Gloria Josephine Mae Swanson was an American actress. She first achieved fame acting in dozens of silent films in the 1920s and was nominated three times for the Academy Award for Best Actress, most famously for her 1950 turn in Billy Wilder's Sunset Boulevard, which also earned her a Golden Globe Award.
Sadie Thompson is a 1928 American silent drama film that tells the story of a "fallen woman" who comes to Pago Pago to start a new life, but encounters a zealous missionary who wants to force her back to her former life in San Francisco. The film stars Gloria Swanson, Lionel Barrymore, and Raoul Walsh, and it is one of Swanson's more successful films. Due to the public's apathy towards silent films, a sound version was prepared in the latter half of 1928. While the sound version has no audible dialog, it features a synchronized musical score with sound effects along with a theme song.
Julia Faye Maloney, known professionally as Julia Faye, was an American actress of silent and sound films. She was known for her appearances in more than 30 Cecil B. DeMille productions. Her various roles ranged from maids and ingénues to vamps and queens.
Theodore Kosloff was a Russian-born ballet dancer, choreographer, and film and stage actor. He was occasionally credited as Theodor Kosloff.
Elliott Dexter was an American film and stage actor. Dexter started his career in vaudeville and did not move to films until he was 45. He retired from acting in 1925.
The Substitute Wife is a 1925 American silent drama film written by Katherine Smith and directed by Wilfred Noy.
Forever is a 1921 American silent romance film, also known as Peter Ibbetson, that was written by Ouida Bergère and directed by George Fitzmaurice. It was adapted from George du Maurier's 1891 novel Peter Ibbetson, which was made into a play of the same name by John N. Raphael.
The Great Moment is a 1921 American silent drama film directed by Sam Wood and starring Gloria Swanson, Alec B. Francis, and Milton Sills. The film is now considered lost though a fragment exists and is preserved at the BFI National Archive.
The Woman God Forgot is a 1917 American silent romance film directed by Cecil B. DeMille. A copy of the film is in the George Eastman House Motion Picture Collection.
Don't Change Your Husband is a 1919 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the third of six "marriage films" directed by DeMille and the first DeMille film starring Gloria Swanson. A print of the film is stored at the George Eastman House. The film was released on DVD by Image Entertainment with The Golden Chance. A Chinese silent film, Don't Change Your Husband (1929), used the same English title, and a similar plot arc.
For Better, for Worse is a 1919 American silent drama film directed by Cecil B. DeMille and starring Gloria Swanson. The film was the second of four "marriage films" directed by DeMille and the second DeMille film starring Gloria Swanson. For Better, for Worse was adapted for the screen by William C. DeMille. Jeanie MacPherson wrote the film's scenario.
Why Change Your Wife? is a 1920 American silent comedy film directed by Cecil B. DeMille and starring Gloria Swanson.
Something to Think About is a 1920 American silent drama film directed by Cecil B. DeMille. The film stars Elliott Dexter and Gloria Swanson. Prints of the film exist at the George Eastman Museum in Rochester, New York, and at the Filmmuseum in Amsterdam.
Don't Tell Everything is a 1921 American silent drama film directed by Sam Wood and starring Gloria Swanson and Wallace Reid. Wood apparently created this film in part from outtakes left over from Cecil DeMille's The Affairs of Anatol (1921). It is not known whether the film currently survives.
Whipsaw is a 1935 American crime drama film directed by Sam Wood and starring Myrna Loy and Spencer Tracy. Written by Howard Emmett Rogers, based on a story by James Edward Grant, the film is about a government agent working undercover traveling across the country with an unsuspecting woman, hoping she will lead him to her gang of jewel thieves. The film was produced by Harry Rapf for Metro-Goldwyn-Mayer, and was released on December 18, 1935, in the United States.
The Passing of the Third Floor Back is a 1918 British/American silent allegorical film based on the 1908 play The Passing of the Third Floor Back by Jerome K. Jerome and directed by Herbert Brenon. The star of the film is Sir Johnston Forbes-Robertson, a legendary Shakespearean actor, who starred in the 1909 Broadway presentation of the play and its 1913 revival. Forbes-Robertson had been knighted by King George V in 1913 and had retired from acting in theatre that same year. In his retirement Forbes-Robertson had only dabbled in film acting making a 1913 film version of Hamlet, the most famous role he had played on the stage. Filmed in 1916, it was released in 1918.
The Fourth Commandment is a 1927 American silent drama film directed by Emory Johnson and based on the short story "The Fourth Commandment" by Emilie Johnson. The film stars Belle Bennett, Henry Victor, June Marlowe, and Mary Carr. The film was released on March 20, 1927 by Universal Pictures. The Fourth Commandment is - "Honor your father and your mother.. ."
The Bride's Awakening is a 1918 American silent drama film released by Universal Pictures and produced by their Bluebird production unit. Robert Z. Leonard directed the film and his then-wife Mae Murray was the star. A print of the film is housed at the EYE Institute Nederlands.
Anatol is a play by Austrian playwright Arthur Schnitzler, published in 1893. The introduction was written by Loris, a pseudonym of the young Hugo von Hofmannsthal, who was a friend of Schnitzler. It is a seven-act play set in late 19th century Vienna, depicting the many shallow and immature relationships of bourgeois playboy Anatol. The first act, Die Frage an das Schicksal, earned Schnitzler the title of Psychologischer Tiefenforscher from Sigmund Freud.
When Men Betray is a lost 1918 silent film drama directed by Ivan Abramson and starring Gail Kane. It was released on a State Rights basis.
