Teenage Engineering OP-1

Last updated
Teenage Engineering OP-1
OP-1 Sequencer Concept.png
Manufacturer Teenage Engineering
Dates2011–Present [1]
Price
Technical specifications
Polyphony 6
Timbrality Monotimbral
Oscillator 1 DCO per voice
(pulse, saw, square)
LFO Multiple
Synthesis type10 engines with exchangeable architecture
Attenuator ADSR envelope generator
Aftertouch expression No
Velocity expressionNo
Storage memory512 MB Nand Flash storage
Effects Delay, Phone (bit crusher), Punch (low-pass filter), Grid (feedback plate reverb), Spring (spring reverb), Nitro (band-pass filter), CWO (frequency-shifting delay)
Input/output
Keyboard 24 keys
External control USB MIDI in and out

The Teenage Engineering OP-1 is a synthesizer, sampler and sequencer designed and manufactured by the Stockholm-based company Teenage Engineering. The OP-1 was Teenage Engineering's first product; it was released in 2011 following an introduction at the NAMM Show. It is also considered their core product.

Contents

The OP-1 is well known for its unconventional design, AMOLED display, and the depth of its synthesis engines.

Development

Teenage Engineering was founded in 2005 by Jesper Kouthoofd, David Eriksson, Jens Rudberg and David Mollerstedt. The OP-1 is the first product developed by the company. [2] At the time, the team consisted of nine engineers and software developers. [3] Following an announcement at Frankfurt Musikmesse in 2009, they presented a prototype of the OP-1 at the 2010 NAMM Show in Anaheim, and it was released in the following year. [3] [4]

The design of the OP-1 was influenced by the VL-Tone, a synthesizer and pocket calculator manufactured by Casio in 1979. [3] The VL-1 is known for its toy-like novelty sounds and cheap build quality, as well as its inorganic design. [5] In an interview with Damian Kulash of OK Go, CEO Kouthoofd explained that he worked in a music store when he was young, and he was inspired by Japanese synthesizers of the 1980s, such as the VL-Tone and the Casio SK-1, an inexpensive sampler. [6] Kouthoofd has also stated that "limitations are OP-1's biggest feature". The synthesizer's designers attempted to use the limitation of physical hardware to encourage the unit to stimulate creativity, which might become unfocused in a limitless environment, such as a digital audio workstation. [2]

In 2012, Teenage Engineering introduced several "accessories" for the OP-1. These can be used to manipulate the unit's macro effect knobs. One of the accessories makes the OP-1 compatible with Lego gears and motors, which can be used to mechanically modulate low-frequency oscillators and other effects. [7]

The OP-1 became unavailable for a period from late 2018 to early 2019 due to Teenage Engineering exhausting their stock of the AMOLED display screen. [8] Due to rumors that the synthesizer had been permanently discontinued, the resell value of the OP-1 dramatically increased to surpass its original retail price. In February, Teenage Engineering announced that they would resume production of the OP-1; however, the retail price increased by approximately 35% to cover the new parts and redesigned hardware. [9] The price increase was met with criticism due to a perception of poor resource planning. [8]

Features

Sound synthesis

The OP-1 includes eleven synthesis engines. For each engine, the OP-1's four knobs act as different macro controllers. In addition to a sampler, the OP-1 is preloaded with sampled drum hits. [10] The synthesizer is monotimbral, with six voices of polyphony. It also includes an FM radio, which can be recorded into the sampler or used to modulate effects. The operating system was updated in 2014 adding additional effects and features. [11]

The OP-1's eleven synthesis engines are FM, Cluster, Digital, DNA, DSynth, Dr Wave, String, Phase, Pulse, Sampler, and Voltage. [12] Each is represented by a different graphic on the display screen. The FM engine is a simple FM synthesizer. The Cluster engine produces a distorted sound reminiscent of the Roland JP-8000 supersaw. DNA is a noise generator. Dr Wave resembles the sound of a talk box. Digital provides ring modulation and wave shape parameters to distort the sound signal. String creates string instrument emulation, ranging from bass to string pads. Pulse is a square wave engine. Phase provides two pulse waves that can be modulated and distorted. DSynth provides a dual oscillator synthesizer with multiple filter types. Voltage is a multi-oscillator synthesizer. The Sampler interface is a sampler, which can take input from the OP-1's built-in microphone, an external audio input, or the builtin FM radio.[ citation needed ]

Display screen

One of the key features of the OP-1 is its 320 x 160-pixel OLED display, which shows a graphical representation of the device's current mode. [13] Although some of the displays use traditional symbols, such as the fairly straightforward ADSR envelope, others use more literal or unconventional graphics. For example, the "punch" effect (a low-pass filter) is represented by a line art illustration of a boxer. [14]

Keyboard

The OP-1 has a fixed-velocity keyboard with 24 keys. Arrow keys are provided to transpose up or down octaves while in synthesizer or drum mode. Four octave shifts up and four shifts down are available giving the user a total range of ten octaves.

Reception

Reception for the OP-1 was largely positive, citing its powerful synthesizer engines and unconventional format and design. However, it has received some criticism for its small size and simplicity, which make it resemble a toy. [15] It also lacks velocity sensitivity, making it minimally expressive. [16]

The OP-1 won one of Sweden's Design S Awards in 2012. The award committee described the OP-1 as "A technological product which through a clever colour scheme and fantastic graphics is intuitive, easily accessible and incredibly inviting. Music and machine in one". [17] In 2014 it was awarded second prize in Georgia Tech's Margaret Guthman Musical Instrument Competition. [18]

The San Francisco Museum of Modern Art includes an OP-1, donated by Teenage Engineering, in its permanent collection. [19]

The OP-1 is the star in the musical clip of Swedish House Mafia's song One (Your Name) even though the track was not made with it. [20]

It also features in the Apple TV+ series Mr. Corman. The protagonist creates a song during the course of the series of episodes, including using the sampling features of the OP-1.[ citation needed ]

Notable users

Musicians who have used the OP-1 include Amason, [21] [22] Taylor Swift, Biga Ranx, Swedish House Mafia, Diplo, Avicii, Thom Yorke of Radiohead, Nicky Romero, Deadmau5, Beck, Depeche Mode, Jean-Michel Jarre, Damian Kulash of OK Go, Chvrches, Tame Impala, Tourist, [23] Justin Vernon of Bon Iver, Dan Deacon, Animal Collective, Childish Gambino, Romil Hemnani of Brockhampton [2] [6] [24] [25] and Ivan Dorn. [26]

Related Research Articles

<span class="mw-page-title-main">Frequency modulation synthesis</span> Form of sound synthesis

Frequency modulation synthesis is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal.

<span class="mw-page-title-main">Analog synthesizer</span> Synthesizer that uses analog circuits

An analog synthesizer is a synthesizer that uses analog circuits and analog signals to generate sound electronically.

<span class="mw-page-title-main">Moog Taurus</span> Foot-operated analogue synthesizer

The Moog Taurus is a foot-operated analog synthesizer designed and manufactured by Moog Music. It was originally conceived as a part of the Constellation series of synthesizers. The initial Taurus I was manufactured from 1975 to 1981, followed by a less popular redesign, Taurus II, followed from 1981 to 1983. Instead of a conventional keyboard, the Taurus uses an organ-style pedal board similar to the pedal keyboard of a spinet organ. This control method was chosen because the Taurus was intended to be played by foot while the player's hands played one or more keyboards, although it was often used by guitarists. While the original Taurus featured its own synthesis engine, the Taurus II was essentially the same as the Moog Rogue. In 2010, Moog issued the Moog Taurus III which closely emulates the analog circuitry of the Taurus I, in addition to adding some modern features.

The Nord Lead is a series of virtual analog subtractive synthesizers, manufactured by Clavia.

Phase distortion (PD) synthesis is a synthesis method introduced in 1984 by Casio in its CZ range of synthesizers. In outline, it is similar to phase modulation synthesis as championed by Yamaha Corporation, in the sense that both methods dynamically change the harmonic content of a carrier waveform by influence of another waveform (modulator) in the time domain. However, the application and results of the two methods are quite distinct.

Elektron is a Swedish developer and manufacturer of musical instruments founded in 1998, as well as having its headquarters, R&D and production in Gothenburg, Sweden. They produce mainly electronic musical instruments, but have also made effects units and software. Since 2012, there have been branch offices in Los Angeles and in Tokyo.

<span class="mw-page-title-main">Korg OASYS</span> Workstation synthesizer

The Korg OASYS is a workstation synthesizer released in early 2005, 1 year after the successful Korg Triton Extreme. Unlike the Triton series, the OASYS uses a custom Linux operating system that was designed to be arbitrarily expandable via software updates, with its functionality limited only by the PC-like hardware.

<span class="mw-page-title-main">Access Virus</span> Line of synthesizers

The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. It was first produced in 1997 and has since been upgraded frequently, with the company releasing new models about every two years. Early models include the Virus A, Virus B, and Virus C series, each available in various hardware configurations. In November 2005, the Virus TI series was released, including the 61-key Virus TI Keyboard and the 37-key Virus TI Polar. A small desktop model was released in February 2008 called the Virus TI Snow. A revision of the TI series called TI2 came out in March 2009, featuring faster digital signal processing (DSP) controllers, additional polyphony, more effects in the effect section and a slightly changed design. The Virus series also has come out with two software plugin versions: TDM for Pro Tools and VST for TC Electronic Powercore series. The term Access Virus can be used to refer to any one of these synthesizers.

Synapse Audio Software is a software company located in Germany. Previously known as Sonic Syndicate and headed by Richard Hoffmann, they develop music production software for the Mac OS and Microsoft Windows platforms. They started developing software in November 1998 as Sonic Syndicate and changed their name to Synapse Audio with the release of Orion Platinum in 2002.

Polyphony is a property of musical instruments that means that they can play multiple independent melody lines simultaneously. Instruments featuring polyphony are said to be polyphonic. Instruments that are not capable of polyphony are monophonic or paraphonic.

Linear arithmetic synthesis, or LAsynthesis, is a means of sound synthesis invented by the Roland Corporation when they released their D-50 synthesizer in 1987.

<span class="mw-page-title-main">Synthesizer</span> Electronic musical instrument

A synthesizer is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments and may be synchronized to other equipment via MIDI.

The Roland Alpha Juno is a series of analog polyphonic synthesizers introduced by Roland Corporation in 1985. The Alpha Juno 1 and Alpha Juno 2 were released at the same time, and feature the same sound engine but with the latter boasting additional performance features. The Alpha Junos were a departure from their predecessor, the Roland Juno-106, as they replaced the dedicated controls with soft touch buttons and a single dial for programming sounds. One of the factory presets, nicknamed a 'hoover sound', became a staple in jungle and rave music.

<span class="mw-page-title-main">Akai AX80</span> Analogue synthesizer

The AX80 is a polyphonic analogue keyboard synthesizer manufactured by Akai Professional in 1984. It was Akai's first venture into the professional electronic musical instrument market. The AX80 used digitally controlled oscillators (DCO) and filter circuitry based on the Curtis Electronics CEM 3372 integrated circuit. It was marketed as part of a line of project studio equipment called the Akai Music Studio System, which included the S612 digital sampler the MR16 drum machine, the MS08 sequencer, and the MG1212 multitrack tape recorder, at a price of $1,695 US.

<span class="mw-page-title-main">Casio CZ synthesizers</span> Family of synthesizers by Casio

The CZ series is a family of low-cost phase distortion synthesizers produced by Casio in the mid-1980s. Eight models of CZ synthesizers were released: the CZ-101, CZ-230S, CZ-1000, CZ-2000S, CZ-2600S, CZ-3000, CZ-5000, and the CZ-1. Additionally, the home-keyboard model CT-6500 used 48 phase distortion presets from the CZ line. The CZ synthesizers' price at the time of their introduction made programmable synthesizers affordable enough to be purchased by garage bands. Yamaha soon introduced their own low-cost digital synthesizers, including the DX-21 (1985) and Yamaha DX100, in light of the CZ series' success.

<span class="mw-page-title-main">Teenage Engineering</span> Swedish electronics company

Teenage Engineering is a Swedish consumer electronics company and manufacturer founded in 2005 by Jesper Kouthoofd, David Eriksson, Jens Rudberg and David Möllerstedt and based in Stockholm. Its products include electronics and synthesizers, with its core product being the OP-1, as well as instant cameras.

<span class="mw-page-title-main">Arturia MiniBrute</span> Synthesizer

The Arturia MiniBrute is a synthesizer manufactured by Arturia. Although the MiniBrute was the first piece of analog hardware created by Arturia—which had previously exclusively marketed software synthesizers—it generated strong sales.

<span class="mw-page-title-main">Korg Minilogue</span> Polyphonic analogue synthesizer

The Korg Minilogue is a polyphonic analog synthesizer released in 2016 by Korg. It offers users four-voice polyphony with two analog VCOs per-voice and was designed to be affordable. It was designed by Korg engineer and synthesizer designer Tatsuya Takahashi, who said "the concept of the Minilogue was to build an analog synthesizer that doesn't rely on the fame and success of an old synth".

<span class="mw-page-title-main">Arturia MicroFreak</span> Synthesizer

The MicroFreak is a synthesizer manufactured by French music technology company Arturia and released in 2019. Described as a "Hybrid Experimental Synthesizer", it uses 18 digital sound engines (algorithms) to synthesize raw tones. This digital oscillator is then fed into a multi-mode analog filter, giving the MicroFreak its hybrid sounds.

<span class="mw-page-title-main">Pocket Operators</span> Affordable synthesizer series

Pocket Operators are a line of miniature synthesizers, drum machines and grooveboxes, produced by the Swedish company Teenage Engineering. They were originally released in 2015 as a collaborative effort with the clothing brand Cheap Monday. They are inexpensive, with all main line models retailing for under $100. As of 2022, there are nine models in the main series, along with four limited edition models and an app.

References

  1. "Teenage Engineering OP-1 Synthesizer Is Officially Paused!". Synth Anatomy. 7 December 2018. Retrieved 7 December 2018.
  2. 1 2 3 Byrne, Ciara (3 September 2013). "More Than An Office, Teenage Engineering's Minimalist Garage Is A Tinkerer's Paradise". Labs. Fast Company . Retrieved 30 January 2015.
  3. 1 2 3 Kirn, Peter (17 January 2010). "Teenage Engineering's OP-1 Instrument: Hands-on, Videos, Why it's Different". Create Digital Music. Retrieved 31 January 2015.
  4. Wickett, Chris (14 January 2010). "NAMM 2010: Teenage Engineering's OP-1 on video". MusicRadar . Retrieved 31 January 2015.
  5. "Casio VL-Tone VL-1". Vintage Synth Explorer. Retrieved 31 January 2015.
  6. 1 2 Kulash, Damian; Carnick, Anna (26 August 2013). "Dream Machine". L'ArcoBaleno. Archived from the original on 23 March 2015. Retrieved 30 January 2015.
  7. Ingraham, Nathan (28 August 2012). "Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules". The Verge . Retrieved 30 January 2015.
  8. 1 2 Kirn, Peter (14 February 2019). "Teenage Engineering OP-1 synth is back in stock, here to stay". CDN. Retrieved 29 May 2019.
  9. Orkin, Dan (14 February 2019). "Teenage Engineering Raises Prices on OP-1, Cancels Orders on New Modular Models". Reverb.com . Retrieved 29 May 2019.
  10. Gaughan, Kevin (February 2014). "Teenage Engineering - OP-1". Earmilk. Retrieved 30 January 2015.
  11. Rogerson, Ben (24 January 2014). "NAMM 2014 VIDEO: Teenage Engineering OP-1 OS update". Music Radar. Retrieved 1 March 2016.
  12. "Teenage Engineering - OP-1 Guide: Synthesizer Mode" . Retrieved 13 December 2017.
  13. Nagle, Paul (January 2012). "Teenage Engineering OP1". Sound on Sound . Retrieved 31 January 2015.
  14. Wolbe, Trent (14 January 2011). "Teenage Engineering OP-1 synthesizer now available for pre-order, we tour its shiny new features (video)". Engadget . Retrieved 30 January 2015.
  15. Gaughan, Kevin (February 2014). "Teenage Engineering - OP-1". Earmilk. Retrieved 30 January 2015.
  16. Ingraham, Nathan (28 August 2012). "Teenage Engineering's new OP-1 gear: it's time to crank, bend, and break the rules". The Verge . Retrieved 30 January 2015.
  17. "Winners". Design S. Retrieved 30 January 2015.
  18. "2014 Competition". Georgia Institute of Technology. 2015. Archived from the original on 14 January 2015. Retrieved 30 January 2015.
  19. "Teenage Engineering - OP-1". San Francisco Museum of Modern Art. Retrieved 1 February 2015.
  20. Future Music magazine (issue 229)
  21. "Swedish group Amason doing a live session with OP1s". 2015-11-06. Retrieved 2017-09-04.
  22. "Amason - Duvan / Sofar NYC". 2014-10-25. Retrieved 2017-09-04.
  23. "Tourist: There's very little you can't do with a computer, an OP-1, a phone and an audio interface". Music Radar. 2020-05-11. Retrieved January 16, 2024.
  24. Doherty, Martin; Cook, Iain (October 25, 2013). "Synth Pop sensations CHVRCHES on the importance of having hardware". Keyboard (Interview). Interviewed by Ryan Coseboom. Retrieved October 19, 2015.
  25. Hyden, Steven (2015-07-08). "Lost in the World: Justin Vernon on His New Music Festival and the Uncertain Status of Bon Iver" . Retrieved 2016-08-14.
  26. "Track By Track: Ivan Dorn x Seven Davis Jr. On 'Numbers' EP". ClashMusic. 2020-05-11.