Talempong is a traditional music of the Minangkabau people of Western Sumatra, Indonesia. The talempong produce a static texture consisting of interlocking rhythms.[1]
A talempong a small kettle gong which gives its name to an ensemble of four or five talempong as well as other gongs and drums. The term can refer to the instrument, the ensemble, or the genre of music. Talempong is in the form of a circle with a diameter of 15 to 17.5 centimeters, with a hollow hole at the bottom while at the top there is a roundabout with a diameter of five centimeters as a place to be hit. Talempong has a different tone. The sound is produced from a pair of wood hammered on its surface.
Around 1970, at the Akademi Seni Karawitan (Academy of Traditional Arts) in Padang Pajang, a Talempong orchestra was developed with approximately 17 musicians.[2]
On December 15, 2021, UNESCO officially recognized Gamelan which includes a musical instrument of Talempong as a Masterpiece of the Oral and Intangible Heritage of Humanity, and encouraged the Indonesian people and the Indonesian government to safeguard, transmit, promote performances and to encourage the craftsmanship of the instruments.[5]
Cultural contexts
Talempong is usually used to accompany dance or welcoming performances, such as the typical Tari Piring, Tari Pasambahan, Tari Alang, Tari Suntiang Pangulu and Tari Gelombang. Talempong is usually performed with an accordion accompaniment, a type of organ supported and played with the right hand played by the player. In addition to the accordion, instruments such as saluang, gandang, serunai and other traditional Minangkabau instruments are also commonly played with talempong.
Talempong can be used to play a wide variety of music traditional and modern. Talempong have been used in some experimental gamelan pieces composed at Sekolah Tinggi Seni Indonesia Surakarta, which has West Sumatran instructors and students.[6]
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones and a set of hand-drums called kendang, which keep the beat. The kemanak, a banana-shaped idiophone, and the gangsa, another metallophone, are also commonly used gamelan instruments on Bali. Other notable instruments include xylophones, bamboo flutes, a bowed string instrument called a rebab, and a zither-like instrument called a siter, used in Javanese gamelan. Additionally, vocalists may be featured, being referred to as sindhen for females or gerong for males.
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The angklung is a musical instrument from the Sundanese in Indonesia that is made of a varying number of bamboo tubes attached to a bamboo frame. The tubes are carved to produce a resonant pitch when struck and are tuned to octaves, similar to Western handbells. The base of the frame is held in one hand, while the other hand shakes the instrument, causing a repeating note to sound. Each performer in an angklung ensemble is typically responsible for just one pitch, sounding their individual angklung at the appropriate times to produce complete melodies.
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Songket or sungkit is a tenun fabric that belongs to the brocade family of textiles of Brunei, Indonesia, Malaysia, and Singapore. It is hand-woven in silk or cotton, and intricately patterned with gold or silver threads. The metallic threads stand out against the background cloth to create a shimmering effect. In the weaving process the metallic threads are inserted in between the silk or cotton weft (latitudinal) threads in a technique called supplementary weft weaving technique.
The gong ageng is an Indonesian musical instrument used in the Javanese gamelan. It is the largest of the bronze gongs in the Javanese and Balinese gamelan orchestra and the only large gong that is called gong in Javanese. Unlike the more famous Chinese or Turkish tam-tams, Indonesian gongs have fixed, focused pitch, and are dissimilar to the familiar puke crash cymbal sound. It is circular, with a conical, tapering base of diameter smaller than gong face, with a protruding polished boss where it is struck by a padded mallet. Gongs with diameter as large as 135 centimeters have been created in the past, but gongs larger than about 80 centimeters are more common especially to suit the budget of educational institutions.
Kolintang is a traditional Minahasan percussion instrument from North Sulawesi, Indonesia, consisting of wooden blades arranged in a row and mounted on a wooden tub. Kolintang is usually played in ensemble music. Kolintang in the Minahasan community is used to accompany traditional ceremonies, dance, singing, and music. The wood used to make Kolintang blades is light but strong local wood such as Telur wood, Wenuang wood, Cempaka wood, Waru wood, and the like which have a fiber construction. parallel. Meanwhile, kolintang resonator crates are usually made of hardwood materials such as teak or mahogany.
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The Calung is a type of Indonesian bamboo xylophone originating from Baduy culture and commonly used in Baduy, Bantenese, Sundanese, Banyumasan, and Balinese performances. The calung (instrument) consists of multiple bamboo tubes which are struck at the base to produce a woody sound.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
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Talempong orchestra is an Indonesian orchestra that uses the diatonic scale, played on Minang instruments. This orchestra is formed by the Conservatory Minang in Padang Panjang in 1960. Most of the instruments used in this orchestra are metallophone and idiophone. Talempong orchestra plays Minang song like Tak Tontong and other traditional songs.
Payung dance is a folk dance-drama tradition of the Minangkabau-Malay ethnic group in Sumatra, Indonesia. This dance is a Minangkabau version of other Malay dances from Sumatra. Folk theatre such as toneel and sandiwara often incorporate payung dance as part of the show. The payung (umbrella) is the main prop used in this dance. The payung dance symbolizes affection and the relationship of young people and is usually performed by three or four dancers. The dance originates from Western Sumatra, Indonesia.
Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang and a set of tifa drums. It can also include a large gong.
Music of Minang is a traditional and living genre of Indonesian music that grows and develops in the Minangkabau culture area. Music whose origins are related to Malay Music is generally played by musical instruments such as Talempong, Saluang, Minang rebab, Serunai, Tmbourine, Aguang, Gandang, and Violin. Minang music is also played to accompany various dances such as the Pasambahan dance and the Piring dance.
Tarawangsa is a traditional Sundanese musical instrument from West Java, Indonesia, in the form of a stringed instrument that has two strings made of steel or iron wire. Tarawangsa is an ensemble of chordophones of two musical instruments. One is called tarawangsa itself, played by swiping and the other is called jentreng played by picking. The art of Tarawangsa is performed in the Ngalaksa ceremony, which is a ceremony for abundant harvests. The ceremony in the traditional agrarian society of the Sundanese is always identified with the figure of Nyai Sri Pohaci or Nyi Pohaci Sanghyang Dangdayang Asri or Dewi Asri or Dewi Sri as the Sundanese goddess of rice.
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