Tayeba Begum Lipi

Last updated

Tayeba Begum Lipi
Born1969 (age 5455)
Alma mater University of Dhaka
OccupationArtist

Tayeba Begum Lipi (born 1969) is a Bangladeshi artist and the co-founder and trustee of Britto Arts Trust. [1] She received a Grand Prize at the 11th Asian Art Biennale, [2] Bangladesh 2004. [3] Lipi is a multimedia artist who has engaged in paintings, prints, installations and videos. Her works have been featured in notable group exhibitions, including the 54th Venice Biennale (2011) [4] [5] [6] and Colombo Art Biennale (2012). [7] She was also the commissioner for the Bangladesh Pavilion at the 54th Venice Biennale (2011). [7]

Contents

Early life and education

Lipi was born in Gaibandha. The relationship with her choice of materials dates back to her childhood. As Lipi is the eleventh of twelve children, she was often present when her nieces and nephews were brought into the world. [8] Later on, the stainless steel razor blade used by the midwives becomes a significant role in her works. She has used this medium to regenerate everyday objects, including bathtubs, baby perambulators, and handbags. In 1993, she obtained her Master of Fine Arts in Drawing and Painting from the University of Dhaka. [7]

Career

Lipi has exhibited at Alliance Française (1998 and 2004) [7] and Bengal Gallery of Fine Arts in Dhaka (2007). [9] [10] In 2002, Lipi co-founded Britto Arts Trust with her partner, artist Mahbubur Rahman. [11] It is the first artist-run nonprofit organization in Bangladesh, focusing on experimental and dynamic art through exhibitions, enabling international dialogue and exchange, and providing support to the country's artists through residencies, workshops, and funding. [12]

Lipi's practice engages painting, printmaking, installation, and video to comment on themes including the politics of gender and female identity. Her works were largely influenced by 11 September attacks in New York in 2001. She encountered racial discrimination in the trip to Europe with her husband, in which they were treated as Bangladeshi Muslims. "People felt that they had to stick to only one identity", Lipi said. [13]

Works

Lipi's practice engages painting, printmaking, installation, and video to represent themes, such as the politics of gender and female identity.

Feminism

In 2004, Lipi's work My Childhood won the Grand Prize at the Asian Art Biennale. It is the portrait of a Bangladeshi woman's bronzed face, which is veiled behind a series of neatly ordered dolls. [14] This painting was included at her solo exhibition Feminine at Bengal Gallery of Fine Arts in Dhaka. 15–28 June 2007. [15] Some of her works have used the past experiences as the subject. For example, the little dolls in her award-winning artwork were from her childhood. The face of the woman is covered with glass since Lipi believes when one grows up, the past will be preserved in memory just like in a showcase.

Bizarre and the Beautiful 2011 Stainless steel made rack, hangers and razor blades 270x254x77 cm Pavillon du Bangladesh (54eme biennale de Venise) (6226368710).jpg
Bizarre and the Beautiful 2011 Stainless steel made rack, hangers and razor blades 270x254x77 cm

Bizarre and Beautiful (2011), [16] [17] an installation of female undergarments crafted from stainless steel razor blades. [12] Love Bed (2012) is one of her work in the exhibition "No Country: Contemporary Art for South and Southeast Asia" at Guggenheim Museum in New York, (22 February – 22 May 2013) highlighting the issue of female identity and the history of violence. Lipi used the medium of razor blades to represent violence implied by their sharp edges, even though this is not Lipi's original focus. 'She intended it to represent the women in the community where she grew up. In spite of hardship, the women were resilient, they had optimism, and they managed to successfully bring up families', said June Yap, curator of the exhibition 'No Country: Contemporary Art for South and Southeast Asia’. [18]

Trans rights

Reversal Reality (2015)

Lipi showcased her exhibition "Reversal Reality" in the India Art Fair, with Anonnya who served as its inspiration. She met Anonnya while making her video piece HOME for a show "Cross Casting" at Britto Arts Trust. Lipi stated that transgender people "are considered strangers and aliens, people to be afraid of". [19] In view of this, she decided to make people aware of their basic rights to live with dignity. She compared her life with Anonnya through videos, installations and photographs. In one of her works, Destination (2 cascades), Lipi used razor blades as the material to bring up the issue of suicides among the transgender community.

Related Research Articles

<span class="mw-page-title-main">Jana Sterbak</span> Czech-Canadian artist

Jana Sterbak is a multidisciplinary artist of Czech origin.

<span class="mw-page-title-main">Jenny Holzer</span> American conceptual artist

Jenny Holzer is an American neo-conceptual artist, based in Hoosick, New York. The main focus of her work is the delivery of words and ideas in public spaces and includes large-scale installations, advertising billboards, projections on buildings and other structures, and illuminated electronic displays.

Sarah Sze is an American artist and professor of visual arts at Columbia University. She has exhibited internationally and her works are in the collections of several major museums. Sze's work explores the role of technology and information in contemporary life utilizing everyday materials. Drawing from Modernist traditions, Sze's work often represents objects caught in suspension.

<span class="mw-page-title-main">Shirazeh Houshiary</span> Iranian installation artist and sculptor

Shirazeh Houshiary is an Iranian-born English sculptor, installation artist, and painter. She lives and works in London.

Bipasha Hayat is a leading Bangladeshi actress, model, painter and playback singer. She won Bangladesh National Film Award for Best Actress for her performance in the film Aguner Poroshmoni (1994). She earned Meril Prothom Alo Awards in 1998, 1999 and 2002.

<span class="mw-page-title-main">Geeta Kapur</span> Indian art critic, art historian, and curator

Geeta Kapur is a noted Indian art critic, art historian and curator based in New Delhi. She was one of the pioneers of critical art writing in India, and who, as Indian Express noted, has "dominated the field of Indian contemporary art theory for three decades now". Her writings include artists' monographs, exhibition catalogues, books, and sets of widely anthologized essays on art, film, and cultural theory.

<span class="mw-page-title-main">Rajeeb Samdani</span>

Rajeeb Samdani is a Bangladeshi industrialist and art collector. As of 2021, he is the managing director of Golden Harvest Group, a Bangladeshi conglomerate, and the founder and trustee of Samdani Art Foundation which produces the Dhaka Art Summit.

<span class="mw-page-title-main">Shilpa Gupta</span> Indian artist

Shilpa Gupta is a contemporary Indian artist based in Mumbai, India. Gupta's artistic practise encompasses a wide range of mediums, including manipulated found objects, video art, interactive computer-based installations, and performance.

<span class="mw-page-title-main">Samdani Art Foundation</span> Private art foundation

The Samdani Art Foundation is a private art foundation founded in 2011 in Dhaka, Bangladesh that aims to increase artistic engagement between the art and architecture of Bangladesh and the rest of the world. It is best known for producing the bi-annual Dhaka Art Summit, which is the highest daily visited contemporary art exhibition in the world, welcoming over 477,000 visitors in its fifth edition in February 2020. It completed its sixth edition in 2023. The foundation produces education programmes and exhibitions across the year in collaboration with Bangladeshi and international institutions and is one of the most active art institutions in South Asia.

<span class="mw-page-title-main">Bangladeshi art</span>

Bangladeshi art is a form of visual arts that has been practiced throughout the land of what is now known as Bangladesh. Bangladeshi art has a perennial history which originated more than two thousand years ago and is practiced even to this date. Among the various forms of Bangladeshi art, photography, architecture, sculpture and painting are the most notable.

<span class="mw-page-title-main">Simone Leigh</span> American artist from Chicago (born 1967)

Simone Leigh is an American artist from Chicago who works in New York City in the United States. She works in various media including sculpture, installations, video, performance, and social practice. Leigh has described her work as auto-ethnographic, and her interests include African art and vernacular objects, performance, and feminism. Her work is concerned with the marginalization of women of color and reframes their experience as central to society. Leigh has often said that her work is focused on “Black female subjectivity,” with an interest in complex interplays between various strands of history. She was named one of the 100 most influential people in the world by Time magazine in 2023.

Yin Xiuzhen is a Chinese sculpture and installation artist. She incorporates used textiles and keepsakes from her childhood in Beijing to show the connection between memory and cultural identity. She has also employed pots and pans, wooden chests, suitcases and cement in her work. She studied oil painting in the Fine Arts Department of Capital Normal University, then called Beijing Normal Academy, in Beijing from 1985 to 1989. After graduation, Yin taught at the high school attached to the Central Academy of Fine Arts in Beijing, until her exhibition schedule became too demanding. Her work has been described by Phyllis Teo as “possessing human warmth, intimacy, and a sense of nostalgia which propels introspection of one's self—traditions, emotions, and beliefs. Thus, creating of a sense of community and belonging within the audience .”

June Yap is a Singaporean curator, art critic, and writer. She is currently the Director of Curatorial & Collections at the Singapore Art Museum.

<span class="mw-page-title-main">Shirley Tse</span> Hong Kong-born American contemporary artist (born 1960)

Shirley Tse is an American contemporary artist born in Hong Kong. Tse's work is often installation based and incorporates sculpture, photography and video, and explores sculptural processes as models of multi-dimensional thinking and negotiation. She is faculty in the School of Art at California Institute of the Arts, and was the Co-Director of the Program in Art from 2011-2014. She is co-organizer of the ReMODEL Sculpture Education Now symposia series and has been visiting faculty at Yale School of Art, Northwestern University, California College of Arts and Crafts, and Claremont Graduate University.

<span class="mw-page-title-main">Firoz Mahmud</span>

Firoz Mahmud is a Bangladeshi visual artist based in Japan. He was the first Bangladeshi fellow artist in research at Rijksakademie Van Beeldende Kunsten in Amsterdam. Mahmud's work has been exhibited at the following biennales: Sharjah Biennale, the first Bangkok Art Biennale, at the Dhaka Art Summit, Setouchi Triennale (BDP), the first Aichi Triennial, the Congo Biennale, the first Lahore Biennale, the Cairo Biennale, the Echigo-Tsumari Triennial, and the Asian Biennale.

Alexie Glass-Kantor is an Australian curator. Since 2013, she has held the position of Executive Director of Artspace Visual Arts Centre in Sydney.

<span class="mw-page-title-main">Nadia Kaabi-Linke</span> Tunisian artist (born 1978)

Nadia Kaabi-Linke is a Tunis-born, Berlin-based visual artist best known for her conceptual art and 2011 sculpture Flying Carpets. Her work has explored themes of geopolitics, immigration, and transnational identities. Raised between Tunis, Kyiv, Dubai and Paris, she studied at the Tunis Institute of Fine Arts and received a Ph.D. in philosophy of art from the Sorbonne. Kaabi-Linke won the 2011 Abraaj Group Art Prize, which commissioned Flying Carpets, a hanging cage-like sculpture that casts geometric shadows onto the floor akin to the carpets of Venetian street vendors. The piece was acquired by the New York Guggenheim in 2016 as part of their Guggenheim UBS MAP Global Art Initiative. Kaabi-Linke also won the Discoveries Prize for emerging art at the 2014 Art Basel Hong Kong. Her works have been collected by the Museum of Modern Art, Dallas Museum of Art, Burger Collection, and Samdani Art Foundation, and exhibited in multiple solo and group shows.

Duan Jianyu is a prominent contemporary visual artist from China and writer. The artist is primarily known for her surrealist-style of paintings that draw from a range of art histories, including European-American modernism, Chinese ink painting, and Chinese Socialist Realism.

Wah Nu is a contemporary artist from Myanmar.

<span class="mw-page-title-main">Osman Yousefzada</span> British designer and artist

Osman Yousefzada is a British interdisciplinary artist, writer and social activist. He launched his eponymous label Osman in 2008, and expanded his practice into a visual art space since 2013, with a 'zine' called The Collective - a cross disciplinary publication of themed conversations, between writers, artists, and curators, including, Milovan Farronato, Hans Ulrich Obrist, Nicola Lees, Celia Hempton, Anthea Hamilton, Prem Singh and others. Osman has shown internationally at various institutions, from the Whitechapel Gallery, V&A, Dhaka Art Summit, Lahore Biennale, Lahore Museum, Cincinnati Art Museum, Ringling  Museum, Florida, Almaty Museum and solo at the Ikon Gallery in 2018.

References

  1. "Britto – Arts Trust" . Retrieved 3 April 2022.
  2. "Asian Art Biennale (Bangladesh)". Biennial Foundation. Retrieved 3 April 2022.
  3. "Broad Art Museum celebrates Bangladeshi artists Tayeba Begum Lipi and Mahbubur Rahman with joint exhibition". Art Radar. Retrieved 30 April 2016.
  4. "The People's Republic of Bangladesh Pavilion". 54 Exhibition. La Biennale. 2011. Retrieved 29 April 2017.
  5. "Parables: Pavilion of Bangladesh: Biennale Arte 2011". Asia Art Archive. Retrieved 3 April 2022.
  6. Guglielmino, Giorgio (12 June 2014). "To Be (there) Or Not To Be". The Daily Star. Retrieved 3 April 2022.
  7. 1 2 3 4 "Meet the Artist – Tayeba Begum Lipi 'No Country: Contemporary Art for South and Southeast Asia' Programs". Asia Society. Retrieved 30 April 2016.
  8. Alexa, Alexandra (6 August 2015). "Tayeba Begum Lipi Wields Razor Blades to Address Violence Against Women". Artsy. Retrieved 30 April 2016.
  9. "Of feminine forms, memories and expressions". The Daily Star. Retrieved 3 April 2022.
  10. "Feminine – Bengal Foundation" . Retrieved 3 April 2022.
  11. "Tayeba Begum Lipi & Mahbubur Rahman « ARTEIDOLIA" . Retrieved 3 April 2022.
  12. 1 2 "The Guggenheim Museums and Foundation". The Guggenheim Museums and Foundation. Retrieved 3 April 2022.
  13. "Entangled Tensions". ArtAsiaPacific. Retrieved 30 April 2016.
  14. "Bangladeshi Art in the 1990s". Asia Art Archive. Retrieved 3 April 2022.
  15. Haq, Fayza (17 June 2007). "Of feminine forms, memories and expressions". The Daily Star. Retrieved 30 April 2016.
  16. "TAYEBA BEGUM LIPI (B. 1969)". www.christies.com. Retrieved 3 April 2022.
  17. "Lipi's "Bizarre and Beautiful II" to be auctioned at Christie's in London". The Daily Star. 30 May 2012. Retrieved 3 April 2022.
  18. "The national question". South China Morning Post. Retrieved 30 April 2016.
  19. "Bangladeshi artist Tayeba Begum Lipi demystifies the isolated world of the transgender community". The Indian Express. 1 February 2015. Retrieved 30 April 2016.