Sydney Push

Last updated

The Royal George Hotel in April 2004. It has been renamed the Slip Inn. The Sydney Push met in the "back room", a little above ground floor, at left. R George134.jpg
The Royal George Hotel in April 2004. It has been renamed the Slip Inn. The Sydney Push met in the "back room", a little above ground floor, at left.

The Sydney Push was an intellectual subculture in Sydney from the late 1940s to the early 1970s. Its politics were predominantly left-wing libertarianism. The Push operated in a pub culture and included university students, academics, manual workers, musicians, lawyers, criminals, journalists and public servants. Rejection of conventional morality and authoritarianism was a common bond. Students and staff from Sydney University, mainly the Faculty of Arts, were prominent members. In the 1960s, students and staff from the University of New South Wales also became involved.

Contents

Well known associates of the Push include Richard Appleton, Jim Baker, Lex Banning, Eva Cox, Robyn Davidson, [1] Margaret Fink, John Flaus, Germaine Greer, George Molnar, Robert Hughes, Harry Hooton, Clive James, Sasha Soldatow, [2] David Makinson, Jill "Blue" Neville, [3] Paddy McGuinness, Frank Moorhouse, David Perry, Lillian Roxon and Darcy Waters. From 1961 to 1962, poet Les Murray resided in Brian Jenkins's Push household [4] at Glen Street, Milsons Point, which became a mecca for associates visiting Sydney from Melbourne and other cities.

Academic contributors

The Lincoln Coffee Lounge, located on Rowe Street, is said to be the birthplace of the "Sydney Push" movement in its early days, just after the war. A popular meeting place for artists & writers, it comprised a mixture of university students, lecturers, bohemians and libertarians. Dick Gooding (on right of door) from Lincoln Coffee Lounge and Cafe, Rowe Street, Sydney - photographed by Brian Bird c. 1948-1951 (5394988486).jpg
The Lincoln Coffee Lounge, located on Rowe Street, is said to be the birthplace of the "Sydney Push" movement in its early days, just after the war. A popular meeting place for artists & writers, it comprised a mixture of university students, lecturers, bohemians and libertarians.

Amongst the key intellectual figures in Push debates were philosophers David J. Ivison, George Molnar, Roelof Smilde, Darcy Waters [5] and Jim Baker, as recorded in Baker's memoir Sydney Libertarians and the Push, published in the libertarian Broadsheet in 1975. [6] Other active people included psychologists Terry McMullen, John Maze and Geoff Whiteman, educationist David Ferraro, June Wilson, Les Hiatt, Ian Bedford, Ken Maddock and Alan Olding, among many others listed in the article. An understanding of Sydney libertarian values and social theory can be obtained from their publications, a few of which are available online. [7] [8] There are also interesting critical articles in the Arts Society's annual journal Arna by Baker [9] and Molnar [10] whose essay on Zamyatin's We concluded:

... Orwell spins out to its last conclusion the illusion that the fate of freedom depends mainly on the colour of the ruling party. We, precisely because it presents its rebels as apolitical, as individualists if you wish, cuts through this falsehood. Zamyatin's superior social insight, although presented and presumably gained artistically and not by way of scientific analysis, consists first in his firm rejection of the rationality or finality of history and, second, in his recognition that anarchic protest against those in power, not the capture of power, is at the core of freedom.

Hiatt and Nestor Grivas's Helenic Herald published a collection of Sydney libertarian essays as The Sydney Line in 1963. [11]

Social and cultural life

The intellectual life of the Libertarians was mainly pursued in and around the university, including neighbouring pubs like May's, the Forest Lodge and the British Lion. On evenings and weekends, it overflowed into the much larger 'downtown' social milieu known as the Push, which flourished at a succession of pubs and other places of refreshment including the Tudor, Lincoln, Lorenzini's Wine Bar and Repin's Coffee Shop; however, of greatest notoriety, was the Royal George Hotel in Sussex Street, which Clive James described in his Unreliable Memoirs : [12]

The Royal George was the headquarters of the Downtown Push, usually known as just the Push.... As well as the Libertarians and the aesthetes there were the small-time gamblers, traditional jazz fans and the homosexual radio repair men who had science fiction as a religion. The back room had tables and chairs. If you stuck your head through the door of the back room you came face to face with the Push. The noise, the smoke and the heterogeneity of physiognomy were too much to take in. It looked like a cartoon on which Hogarth, Daumier and George Grosz had all worked simultaneously, fighting for supremacy.

Since the mid-1950s, before extended pub hours replaced 6 o'clock closing, Push night-life commonly consisted of a meal at an inexpensive restaurant such as the Athenian or Hellenic Club ("the Greeks") or La Veneziana ("the Italians") followed by parties held most nights of the week at private residences. These were very lively occasions with singing of folksongs and bawdy ditties such as "Professor John Glaister" and many others. [13] Accompaniments were provided by accomplished guitarists and lutenists (Ian McDougall, John Earls, Terry Driscoll, Don Ayrton, Brian Mooney, John Roberts, Don Lee, Beth Schurr, Bill Berry, Marian Henderson and others). [14] Don Henderson, [15] Declan Affley and Martyn Wyndham-Read [16] are three well-known artists who were influenced by their time in the Push.

Protest and activism

Sydney Push associates Ian Parker (left) and Bob Gould in a 1960s pavement demonstration outside the Queen Victoria Building in Sydney. Parker died in the late 1970s; Gould, a notable bookseller, died in 2011. Ian Parker and Bob Gould.jpg
Sydney Push associates Ian Parker (left) and Bob Gould in a 1960s pavement demonstration outside the Queen Victoria Building in Sydney. Parker died in the late 1970s; Gould, a notable bookseller, died in 2011.

Sydney Libertarianism adopted an attitude of permanent protest recognisable in the sociological theories of Max Nomad, Vilfredo Pareto and Robert Michels, which predicted the inevitability of elites and the futility of revolutions. They used phrases such as "anarchism without ends", "non-utopian anarchism", and "permanent protest" to describe their activities and theories. Others labelled them as the 'futilitarians'. An early Marx quotation, used by Wilhelm Reich as the motto for his The Sexual Revolution , was adopted as a motto, viz:

Since it is not for us to create a plan for the future that will hold for all time, all the more surely what we contemporaries have to do is the uncompromising critical evaluation of all that exists, uncompromising in the sense that our criticism fears neither its own results nor the conflict with the powers that be.

Nevertheless, Push associates regularly assisted in organising and turning out for street demonstrations, e.g., against South African apartheid and in support of victims of the 1960 Sharpeville massacre; against the initial refusal of immigration minister Alexander Downer, Sr. to grant political asylum to three Portuguese merchant seamen who jumped ship in Darwin; and against Australia's participation in the Vietnam War.

In line with the Libertarians' rejection of conventional political models, electoral activism was foreign to the Push, save to urge non-voting and informal voting. At the election after prime minister Harold Holt failed to return from a swim, artist and film-maker David Perry produced a highly acclaimed poster featuring "a continuum of pigs (inspired by Orwell's Animal Farm)" with the slogan "Whoever you vote for, a politician always gets in." [18]

Events in the news

The most dramatic public event to impinge on the Push was the mysterious Bogle-Chandler case of 1963 and its sequel, a heavily publicised inquest in which several Push personalities gave evidence. [19] Another memorable incident involved the discovery of what news media recognised as a dismembered murder victim in an unlocked trunk at the foot of a city train-station escalator. This was later revealed to be a collection of body parts, the property of a doctor, found and used in a macabre practical joke by a notorious confidence trickster, the late Julian Ashleigh Sellors (known in the Push as 'Flash Ash'). [20]

Dispersal after 1964

The year 1964 saw the gradual demise of the Royal George Hotel as the prime focal venue of the Sydney Push which dispersed its bustling social life to other traditional venues like the Newcastle, Orient and Port Jackson hotels in The Rocks near Circular Quay and the Rose, Crown and Thistle at Paddington, New South Wales, but also to alternative central-city pubs including the United States and Edinburgh Castle. By the early 1970s, the Criterion Hotel on the corner of Liverpool and Sussex Streets had become the watering hole of the last of the Push diehards. Meanwhile, Push hangers-on and 'tourists', now numbering hundreds, patronised pubs like the Four-in-Hand (Paddington) and the Forth and Clyde at Balmain, but these were venues of social entertainment, lacking the intellectual camaraderie, the informal folksong and the bohemian flavour of the 'George'.

The retired education professor Alan Barcan has published a personal account of his view of activism at Sydney University during the 1960s. Though he was not an eyewitness of Push life, he provides some relevant insights into how student life became infected by Push doctrines of freedom and rebellion, to a point at which the social movement was superseded and its leading personalities were dispersed or replaced with a new breed of social critics. [21] As described by Barcan, this period saw the emergence of mainstream talents like poets Les Murray and Geoffrey Lehmann, journalists David Solomon, Mungo MacCallum (Jnr) and Laurie Oakes, Oz magazine satirists Richard Neville, Richard Walsh and Martin Sharp, and maverick writer Bob Ellis. These were people who did not actively embrace the Push life but were strongly influenced by it.

A group of Push associates at a reunion in 2012 Push reunion 2012.jpg
A group of Push associates at a reunion in 2012

Push personalities who emigrated to the United Kingdom included Clive James, [22] Paddy McGuinness, Chester (Philip Graham) and Ian Parker (pictured above) who returned to Sydney in the late 1970s and was knocked down and killed while drunk, in Dixon Street. [23] :p. 236 For some reason, a false account was promulgated that he died in a London street. [24] Paddy McGuinness returned to Australia in 1971, working as a film critic, Labor ministerial staffer, right-wing newspaper columnist and journal editor until his death in 2007. Folksinger John Earls went to Bolivia and former Tribune (Communist Party of Australia newspaper) cartoonist Harry Reade went to join Fidel Castro's revolution in Cuba (and returned in 1971 at the same time as Paddy McGuinness). The disabled poet Lex Banning travelled to England and Greece from 1962 until 1964 but returned and died in Sydney in 1965. The folksinger Don Ayrton departed to settle at Kuranda in Queensland where he committed suicide in 1982. A tragedy occurred as Paddy McGuinness was departing for Italy by ship in May 1963. The farewelling crowd included a young Push lady, Janne (or Jan) Millar, who fell to the concrete dock floor from a height and suffered fatal head injuries. [23] :p. 117 [25] :p. 161 A number of other tragic deaths occurred in this decade, including some from substance abuse which was becoming a regular part of Sydney culture at the time.

Many young Push associates simply moved on to careers in the professions and academia. A reunion organised by André Frankovits at the Royal George/Slip Inn in 2000 attracted around 280. Another, at the Harold Park Hotel in February 2012, [26] drew nearly 200, including some who had travelled from Hong Kong, North Queensland and Perth to attend. Later annual re-unions have attracted around 50.

On the demise of the Push, Anne Coombs has stated: "[... things began to change] in 1964, the year the Beatles came and brought into the open that new phenomenon: 'youth culture'." [25] :p. 178 Citing this, Alan Barcan added "In advocating free love and opposition to authority, the Push and the Libertarians anticipated the new post-1968 morality. But the adoption of many of their ideas by society undermined their raison d'être ". [21]

See also

Related Research Articles

Anarchism is a political philosophy and movement that is against all forms of authority and seeks to abolish the institutions it claims maintain unnecessary coercion and hierarchy, typically including the state and capitalism. Anarchism advocates for the replacement of the state with stateless societies and voluntary free associations. As a historically left-wing movement, this reading of anarchism is placed on the farthest left of the political spectrum, usually described as the libertarian wing of the socialist movement.

Individualist anarchism is the branch of anarchism that emphasizes the individual and their will over external determinants such as groups, society, traditions, and ideological systems. Although usually contrasted with social anarchism, both individualist and social anarchism have influenced each other. Mutualism, an economic theory sometimes considered a synthesis of communism and property, has been considered individualist anarchism and other times part of social anarchism. Many anarcho-communists regard themselves as radical individualists, seeing anarcho-communism as the best social system for the realization of individual freedom. Some anarcho-capitalists claim anarcho-capitalism is part of the individualist anarchist tradition, while others disagree and claim individualist anarchism is only part of the socialist movement and part of the libertarian socialist tradition. Economically, while European individualist anarchists are pluralists who advocate anarchism without adjectives and synthesis anarchism, ranging from anarcho-communist to mutualist economic types, most American individualist anarchists of the 19th century advocated mutualism, a libertarian socialist form of market socialism, or a free-market socialist form of classical economics. Individualist anarchists are opposed to property that violates the entitlement theory of justice, that is, gives privilege due to unjust acquisition or exchange, and thus is exploitative, seeking to "destroy the tyranny of capital,—that is, of property" by mutual credit.

Individualism is the moral stance, political philosophy, ideology and social outlook that emphasizes the intrinsic worth of the individual. Individualists promote realizing one's goals and desires, valuing independence and self-reliance, and advocating that the interests of the individual should gain precedence over the state or a social group, while opposing external interference upon one's own interests by society or institutions such as the government. Individualism makes the individual its focus, and so starts "with the fundamental premise that the human individual is of primary importance in the struggle for liberation".

Anarchism and violence have been linked together by events in anarchist history such as violent revolution, terrorism, assassination attempts and propaganda of the deed. Propaganda of the deed, or attentát, was espoused by leading anarchists in the late 19th century and was associated with a number of incidents of political violence. Anarchist thought, however, is quite diverse on the question of violence. Where some anarchists have opposed coercive means on the basis of coherence, others have supported acts of violent revolution as a path toward anarchy. Anarcho-pacifism is a school of thought within anarchism which rejects all violence.

<span class="mw-page-title-main">Balmain, New South Wales</span> Suburb of Sydney, New South Wales, Australia

Balmain is a suburb in the Inner West of Sydney, New South Wales, Australia. Balmain is located two kilometres west of the Sydney central business district, in the local government area of the Inner West Council.

Henry (Harry) Arthur Hooton was an Australian poet and social commentator whose writing spanned the years 1930s–1961. He was described by a biographer as ahead of his time, or rather "of his time while the majority of progressive artists and thinkers in Australia lagged far behind". Initially a socialist and "wobbly", he later professed anarchism and became an associate of the Sydney Push during the 1940s, with connections to many other Australian writers, film makers and artists. Hooton's constant attitude and literary style was extravagant, provocative and explicitly outrageous.

Rowan Cahill is an Australian historian and journalist, with a background as a teacher and farmhand, who variously worked for the trade union movement as a rank and file activist, delegate and publicist.

<span class="mw-page-title-main">Carcoar, New South Wales</span> Town in New South Wales, Australia

Carcoar is a small town in the Central West region of New South Wales, Australia, in Blayney Shire. In 2016, the town had a population of 200 people. It is situated just off the Mid-Western Highway 258 km west of Sydney and 52 km south-west of Bathurst and is 720 m above sea level. It is located in a small green valley, with the township and buildings on both banks of the Belubula River. It is the third oldest settlement west of the Blue Mountains. Carcoar is a Gundungurra word meaning either 'frog' or 'kookaburra'. Nearby towns are Blayney, Millthorpe, Mandurama, Neville, Lyndhurst and Barry

Left-libertarianism, also known as left-wing libertarianism, is a political philosophy and type of libertarianism that stresses both individual freedom and social equality. Left-libertarianism represents several related yet distinct approaches to political and social theory. Its classical usage refers to anti-authoritarian varieties of left-wing politics such as anarchism, especially social anarchism, communalism, and libertarian Marxism, collectively termed libertarian socialism. A portion of the left wing of the green movement, including adherents of Murray Bookchin's social ecology, are also generally considered left-libertarian.

John Flaus is an Australian actor.

Libertarianism is a political philosophy that upholds liberty as a core value. Libertarians seek to maximize autonomy and political freedom, emphasizing equality before the law and civil rights to freedom of association, freedom of speech, freedom of thought and freedom of choice. Libertarians are often skeptical of or opposed to authority, state power, warfare, militarism and nationalism, but some libertarians diverge on the scope of their opposition to existing economic and political systems. Various schools of libertarian thought offer a range of views regarding the legitimate functions of state and private power. Different categorizations have been used to distinguish various forms of Libertarianism. Scholars distinguish libertarian views on the nature of property and capital, usually along left–right or socialist–capitalist lines. Libertarians of various schools were influenced by liberal ideas.

Padraic Pearse "Paddy" McGuinness was an Australian journalist, activist, and commentator. He began his career on the far left, then worked as a policy assistant to the more moderate Labor parliamentarian Bill Hayden. Later he found fame as a right-wing contrarian and finished his career as the editor of the conservative journal, Quadrant. He had also worked as a columnist for The Australian and The Sydney Morning Herald and as the editor of The Australian Financial Review.

George Molnar (1934–1999) was a Hungarian-born philosopher whose principal area of interest was metaphysics. He worked mainly in the Philosophy Department at the University of Sydney but resided in England from 1976 to 1982. He published four philosophical papers in two separate spells; the first two in the 1960s and the second two after a return to the profession in the 1990s. His book Powers: A Study in Metaphysics was published posthumously in 2003.

<span class="mw-page-title-main">Anarchism in Australia</span> Australian anarchism

Anarchism in Australia arrived within a few years of anarchism developing as a distinct tendency in the wake of the 1871 Paris Commune. Although a minor school of thought and politics, composed primarily of campaigners and intellectuals, Australian anarchism has formed a significant current throughout the history and literature of the colonies and nation. Anarchism's influence has been industrial and cultural, though its influence has waned from its high point in the early 20th century where anarchist techniques and ideas deeply influenced the official Australian union movement. In the mid 20th century anarchism's influence was primarily restricted to urban bohemian cultural movements. In the late 20th century and early 21st century Australian anarchism has been an element in Australia's social justice and protest movements.

The following outline is provided as an overview of and topical guide to anarchism:

<span class="mw-page-title-main">John Anderson (philosopher)</span> Scottish Australian philosopher (1893–1962)

John Anderson was a Scottish philosopher who occupied the post of Challis Professor of Philosophy at Sydney University from 1927 to 1958. He founded the empirical brand of philosophy known as Australian realism.

<span class="mw-page-title-main">Ubi Dwyer</span> Irish anarchist activist (1933–2001)

Bill 'Ubi' Dwyer or William Ubique Dwyer was an anarchist activist in New Zealand, Australia, England and his native Ireland and is best known as the originator and principal organiser of the Windsor Free Festival.

<span class="mw-page-title-main">Richard Appleton</span> Australian poet and raconteur

Richard Appleton was an Australian poet, raconteur and editor who became editor-in-chief of the Australian Encyclopaedia and, in 1987, was co-editor with Alex Galloway of the posthumous Lex Banning poetry collection There Was a Crooked Man. He was a long-time associate of the Sydney Push, of which his memoirs were published posthumously in 2009. He helped create The Pluralist, a journal of dissident thought.

Allan James "Jim" Baker, usually cited as A. J. Baker, was an Australian philosopher who was best known for having systematised the realist philosophy of John Anderson. He studied under Anderson at Sydney University and had taught philosophy in Scotland, New Zealand, the United States, and Australia. He was a prominent member of the Sydney Libertarians and the Sydney Push. He instigated, and was a prolific contributor to, several journals, compilations and newsletters that addressed issues, philosophical and otherwise, associated with Sydney Libertarianism. Among these were Libertarian (1957–1960), Broadsheet (1960–1979), The Sydney Line: A Selection of Comments and Criticisms (1963), Heraclitus (1980–2006) and The Sydney Realist (2005–). In 1997 he published a monograph, Social Pluralism: A Realistic Analysis, in which he posited his exposition of human social life.

Anarchism and libertarianism, as broad political ideologies with manifold historical and contemporary meanings, have contested definitions. Their adherents have a pluralistic and overlapping tradition that makes precise definition of the political ideology difficult or impossible, compounded by a lack of common features, differing priorities of subgroups, lack of academic acceptance, and contentious historical usage.

References

  1. "Robyn Davidson, the 'Camel Lady'", Australian Museum
  2. A 1970s associate, subject of David Marr's obituary "A spirit gone to another place" Sydney Morning Herald , 9 September 2006
  3. David Leitch (12 June 1997). "Obituary: Jill Neville" . The Independent . Archived from the original on 26 May 2022.
  4. Alexander Peter F. Les Murray: a Life in Progress, Oxford University Press, 2000
  5. Moorhouse, Frank (14 August 1971). "The prince of Bohemia". The Bulletin. Vol. 93, no. 4768. Sydney. pp. 41–43. Retrieved 30 June 2022.
  6. See Baker, A. J., "Sydney Libertarianism and the Push" or at "Sydney Libertarians and the Push" on Prof. W L Morison memorial site
  7. "Sydney Libertarians and Anarchism Index". www.takver.com.
  8. Sydney Libertarianism at the Marxists Internet Archive
  9. Baker, A. J., The Politics of 1984 pp. 34–43, Arna (S.U. Arts Society, 1958)
  10. Molnar, George "Zamyatin's We – a libertarian viewpoint", pp. 11–20 , Arna (S.U. Arts Society, 1961)
  11. Hamilton, Annette (2008). "In Memorium: L. R. Hiatt (1931–2008)". Oceania. 78 (2): 130. ISSN   0029-8077. JSTOR   40495574.
  12. James, C. Unreliable Memoirs, Picador Books, 1981, p. 140.
  13. S Hogbotel & S Fuckes (1973). Snatches & Lays – Songs Miss Lilly White should never have taught us. Sun Books, Melbourne. ISBN   0-7251-0164-4.
  14. Turnbull, Malcolm J. "Key players on the Sydney coffee lounge scene", at warrenfahey.com.au
  15. Making of a song-writer—interview
  16. Martyn Wyndham-Read official site
  17. Gould's Book Arcade
  18. Perry, David. "Memoirs of a Dedicated Amateur". Valentine Press, 2014, p. 50
  19. Bogle and Chandler–a factual website with bibliography
  20. Nowell, Laurie "Roguery loses a "Flash" character". Perth Weekend News p. 5, 5 October 1985
  21. 1 2 Barcan, A Student activists at Sydney University 1960–1967, Australian and New Zealand History of Education Society (ANZHES), January 2007
  22. who sailed on the Bretagne, New Year's Eve, 1961, as recorded in his Unreliable Memoirs (1980) p. 166
  23. 1 2 Richard Appleton (2009). Recollections of a member of the Sydney Push. Sydney, NSW: Darlington Press. ISBN   978-1-921364-09-9. Appleton stated that he had been with Parker at a Balmain pub on the morning preceding Parker's death.
  24. e.g., Bob Gould My enemy is dead and I mourn him Statement at the funeral of P P McGuinness, February 2008. (Gould seems to have been misled into thinking Ian Parker was killed in London.)
  25. 1 2 Anne Coombs (1996). Sex and Anarchy: The Life and Death of the Sydney Push. Ringwood, Vic.: Viking. ISBN   0-670-87069-2.
  26. Personal communication from Andre Frankovits, 29 March 2014

Further reading