was nominated for a Tony Award as director for several productions. In addition to his directing career, he was drama critic for The New Republic (1948–1952) and The Nation (1953–1980), helping shape American theater by writing about it. Clurman wrote seven books about the theatre, including his memoir The Fervent Years: The Group Theatre and the Thirties (1961).
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Respect for Acting by actress and teacher Uta Hagen is a textbook for use in acting classes. Hagen's instructions and examples guide the user through practical problems such as: "How do I talk to the audience?" and "How do I stay fresh in a long run?". She advocates the actor's use of substitution in informing and shaping the actions of the character the actor is playing.
Collective mental state is generally a literary or legal term, mostly used in sociology and philosophy, to refer to the condition of someone's being-state when around others. An assessment of a collective mental state includes a description of thought processes, memory, emotions, mood, cognitive state, and energy levels, including the meta overlay of interactions between individuals.
The "art of representation" is a critical term used by the seminal Russian theatre practitioner Konstantin Stanislavski to describe a method of acting. It comes from his acting manual An Actor Prepares (1936). Stanislavski defines his own approach to acting as "experiencing the role" and contrasts it with the "art of representation". It is on the basis of this formulation that the American Method acting teacher Uta Hagen defines her recommended Stanislavskian approach as 'presentational' acting, as opposed to 'representational' acting. This use, however, directly contradicts mainstream critical use of these terms. Despite the distinction, Stanislavskian theatre, in which actors 'experience' their roles, remains 'representational' in the broader critical sense.
"Speak the speech" is a famous speech from Shakespeare's Hamlet (1601). In it, Hamlet offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark.
Scene study is a technique used to teach acting. One or more actors perform a dramatic scene and are then offered feedback from teachers, classmates, or each other.
Naturalism is a movement in European drama and theatre that developed in the late 19th and early 20th centuries. It refers to theatre that attempts to create an illusion of reality through a range of dramatic and theatrical strategies. Interest in naturalism especially flourished with the French playwrights of the time, but the most successful example is Strindberg's play Miss Julie, which was written with the intention to abide by both his own particular version of naturalism, and also the version described by the French novelist and literary theoretician, Emile Zola.
Presentational acting and the related representational acting are opposing ways of sustaining the actor–audience relationship. With presentational acting, the actor acknowledges the audience. With representational acting, the audience is studiously ignored and treated as voyeurs.
A Challenge for the Actor is a bestselling acting textbook by the actress and teacher Uta Hagen, used in many acting classes. Taking the concept of "substitution" from her previous book, Respect for Acting, she renamed it "transference".
References
- ↑ Uta Hagen (4 May 2009). Respect for Acting. John Wiley & Sons. pp. 13–. ISBN 978-0-470-73018-8.
- ↑ Uta Hagen (4 May 2009). Respect for Acting. John Wiley & Sons. pp. 32–. ISBN 978-0-470-73018-8.
- ↑ Uta Hagen (4 May 2009). Respect for Acting. John Wiley & Sons. pp. 38–. ISBN 978-0-470-73018-8.
- ↑ Uta Hagen (4 May 2009). Respect for Acting. John Wiley & Sons. pp. 42–. ISBN 978-0-470-73018-8.