Eric Burdon and the Animals: Eric Burdon Johnzo West Davey Allen Dustin Koester Justin Andres Ruben Salinas Evan Mackey Animals and Friends: John Steel Norman Helm Danny Handley Barney Williams
The Animals underwent numerous personnel changes in the mid-1960s, and suffered from poor business management, leading the original incarnation to split up in 1966. Burdon assembled a mostly new lineup of musicians under the name Eric Burdon and The Animals; the much-changed act moved to California and achieved commercial success as a psychedelic and progressive rock band with hits such as "San Franciscan Nights", "When I Was Young" and "Sky Pilot" before disbanding at the end of the decade.[3] Altogether, the group had 10 top-20 hits in both the UK Singles Chart and the US Billboard Hot 100.
The original lineup of Burdon, Alan Price, Chas Chandler, Hilton Valentine and John Steel reunited for a one-off benefit concert in Newcastle in 1968. They later launched brief comebacks in 1975 and 1983. Several partial regroupings of the original-era members have occurred since then under various names. The Animals were inducted into the Rock and Roll Hall of Fame in 1994.
The Animals formed in Newcastle upon Tyne during 1962 and 1963 when Burdon joined the Alan Price Rhythm and Blues Combo. The original lineup was Burdon (vocals), Price (organ and keyboards), Hilton Valentine (guitar), John Steel (drums) and Bryan "Chas" Chandler (bass).[4][5]
Originally formed as the Alan Price Combo,[1] they changed their name to The Animals. Allegedly, they were dubbed "animals" because of their wild stage act, and the name stuck.[6] In a 2013 interview, Burdon denied this, stating that the name was a tribute to a friend known as "Animal" Hogg.[7] In a 2021 interview, Steel affirmed that the name was given them by Graham Bond.[8] The Animals' success in their hometown and a connection with Yardbirds manager Giorgio Gomelsky motivated them to move to London in 1964 in the immediate wake of Beatlemania and the beat boom takeover of the popular music scene, just in time to play an important role in the British Invasion of the American music charts.
In June 1964, the transatlantic number-one hit "The House of the Rising Sun" was released. Burdon's vocals and the particular arrangement, featuring Price's haunting organ riffs, created perhaps the first folk-rock hit.[10][11] Debates continue[by whom?] regarding The Animals' inspiration for the arrangement, which has been variously ascribed to prior versions by Bob Dylan, folk singer Dave Van Ronk, blues singer Josh White (who recorded it twice, in 1944 and 1949) and singer/pianist Nina Simone (who recorded it in 1962 for Nina at the Village Gate). The arrangement is said[by whom?] to owe much to the band's desire to become the most memorable of the many acts on tour in the UK.[citation needed]
In October 1964, The Animals visited New York for concert dates and an appearance on The Ed Sullivan Show. They were transported from the airport into Manhattan in a motorcade, chased by shrieking young female fans, consisting of Sunbeam Alpine Series IV top-down convertibles with fashion models riding along. The Animals sang "I'm Crying" and "The House of the Rising Sun" to a packed audience of hysterical fans screaming throughout both performances on Sullivan's show. In December, the MGM film Get Yourself a College Girl was released, featuring the Animals and the Dave Clark Five. The Animals sang the Chuck Berry song "Around and Around" in the film.[12]
By May 1965, the group was starting to feel internal pressures. Price left because of personal and musical differences, as well as his fear of flying while on tour.[6] He went on to a successful career as a solo artist and with the Alan Price Set. Mick Gallagher filled in for Price on keyboards[13] for a short time until Dave Rowberry replaced Gallagher.[14] Rowberry was on hand for the hit songs "We Gotta Get Out of This Place" and "It's My Life".
Many of The Animals' hits originated from Brill Building songwriters recruited by Mickie Most, but the group, and Burdon in particular, felt this to be too creatively restrictive. As 1965 ended, the group signed a new deal with their American label MGM Records for the US and Canada and switched to Decca Records for the rest of the world. They also ended their association with Most and began to work with MGM Records producer Tom Wilson, who allowed them more artistic freedom.[15] In early 1966, MGM collected the band's hits on The Best of The Animals, and it became their best-selling album in the US. In February 1966, Steel left and was replaced by Barry Jenkins. A leftover rendition of Goffin–King's "Don't Bring Me Down" was the group's last hit as The Animals. The next single, "See See Rider", was credited to Eric Burdon and The Animals. By September 1966, the original incarnation of the group had split up.[16] Their last batch of recordings was released on the album Animalism in November 1966.
Burdon began work on a solo album called Eric Is Here, which also featured his UK number-14 solo hit single "Help Me, Girl", which he heavily promoted on TV shows such as Ready Steady Go! and Top of the Pops in late 1966. Eric Is Here was Burdon's final release for Decca Records.
By this time, The Animals' business affairs "were in a total shambles" according to Chandler (who went on to manage Jimi Hendrix and produce Slade) and the group disbanded. Even by the standards of the day, when artists tended to be financially naïve, The Animals made very little money, eventually claiming mismanagement and theft on the part of their manager Michael Jeffery.[17][bettersourceneeded]
Eric Burdon and The Animals (1966–1968)
Eric Burdon and the Animals in 1967: Foreground: Eric Burdon Background (L–R): Danny McCulloch, John Weider (in striped shirt), Vic Briggs, and Barry Jenkins
A group with Burdon, Jenkins and new sidemen John Weider (guitar/violin/bass), Vic Briggs (guitar/piano) and Danny McCulloch (bass) was formed under the name Eric Burdon and Animals (or sometimes Eric Burdon and the New Animals) in December 1966, and changed direction. The new lineup pursued a fusion of progressive rock, psychedelic, soul and folk music that was far removed from their original blues-oriented sound.[18] The former heavy-drinking Geordie (who later said he could never get used to Newcastle "where the rain comes at you sideways") relocated to California and became a spokesman for the Love Generation.
Early performances by this group did not include any of the hits for which the original group had become known.[19] Some of the new Animals' hits included "San Franciscan Nights", "Monterey" (a tribute to the 1967 Monterey Pop Festival) and "Sky Pilot". Their sound was much heavier than that of the original group, with Burdon screaming more and louder on live versions of "Paint It Black" and "Hey Gyp". By 1968, they had developed a more experimental sound on songs such as "We Love You Lil" and the 19-minute "New York 1963–America 1968" from the album Every One of Us.
Zoot Money was added to the lineup in April 1968, initially as organist/pianist only, but upon McCulloch's departure, he also took on bass and occasional lead vocals.[20]
In July 1968, Andy Summers (later the guitarist for the Police) replaced Briggs. Both Money and Summers were formerly of British psychedelic outfit Dantalian's Chariot, and much of this new lineup's set was composed of Dantalian's Chariot songs, which caught Burdon's interest.[21] Because of Money's multi-instrumental load, in live settings, bass was played alternately by Weider and Summers.[22]
By December 1968, this incarnation of The Animals had dissolved, but their double album Love Is was released internationally, featuring the singles "Ring of Fire" and "River Deep – Mountain High".
Numerous reasons have been cited for the breakup, the most famous of which involved an aborted Japanese tour. The tour had been scheduled for September 1968 but was delayed until November after difficulty obtaining visas.[22] Only a few dates into the tour, the promoters (whom the band did not know were yakuza) kidnapped the band's manager and threatened him at gunpoint to write an IOU for $25,000 to cover losses incurred by the tour's delay.[22] Correctly surmising that his captors could not read English, he added a note to the IOU that it was written under duress.[23] The yakuza released him, but warned that he and the band would have to leave Japan the next day or be killed. The Animals promptly fled the country, leaving all of their tour equipment behind.[22] Money and Summers each pursued solo careers, Weider signed up with Family and Burdon joined forces with a funk/r&b/rock group from Long Beach, California, called War.[citation needed]
Reunions of the Animals
The original Animals lineup of Burdon, Price, Valentine, Chandler and Steel reunited for a benefit concert in Newcastle in December 1968 and reformed in late 1975 to record again.[24] Burdon later said that nobody understood why they had agreed to this short reunion. They embarked on a brief tour in 1976 and shot videos for their new songs such as "Lonely Avenue" and "Please Send Me Someone to Love". They released an album in 1977 that was aptly titled Before We Were So Rudely Interrupted.[25] The album received critical praise. Burdon and Valentine also recorded some demos at that time that were never released. On 12 December 1982, Burdon performed with Price and a complete lineup, foreshadowing future events.
All five original band members reunited in 1983 for the album Ark and a world concert tour, supplemented by Zoot Money on keyboards, Nippy Noya on percussion, Steve Gregory on saxophone and Steve Grant on guitar. The first single, "The Night", reached number 48 on the Billboard Hot 100 chart. The band released a second single called "Love Is for All Time", which did not chart.
Songs performed on the Ark tour included some from the 1960s, but most were from the band's contemporary repertoire, such as "Heart Attack", "No More Elmore" (both released a year earlier by Burdon), "Oh Lucky Man" (from the 1973 soundtrack album to O Lucky Man! by Price), "It's Too Late", "Tango" and "Young Girls" (later released on Burdon's compilation album The Night). Their Wembley Arena concert on 31 December 1983 (supporting the Police) was released on the Rip it To Shreds live album in 1984 after the Animals had disbanded again. Their 29 November 1983 concert at the Royal Oak Theatre in Royal Oak, Michigan, was released on 27 February 2008 as Last Live Show. A film about the reunion tour was shot but never released.
Chandler died from an aneurysm in 1996, putting an end to any possibility of another reunion of the full original lineup.[26]
Later incarnations
The Animals during a concert in Poland, 2016
During the 1990s and 2000s, several groups have called themselves The Animals in part:
In the 1990s, Danny McCulloch, from the later-1960s Animals, released several albums as The Animals.[27] The albums contained covers of some original Animals songs, as well as new ones written by McCulloch.
In 1992, Barry Jenkins joined a reconstituted version of The Animals, including "New Animals" members Vic Briggs and Danny McCulloch along with new percussionist Jack McCulloch and Phil Ryan instead of Eric Burdon on lead vocals. The band played the first rock concert held in Red Square, Moscow, as part of a benefit concert for the victims of the Chernobyl nuclear disaster.[28]
Also in 1992, Hilton Valentine formed The Animals II from a local North East band he was playing with called The Alligators featuring Joss Elliott on Bass and George Fearon on Guitar, and was joined by Steel in 1994 and Rowberry in 1999. Other members of this version of the band include Robert Kane (now vocalist with Dr. Feelgood), Steve Hutchinson, Steve Dawson (now guitarist with Geordie) and Martin Bland. From 1999 until Valentine's departure in 2001, the band toured as The Animals. This version featured Tony Liddle on lead vocals backed by Valentine, Steel, Rowberry and Jim Rodford. Chris Allen occasionally depped for Rodford, who was also playing with The Zombies on bass and backing vocals. Steve Farrell contributed backing vocals and hand percussion.
After Valentine left this line up in Summer 2001, Steel and Rowberry continued with Steve Dawson, who returned to replace Valentine until the Winter of 2002. The band then morphed into Animals and Friends, with Peter Barton on vocals, Rodford, and John E. Williamson on guitar. When Rowberry died in 2003, he was replaced by Mick Gallagher (who had briefly replaced Price in 1965). Danny Handley joined the band in 2009, initially as lead guitarist, but replaced Barton on lead vocals when Barton retired in 2012. Scott Whitley had a brief tenure in the band before Roberto "Bobby" Ruiz took over on bass. This successful lineup continues to tour the world with guests such as Steve Cropper and Spencer Davis.
Burdon formed a new backing band in 1998 that was billed as Eric Burdon and the New Animals. This was actually just a renaming of an existing band with whom he had been touring in various forms since 1990. Members of this new group included Dean Restum, Dave Meros, Neal Morse and Aynsley Dunbar. Martin Gerschwitz replaced Morse in 1999 after Ryo Okumoto's brief three-week stint, and Dunbar was replaced by Bernie Pershey in 2001. In 2003, the band started touring as Eric Burdon and The Animals. After the lineup changed in 2006, original guitarist Valentine joined the group for its 2007 and 2008 tours. The group also included Red Young, Paula O'Rourke and Tony Braunagle. After Burdon lost the rights to the name, he formed a new band with different musicians.
In 2016, Burdon formed the current lineup of The Animals, including Johnzo West (guitar/vocals), Davey Allen (keys/vocals), Dustin Koester (drums/vocals), Justin Andres (bass guitar/vocals), Ruben Salinas (sax/flute) and Evan Mackey (trombone).[29]
Dispute over ownership of band name
In 2008, an adjudicator determined that original Animals drummer John Steel owned "The Animals" name in the UK because of a trademark registration that Steel had filed. Eric Burdon had objected to the trademark registration, arguing that he personally embodied any goodwill associated with "The Animals" name. Burdon's argument was rejected, in part because he had billed himself as "Eric Burdon and The Animals" as early as 1967, thus separating the goodwill associated with his own name from that of the band. On 9 September 2013, Burdon's appeal was allowed, and he is now permitted to use the name "The Animals".[30]
Legacy
The original Animals were inducted into the Rock and Roll Hall of Fame in 1994, although Burdon did not attend and the band did not perform.[4] In 2003, the band's version of "The House of the Rising Sun" ranked number 123 on Rolling Stone's500 Greatest Songs of All Time list. Their 1965 hit single "We Gotta Get Out of This Place" was ranked number 233 on the same list. Both songs are included in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll.[31]
On 15 March 2012, in a keynote speech to an audience at the South by Southwest music festival, Bruce Springsteen discussed The Animals' influence on his music at length, stating, "To me, The Animals were a revelation. They were the first records with full-blown class consciousness that I'd ever heard." Of "We Gotta Get Out of This Place" (written by two New York songwriters, Barry Mann and Cynthia Weil), Springsteen said: "That's every song I've ever written... That's 'Born to Run,' 'Born in the U.S.A.,' everything I've done for the past 40 years including all the new ones. That struck me so deep. It was the first time I felt I heard something come across the radio that mirrored my home life, my childhood." Saying that his album Darkness on the Edge of Town was "filled with Animals", Springsteen played the opening riffs to "Don't Let Me Be Misunderstood" and his own "Badlands" back to back, then said, "Listen up, youngsters! This is how successful theft is accomplished!"[32]
Tony Banks, keyboardist of British progressive rock band Genesis, drew influence from Alan Price, whom he regarded as "[t]he first person who made me aware of the organ in a rock context".[33]
War is an American funk/rock/soul/Latin band from Long Beach, California, known for several hit songs . Formed in 1969, War is a musical crossover band that fuses elements of rock, funk, jazz, Latin, rhythm and blues, psychedelia, and reggae. According to music writer Colin Larkin, their "potent fusion of funk, R&B, rock and Latin styles produced a progressive soul sound", while Martin C. Strong calls them "one of the fiercest progressive soul combos of the '70s". Their album The World Is a Ghetto was Billboard's best-selling album of 1973. The band transcended racial and cultural barriers with a multi-ethnic line-up. War was subject to many line-up changes over the course of its existence, leaving member Leroy "Lonnie" Jordan as the only original member in the current line-up; four other members created a new group called the Lowrider Band.
Eric Victor Burdon is an English singer and songwriter. He was previously the lead vocalist of the R&B and rock band the Animals and the funk band War. He is regarded as one of the British Invasion's most distinctive singers with his deep, powerful blues-rock voice. Burdon is also known for his intense stage performances.
John Steel is an English musician who is the long-serving drummer for The Animals. Having served as the band's drummer at its inception in 1963, he is the only original bandmember playing in the current incarnation of The Animals. He was inducted with the band into the Rock and Roll Hall of Fame in 1994.
Hilton Stewart Paterson Valentine was an English skiffle and rock and roll musician who was the original guitarist in The Animals. He was inducted into the Rock and Roll Hall of Fame in 1994 and into Hollywood’s Rock Walk of Fame in 2001 with the other members of The Animals.
Animalism is the fifth American album by the Animals, released in November 1966. The album includes the band's usual repertoire of blues and R&B covers, while Frank Zappa contributed a song and played bass on two tracks. It was the last album recorded by the original incarnation of the Animals prior to their disbandment, after which singer Eric Burdon would assemble a mostly new lineup under the name "Eric Burdon and the Animals". This new version of the group was already touring when Animalism released.
Animalisms is the third studio album by the English R&B/blues rock band the Animals, and was released in the United Kingdom in May 1966 on Decca Records. It was the first Animals album to be produced by Tom Wilson as well as the first to feature keyboardist Dave Rowberry after the May 1965 departure of original keyboardist Alan Price. It reached No. 4 on the UK Albums Chart and remained there for 17 weeks.
Animalization is a studio album by the English rock band the Animals. The band's fourth American release, it was issued in August 1966 on MGM Records. It has a track listing somewhat similar to the British album Animalisms. The album, which reached #20 on the US Billboard album chart, included three US Top 40 singles, and was the first Animals album to have some tracks mixed in true stereo.
John Weider is an English rock musician who plays guitar, bass, and violin. He is best known as the guitarist for the Animals from 1966 to 1968. He was also the bass player for Family from 1969 to 1971.
"It's My Life" is a song written by New York City songwriters Roger Atkins and Carl D'Errico. The song was originally performed by English R&B band The Animals, who released it as a single in October 1965.
The Best of The Animals is the first greatest hits collection by the British rock group the Animals. MGM Records released the album in February 1966 in the United States. It showcases the Animals' tough-edged pop hits combined with their more devoted blues and R&B workouts. The album has been reissued with some different tracks and a similar collection, The Most of Animals, was released in the United Kingdom in 1966.
David Eric Rowberry was an English pianist and organist, most known for being a member of the rock and R&B group The Animals in the 1960s.
Animal Tracks is the Animals' third album in the United States, released as both LP Record and reel-to-reel tape. Musically, it was a hodge-podge of the group's recent hit singles mixed in with tracks of assorted vintage that had not been included on either of The Animals' first two U.S. albums. As such it bore little resemblance in content or purpose to the band's British release also named Animal Tracks from four months earlier. "The Story of Bo Diddley" is an adaptation and expansion of a song recorded by Bo Diddley in 1960, utilizing some of the original lyrics but with additional verses and melody recapping the musician's life in a talking blues style.
Before We Were So Rudely Interrupted is a 1977 reunion album by the Animals. They are billed on the cover as the Original Animals.
"Don't Bring Me Down" is a song composed by Gerry Goffin and Carole King and recorded as a 1966 hit single by the Animals. It was the group's first release with drummer Barry Jenkins, who replaced founding member John Steel as he had left the band in February of that year.
Ark is an album by the original members of the Animals. Released in 1983 by I.R.S. Records, it peaked at #66 on the Billboard Top 200. Ark was the second and last reunion attempt of the band's initial lineup, and the album was subsequently followed by a tour by the band.
Colin Ernest "Barry" Jenkins is an English musician, who is best known for being a drummer for the Animals during both of that 1960s group's incarnations.
Daniel Joseph "Danny" McCulloch was an English musician best known as the bassist of the 1960s psychedelic rock group Eric Burdon and The Animals.
Absolute Animals 1964–1968 is a compilation album of The Animals, released in 2003 and which features many of their hits. It was also the first compilation to feature songs from their Columbia, Decca, and MGM albums.
Greatest Hits Live (Rip It to Shreds) is a live album by the original members of The Animals. It was released in 1984.
↑ Hoffman, Frank. "Eric Burdon and the Animals". Survey of American Popular Music. Retrieved 2 June 2023. The band was also one of the few First Wave acts to make a successful transition from mainstream pop to progressive rock in the late 1960s.
↑ Goodman, Fred (2015), Allen Klein: The Man Who Bailed Out the Beatles, Made the Stones, and Transformed Rock & Roll, Houghton Mifflin Harcourt, New York, 978-0-547-89686-1, pp. 66–68.
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