Tenor guitar

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Tenor guitar
Item-tenor-guitar-503 lg.jpg
Modern tenor guitar manufactured
by the Gold Tone Music Group [1]
String instrument
Other namesFour-string guitar
Classification String instrument (plucked, stringed instrument usually played with a plectrum)
Hornbostel–Sachs classification 321.322-4
(Composite chordophone)
Developedca. 1927
Related instruments

The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar. The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar. [2]

Contents

Construction

Tenor guitars are four-stringed instruments normally made in the shape of a guitar, or sometimes with a lute-like pear shaped body or, more rarely, with a round banjo-like wooden body. They can be acoustic, electric or both and they can come in the form of flat top or archtop wood-bodied, metal-bodied resonator, or solid-bodied instruments. Tenor guitars normally have a scale length similar to that of the tenor banjo and octave mandolin of between 21 and 23 inches (53 and 58 cm).

History and development

1928 Dobro-style 37 tenor guitar Dobro style37 tenor guitar.jpg
1928 Dobro–style 37 tenor guitar

The earliest origins of the tenor guitar are not clear, but it seems unlikely that a true four-stringed guitar-shaped tenor guitar appeared before the late 1920s. Gibson built the tenor lute TL-4 in 1924, which had a lute-like pear-shaped body, four strings and a tenor banjo neck. It is possible that similar instruments were made by other makers such as Lyon and Healy and banjo makers, such as Bacon. In the same period, banjo makers, such as Paramount, built transitional round banjo-like wood-bodied instruments with four strings and tenor banjo necks called tenor harps. From 1927 onwards, the very first true wood-bodied acoustic tenor guitars appeared as production instruments made by both Gibson and Martin.

Almost all the major guitar makers, including Epiphone, Kay, Gretsch, Guild and National Reso-Phonic, have manufactured tenor (and plectrum) guitars as production instruments at various times. Budget tenor guitars by makers such as Harmony, Regal and Stella, were produced in large numbers in the 1950s and 1960s. National, formed by the Dopyera Brothers, also made significant numbers of resonator tenor and plectrum guitars between the 1920s and 1940s. Dobro, another company associated with the Dopyera Brothers, as well as National, also built various resonator tenor guitar models.

In 1934, Gibson introduced an acoustic archtop tenor guitar, the TG-50, based on the acoustic archtop six-string model, the L-50, with its production run lasting until 1958. In 1936 Gibson introduced the world's first commercially successful electric Spanish-style guitar, the ES-150. In early 1937 Gibson also began shipping two other versions of the ES-150: a tenor guitar (the EST-150, with four strings and a 23" scale, renamed the ETG-150 in 1940) and a plectrum version (the EPG-150, with a 27" scale). The ETG-150, was in continuous production until 1972.

In the mid-1950s electric solid-body tenor guitar models began to appear from companies such as Gibson, Gretsch, Guild, and Epiphone. These were mostly produced as one-off custom instruments but, for a short time in 1955, Gretsch manufactured an electric solid-bodied tenor guitar, the Gretsch 6127 DuoJet. Renewed interest in the tenor guitar led to the introduction of new solid-body electric models in the early 21st century, with companies such as Fender beginning production of a tenor version of their Telecaster model. [3]

Tuning

Tenor guitars are normally tuned in fifths, C3G3D4A4, using the same tuning as the tenor banjo, mandola, or viola. Also common is the tuning one octave below standard violin tuning, G2D3−A3E4, which is typical of the tenor banjo in Irish folk music, and so-called "Chicago tuning", D3G3B3E4, tuned the same as the top four strings of a standard guitar.

Plectrum guitar

1928 National-style "plectrum guitar" 1928 National Style O plectrum guitar.jpg
1928 National-style "plectrum guitar"

The "plectrum guitar" is a four-stringed guitar with a scale length of 26 to 27 inches (66 to 69 cm) and tunings usually based on the plectrum banjo, C3G3B3D4 or D3G3B3D4. They are also commonly tuned like a mandocello, C2G2D3A3, one octave down from the tenor guitar, much as the relationship between a viola and cello. Plectrum guitars have not been made in as large numbers as tenor guitars and are rarer. One of the best known plectrum guitarists from the Jazz Age was Eddie Condon, who started out on banjo in the 1920s and then switched to a Gibson L7 plectrum guitar in the 1930s.

Use and performers

Tenor guitars initially came to significant commercial prominence in the late 1920s and early 1930s as tenor banjos were slowly being replaced by six-string guitars in jazz bands and dance orchestras. Tenor banjo players could double on tenor guitars to get a guitar sound without having to learn the six-string guitar. Two of the McKendrick brothers, both named Mike – "Big" Mike and "Little" Mike – doubled on tenor banjo and tenor guitar in jazz bands dating from the 1920s. "Big" Mike McKendrick both managed and played with Louis Armstrong's bands while "Little" Mike McKendrick played with various bands, including Tony Parenti.

1932 C.F. Martin 0-18 T sunburst 1932 Martin 0-18 T Sunburst Tenor Guitar.jpg
1932 C.F. Martin 0-18 T sunburst

The Delmore Brothers were a very influential pioneering country music duo from the early 1930s to the late 1940s that featured the tenor guitar. The Delmore Brothers were one of the original country vocal harmonizing sibling acts that established the mold for later similar acts, such as the Louvin Brothers, and even later, the Everly Brothers. The younger of the Delmore brothers, Rabon, played the tenor guitar as an accompaniment to his older brother, Alton's, six-string guitar. Rabon favored the Martin 0-18T tenor guitar and the Louvin Brothers later recorded a tribute album to the Delmores that featured Rabon's Martin 0-18T tenor played by mandolinist Ira Louvin, but tuned as the four treble guitar strings. Another 1930s band that featured the tenor guitar was the Hoosier Hotshots, commonly considered the creators of mid-western rural jazz. Their leader, Ken Trietsch, played the tenor guitar, as well as doubling on the tuba.

In the early 1930s Selmer Guitars in Paris manufactured four-string guitars based on guitar designs by the Italian luthier Mario Maccaferri that they marketed to banjo players for use as a second instrument. The two main four-string Selmer models were a regular tenor guitar with a smaller body and a 23 inch scale length for standard CGDA tuning, and the Eddie Freeman Special, with a larger body and a longer 25.5-inch scale length, using a reentrant tuning for the A string which was designed by English tenor banjoist Eddie Freeman to have a better six-string guitar sonority for rhythm guitar work than the normal tenor guitar with its high A string while till using the same cord shaped familiar to tenor banjoists. Selmer heavily promoted the guitar through Melody Maker and Eddie Freeman even wrote a special tune for it called "In All Sincerity". However, the guitar was not commercially successful in the 1930s, and many were subsequently converted to much more valuable six-string models. Originals of the Eddie Freeman Special are now very rare and are consequently highly valuable.

As the six-string guitar eventually became more popular in bands in the 1930s and 1940s, tenor guitars became less frequently played, although some tenor guitar models had been made in very large numbers throughout this period and are now still common.

Tenor guitars came to prominence again in the 1950s and 1960s amid the Dixieland jazz revival and the folk music boom. At this time, they were made by makers such as Epiphone, Gibson, Guild, and Gretsch as archtop acoustics and electrics, as well as a range of flat top models by Martin. A Martin 0-18T flattop acoustic tenor guitar was played in the late 1950s by Nick Reynolds of The Kingston Trio. During this period electric tenor guitars were advertised as "lead guitars", although the rationale for this is not now clear.

A major player of the electric tenor as a lead guitarist in the bebop and rhythm and blues styles from the 1940s to the 1970s was the jazz guitarist Tiny Grimes, who recorded with Cats and the Fiddle, Charlie Parker, Art Tatum, and others. Grimes used DGBE "Chicago" tuning on his tenor guitars, rather than traditional CGDA tuning.

Current use

Modern replica of a 1930s Lyon & Healy tenor guitar. Background tiles are 20 cm square Lyon&HealeyTenorGuitarReplica.jpg
Modern replica of a 1930s Lyon & Healy tenor guitar. Background tiles are 20 cm square

Since 2001, there has been an increased interest in the tenor guitar, as evidenced by an increasing number of manufacturers, such as Eastwood Guitars, Blueridge, Gold Tone, Artist Guitars, Canora, Thomann, Harley Benton, and Ibanez, offering tenor guitar models, and a greater number of specialist luthiers now building custom tenor guitar models or offering to modify existing instruments into tenor guitars.

Contemporary players of the tenor guitar include Neko Case, Josh Rouse, Joel Plaskett, Adam Gnade, [4] Ani DiFranco, Carrie Rodriguez, Joe Craven, and Dhani Harrison. Jason Molina played a tenor guitar for much of his early work as Songs: Ohia. The instrument is often used by musicians looking to replace or augment sounds produced by more conventional instruments. Elvis Costello features a tenor guitar on the title track of his 2004 release Delivery Man .

Wes Borland, the guitarist for nu metal band Limp Bizkit plays a low-tuned (F
1
F
2
B2E3) four-string guitar on the songs "Nookie", "The One", "Full Nelson", and "Stalemate" using a 4-string "Cremona" tenor guitar made by Master guitars. [5] In April 2022, he commissioned PRS Guitars to make a custom four-string guitar. [6]

Prominent U.K. users of the tenor guitar include the Lakeman brothers, Seth Lakeman and Sean Lakeman, and John McCusker and Ian Carr, who both play with the Kate Rusby Band. Irish folk artist Yawning Chasm primarily uses the tenor guitar. [7]

Since 2010, Astoria, Oregon, has hosted an annual Tenor Guitar Gathering, on the basis of which some call it the "unofficial Tenor Guitar Capital of the World." [8]

Warren Ellis plays a tenor guitar on the Nick Cave and the Bad Seeds album Push the Sky Away , and has custom tenor guitars built by Eastwood Guitars, [9] with a shape modeled after a Fender Mustang but with a wider than usual neck to accommodate his fingerstyle playing. [10] Eastwood currently offers several models of electric tenor guitar including the aforementioned Warren Ellis signature model, the semi-hollow Classic 4 Tenor, [11] and the Tenorcaster. [12]

See also

Related Research Articles

The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, in modern forms usually made of plastic, originally of animal skin. Early forms of the instrument were fashioned by African Americans and had African antecedents. In the 19th century, interest in the instrument was spread across the United States and United Kingdom by traveling shows of the 19th century minstrel show fad, followed by mass-production and mail-order sales, including instruction method books. The inexpensive or home-made banjo remained part of rural folk culture, but 5-string and 4-string banjos also became popular for home parlour music entertainment, college music clubs, and early 20th century jazz bands. By the early 21st century, the banjo was most frequently associated with folk, bluegrass and country music, but was also used in some rock, pop and even hip-hop music. Among rock bands, the Eagles, Led Zeppelin, and the Grateful Dead have used the five-string banjo in some of their songs.

<span class="mw-page-title-main">Electric guitar</span> Electrical string instrument

An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar. It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities from that of an acoustic guitar via amplifier settings or knobs on the guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Designs also exist combining attributes of the electric and acoustic guitars: the semi-acoustic and acoustic-electric guitars.

<span class="mw-page-title-main">Guitar</span> Fretted string instrument

The guitar is a fretted musical instrument that typically has six strings. It is usually held flat against the player's body and played by strumming or plucking the strings with the dominant hand, while simultaneously pressing selected strings against frets with the fingers of the opposite hand. A plectrum or individual finger picks may also be used to strike the strings. The sound of the guitar is projected either acoustically, by means of a resonant chamber on the instrument, or amplified by an electronic pickup and an amplifier.

<span class="mw-page-title-main">Jazz guitar</span> Jazz instrument and associated playing style

Jazz guitar may refer to either a type of electric guitar or a guitar playing style in jazz, using electric amplification to increase the volume of acoustic guitars.

<span class="mw-page-title-main">Mandolin</span> Musical instrument in the lute family

A mandolin is a stringed musical instrument in the lute family and is generally plucked with a pick. It most commonly has four courses of doubled strings tuned in unison, thus giving a total of eight strings. A variety of string types are used, with steel strings being the most common and usually the least expensive. The courses are typically tuned in an interval of perfect fifths, with the same tuning as a violin. Also, like the violin, it is the soprano member of a family that includes the mandola, octave mandolin, mandocello and mandobass.

<span class="mw-page-title-main">C. F. Martin & Company</span> American guitar manufacturer established in 1833

C.F. Martin & Company is an American guitar manufacturer established in 1833 by Christian Frederick Martin. It is highly respected for its acoustic guitars and is a leading manufacturer of flat top guitars. The company has also made mandolins and tiples, as well as several models of electric guitars and electric basses, although none of these other instruments are still in production.

<span class="mw-page-title-main">Twelve-string guitar</span> Fretted string instrument optimized for richer sounds

A twelve-string guitar is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously.

<span class="mw-page-title-main">Semi-acoustic guitar</span>

A semi-acoustic guitar, also known as a hollow-body electric guitar, is a type of electric guitar designed to be played with a guitar amplifier featuring a fully or partly hollow body and at least one electromagnetic pickup. First created in the 1930s, they became popular in jazz and blues, where they remain widely used, and the early period of rock & roll, though they were later largely supplanted by solid-body electric guitars in rock.

<span class="mw-page-title-main">Bigsby vibrato tailpiece</span> Device for electric guitars

The Bigsby vibrato tailpiece is a type of mechanical vibrato device for electric guitar designed by Paul Bigsby and produced by the Bigsby Electric Guitar Company. The device allows musicians to bend the pitch of notes or entire chords with their pick hand for various effects.

<span class="mw-page-title-main">Archtop guitar</span> Type of steel-stringed acoustic or semi-acoustic guitar

An archtop guitar is a hollow acoustic or semi-acoustic guitar with a full body and a distinctive arched top, whose sound is particularly popular with jazz, blues, and rockabilly players.

<span class="mw-page-title-main">The Delmore Brothers</span> Musical artist

Alton Delmore and Rabon Delmore, billed as The Delmore Brothers, were country music pioneer singer-songwriters and musicians who were stars of the Grand Ole Opry in the 1930s. The Delmore Brothers, together with other brother duos such as the Louvin Brothers, the Blue Sky Boys, the Monroe Brothers, the McGee Brothers, and The Stanley Brothers, had a profound impact on the history of country music and American popular music. The duo performed extensively with Arthur Smith as the Arthur Smith Trio throughout the 1930s.

Variax is the name of a line of guitars developed and marketed by Line 6. They differ from typical electric and acoustic guitars in that internal electronics process the sound from individual strings to model (replicate) the sound of specific guitars and other instruments. The maker claims it is the first guitar family that can emulate the tones of other notable electric and acoustic guitars. It also provides a banjo and a sitar tone. The Variax is currently available as an electric guitar, but modeling acoustic guitars and modeling electric bass guitars have been available in the past.

<span class="mw-page-title-main">Banjoline</span>

The Banjoline is a four coursed instrument similar to a tenor guitar or plectrum banjo. The instrument was developed by Eddie Peabody in the 1930s, initially as an acoustic instrument. In the early 1950s, Peabody approached the Vega Company of Boston, Massachusetts which produced several electric versions of the instrument, but never put them into full production. In the mid 1950s, Peabody approached Rickenbacker, which built the 6005 and 6006 model electric banjoline under the supervision of Roger Rossmeisl. In 1962, Fender created a banjoline for Peabody shaped with their signature double cut-away body. In about 1966, another banjoline prototype was created by Roger Rossmeisl who had been employed at Fender since 1962.

<span class="mw-page-title-main">Electric mandolin</span>

The electric mandolin is an instrument tuned and played as the mandolin and amplified in similar fashion to an electric guitar. As with electric guitars, electric mandolins take many forms. Most common is a carved-top eight-string instrument fitted with an electric pickup in similar fashion to many archtop semi-acoustic guitars. Solid body mandolins are common in 4-, 5-, and 8-string forms. Acoustic electric mandolins also exist in many forms.

<span class="mw-page-title-main">Outline of guitars</span> Overview of and topical guide to guitars

The following outline is provided as an overview of and topical guide to guitars:

<span class="mw-page-title-main">Headstock</span> Part of the guitar which houses the pegs

A headstock or peghead is part of a guitar or similar stringed instruments such as a lute, mandolin, banjo, ukulele and others of the lute lineage. The main function of a headstock is to house the tuning pegs or other mechanism that holds the strings at the "head" of the instrument; it corresponds to a pegbox in the violin family. At the "tail" of the instrument the strings are usually held by a tailpiece or bridge. Machine heads on the headstock are commonly used to tune the instrument by adjusting the tension of strings and, consequently, the pitch of sound they produce.

<span class="mw-page-title-main">Flatpicking</span> Playing technique on the guitar

Flatpicking is the technique of striking the strings of a guitar with a pick held between the thumb and one or two fingers. It can be contrasted to fingerstyle guitar, which is playing with individual fingers, with or without wearing fingerpicks. While the use of a plectrum is common in many musical traditions, the exact term "flatpicking" is most commonly associated with Appalachian music of the American southeastern highlands, especially bluegrass music, where string bands often feature musicians playing a variety of styles, both fingerpicking and flatpicking. Musicians who use a flat pick in other genres such as rock and jazz are not commonly described as flatpickers or even plectrum guitarists. As the use of a pick in those traditions is commonplace, generally only guitarists who play without a pick are noted by the term "fingerpicking" or "fingerstyle".

<span class="mw-page-title-main">Acoustic guitar</span> Fretted string instrument

An acoustic guitar is a musical instrument in the string family. When a string is plucked, its vibration is transmitted from the bridge, resonating throughout the top of the guitar. It is also transmitted to the side and back of the instrument, resonating through the air in the body, and producing sound from the sound hole. The original, general term for this stringed instrument is guitar, and the retronym 'acoustic guitar' distinguishes it from an electric guitar, which relies on electronic amplification. Typically, a guitar's body is a sound box, of which the top side serves as a sound board that enhances the vibration sounds of the strings. In standard tuning the guitar's six strings are tuned (low to high) E2 A2 D3 G3 B3 E4.

The Gibson ES series of semi-acoustic guitars are manufactured by the Gibson Guitar Corporation.

<span class="mw-page-title-main">Grimshaw Guitars</span> British guitar manufacturer

Grimshaw Guitars was a British manufacturer of guitars and related instruments from the 1930s to the 1980s, known for producing acoustic archtop guitars in the 1930s–1940s, electrified archtop guitars in the 1940s and 1950s, semi-solid (thinline) electric guitars in the 1950s–1960s, and mainly solidbody guitars from the late 1950s to 1980s, along with smaller quantities of banjos, hawaiian guitars, electric bass guitars, acoustic guitars and nylon string guitars. Their archtop guitars were used by British players from the 1930s to the 1950s, when equivalent U.S.-made instruments were difficult to obtain in Britain, and their early electric thinline instruments such as the "S.S.1" and "S.S.1 deluxe" were popular with British "beat" groups of the early 1960s. Sales declined in the later 1960s and 1970s with easier access by customers to better made U.S. instruments at one end of the scale, and cheaper imported instruments, mostly from Japan, with which the Grimshaw line could not compete on price. The Grimshaw factory closed in the mid 1980s and its junior partner founder, Emile Grimshaw Jnr, passed away in 1987. Since that time, surviving instruments occasionally appear on the used market but tend to be somewhat overshadowed in favour of better known instruments of similar age by other British manufacturers such as Burns, Vox, etc.

References

  1. Tenor guitar on Gold Tone, 31 October 2019
  2. "The Stringed Instrument Database: Index". Stringedinstrumentdatabase.aornis.com. Retrieved 19 April 2021.
  3. Alternate Reality Tele Tenor. 14 November 2019. Archived from the original on 21 December 2021. Retrieved 2 September 2020.
  4. Live and on recordings Gnade plays a four-string guitar he rebuilt and modified to play in the tuning of FADF.
  5. Master Guitars. "Semi-hollow". Master Guitars. Retrieved 26 October 2022.
  6. Horsley, Jonathan (14 April 2022). "PRS has made Wes Borland a custom four-string guitar-bass hybrid – and he says it is "probably the most amazing instrument" he's ever played". Guitar World.
  7. Andrews, Kernan (7 January 2021). "Yawning Chasm - songs for tenor guitar". advertiser.ie. Galway Advertiser.
  8. "Annual tenor guitar gathering". Tenor Guitar Gathering. Astoria, Oregon.
  9. "Eastwood Warren Ellis signature tenor". Eastwood Guitars .
  10. Saufley, Charles (2011). "Eastwood Guitars Warren Ellis signature tenor guitar". Premier Guitar (review). Retrieved 20 June 2017.
  11. "Classic Tenor - Walnut". Eastwood Guitars . Retrieved 23 February 2017.
  12. "Tenorcaster". Eastwood Guitars . Retrieved 23 October 2020.

Bibliography