IRCAM is a French institute dedicated to the research of music and sound, especially in the fields of avant garde and electro-acoustical art music. It is situated next to, and is organisationally linked with, the Centre Pompidou in Paris. The extension of the building was designed by Renzo Piano and Richard Rogers. Much of the institute is located underground, beneath the fountain to the east of the buildings.
Sylvano Bussotti was an Italian composer of contemporary classical music, also a painter, set and costume designer, opera director and manager, writer and academic teacher. His compositions employ graphic notation, which has often created special problems of interpretation. He was known as a composer for the stage. His first opera was La Passion selon Sade, premiered in Palermo in 1965. Later operas and ballets were premiered at the Teatro Comunale di Firenze, Teatro Lirico di Milano, Teatro Regio di Torino and Piccola Scala di Milano, among others. He was artistic director of La Fenice in Venice, the Puccini Festival and the music section of the Venice Biennale. He taught internationally, for a decade at the Fiesole School of Music. He is regarded as a leading composer of Italy's avantgarde, and a Renaissance man with many talents who combined the arts expressively.
Catherine Anahid Berberian was an American mezzo-soprano and composer based in Italy. She worked closely with many contemporary avant-garde music composers, including Luciano Berio, Bruno Maderna, John Cage, Henri Pousseur, Sylvano Bussotti, Darius Milhaud, Roman Haubenstock-Ramati, and Igor Stravinsky. She also interpreted works by Claudio Monteverdi, Heitor Villa-Lobos, Kurt Weill, Philipp zu Eulenburg and others. As a recital curator, she presented several vocal genres in a classical context, including arrangements of songs by The Beatles by Louis Andriessen as well as folk songs from several countries and cultures. As a composer, she wrote Stripsody (1966), in which she exploits her vocal technique using comic book sounds (onomatopoeia), and Morsicat(h)y (1969), a composition for the keyboard based on Morse code.
Bruno Maderna was an Italian conductor and composer.
Différences is a composition by the Italian composer Luciano Berio for flute, clarinet, viola, cello, harp and magnetic tape, dating 1958–59. It was written for the Domaine musical concerts in Paris and first performed in March 1959, conducted by Pierre Boulez.
Niccolò Castiglioni was an Italian composer, pianist, and writer on music.
Salvatore Sciarrino is an Italian composer of contemporary classical music. Described as "the best-known and most performed Italian composer" of the present day, his works include Quaderno di strada (2003) and La porta della legge (2006–08).
Lorenzo Ferrero is an Italian composer, librettist, author, and book editor. He started composing at an early age and has written over a hundred compositions thus far, including twelve operas, three ballets, and numerous orchestral, chamber music, solo instrumental, and vocal works. His musical idiom is characterized by eclecticism, stylistic versatility, and a neo-tonal language.
The Duo Alterno is an Italian voice-piano chamber ensemble specializing in 20th century and contemporary classical music. The Duo made up of soprano Tiziana Scandaletti and composer-pianist Riccardo Piacentini.
Francesco Poli is an Italian art critic and curator. He teaches History of Contemporary Art at the Academy of Fine Arts of Brera. He is also "chargé de cours" at University of Paris 8 and teaches Art and Communication at the University of Turin.
Pietro Grossi was an Italian composer pioneer of computer music, visual artist and hacker ahead of his time. He began experimenting with electronic techniques in Italy in the early sixties.
Luciano Chailly was an Italian composer and arts administrator of French descent. He was an eclectic and prolific composer in the post-war Italy, combining tonal, polytonal, and twelve-tone techniques. Grew up under fascism, Chailly remained apolitical and was a humanist. As he witnessed the brutality of war by serving in second World War, several compositions reflect his repudiation of war. Chailly was best known for his operas, many of which were composed to libretti by Dino Buzzati.
Thema (Omaggio a Joyce) is an electroacoustic composition by Luciano Berio, for voice and tape. Composed between 1958 and 1959, it is based on the interpretative reading of the poem "Sirens" from chapter 11 of the novel Ulysses by James Joyce by Cathy Berberian and on the elaboration of her recorded voice by technological means.
Giulio Aldinucci is an Italian composer. He has been active for years in the field of experimental electroacoustic music and in the research on soundscape.
Albert Mayr is an Italian composer of experimental and contemporary music. He studied music and composition in three different cities: at conservatories in both Bolzano and Florence and at the Darmstädter Ferienkurse in German.
Ermenegildo De Stefano is an Italian journalist, music critic and musicologist. He specializes in African-American music. He is a music journalist, sociologist, and critic for the Italian daily Roma and art director of the Italian Festival of Ragtime.
Luciano Berio was an Italian composer noted for his experimental work, and for his pioneering work in electronic music. His early work was influenced by Igor Stravinsky and experiments with serial and electronic techniques, while his later works explore indeterminacy and the use of spoken texts as the basic material for composition.
A–Ronne is a tape composition for five voice actors by the Italian composer Luciano Berio.
The Modification and Instrumentation of a Famous Hornpipe as a Merry and Altogether Sincere Homage to Uncle Alfred, sometimes shortened to Hornpipe, is an arrangement for six players of Henry Purcell's Hornpipe, from The Fairy-Queen, by Italian composer Luciano Berio. This arrangement was composed in 1969.
Dario Palermo is an Italian composer.
