The Bailiffs

Last updated

The Bailiffs is a 1932 British comedy film, based on a sketch by Fred Karno and starring Flanagan and Allen, made by Associated Talking Pictures at Ealing Studios. [1] [2] [3]

Related Research Articles

<span class="mw-page-title-main">Slapstick</span> Style of comedy

Slapstick is a style of humor involving exaggerated physical activity that exceeds the boundaries of normal physical comedy. Slapstick may involve both intentional violence and violence by mishap, often resulting from inept use of props such as saws and ladders.

Ealing Studios Television and film production company

Ealing Studios is a television and film production company and facilities provider at Ealing Green in West London. Will Barker bought the White Lodge on Ealing Green in 1902 as a base for film making, and films have been made on the site ever since. It is the oldest continuously working studio facility for film production in the world, and the current stages were opened for the use of sound in 1931.

<span class="mw-page-title-main">Fred Karno</span> 19th and 20th-century British comedian, impresario and theatre manager

Frederick John Westcott, best known by his stage name Fred Karno, was an English theatre impresario of the British music hall. As a comedian of slapstick he is credited with popularising the custard-pie-in-the-face gag. During the 1890s, in order to circumvent stage censorship, Karno developed a form of sketch comedy without dialogue.

<span class="mw-page-title-main">Will Hay</span> English comedian, actor, and film director

William Thomson Hay was an English comedian who wrote and acted in a schoolmaster sketch that later transferred to the screen, where he also played other authority figures with comic failings. His film Oh, Mr. Porter! (1937), made by Gainsborough Pictures, is often cited as the supreme British-produced film-comedy, and in 1938 he was the third highest-grossing star in the UK. Many comedians have acknowledged him as a major influence. Hay was also a keen amateur astronomer.

Ealing comedies Ealing Studios films, 1947 to 1957

The Ealing comedies is an informal name for a series of comedy films produced by the London-based Ealing Studios during a ten-year period from 1947 to 1957. Often considered to reflect Britain's post-war spirit, the most celebrated films in the sequence include Kind Hearts and Coronets (1949), Whisky Galore! (1949), The Lavender Hill Mob (1951), The Man in the White Suit (1951) and The Ladykillers (1955). Hue and Cry (1947) is generally considered to be the earliest of the cycle, and Barnacle Bill (1957) the last, although some sources list Davy (1958) as the final Ealing comedy.

Michael Balcon English film producer

Sir Michael Elias Balcon was an English film producer known for his leadership of Ealing Studios in West London from 1938 to 1955. Under his direction, the studio became the one of the most important British film studios of the day. In an industry short of Hollywood-style moguls, Balcon emerged as a key figure, and an obdurately British one too, in his benevolent, somewhat headmasterly approach to the running of a creative organization. He is known for his leadership, and his guidance of young Alfred Hitchcock.

Stan Laurel English actor (1890–1965)

Stan Laurel was an English comic actor, writer, and film director who was part of the comedy duo Laurel and Hardy. He appeared with his comedy partner Oliver Hardy in 107 short films, feature films, and cameo roles.

StudioCanal S.A.S. is a French film production and distribution company that owns the third-largest film library in the world. The company is a unit of the Canal+ Group, owned by Vivendi.

Flanagan and Allen were a British singing and comedy double act most active during the 1930s and 1940s. Its members were Bud Flanagan and Chesney Allen (1894–1982). They were first paired in a Florrie Forde revue, and were booked by Val Parnell to appear at the Holborn Empire in 1929.

<span class="mw-page-title-main">Educational Pictures</span> American film company

Educational Pictures, also known as Educational Film Exchanges, Inc. or Educational Films Corporation of America, was an American film production and film distribution company founded in 1916 by Earle Hammons (1882–1962). Educational primarily distributed short subjects; it is best known for its series of comedies starring Buster Keaton (1934-37) and the earliest screen appearances of Shirley Temple (1932-34). The company ceased production in 1938, and finally closed in 1940 when its film library was sold at auction.

Frederick Penrose "Pen" Tennyson was a British film director whose promising career was cut short when he died in a plane crash. Tennyson gained experience as an assistant director to Alfred Hitchcock in several of his British films during the 1930s. Tennyson directed three films between 1939 and his death in 1941.

Charlie Chaplin filmography

Charlie Chaplin (1889–1977) was an English actor, comedian, and filmmaker whose work in motion pictures spanned from 1914 until 1967. During his early years in film, he became established as a worldwide cinematic idol renowned for his tramp persona. In the 1910s and 1920s, he was considered the most famous person on the planet.

Herbert Wilcox Film producer and director from Britain

Herbert Sydney Wilcox CBE was a British film producer and director.

<i>Sally in Our Alley</i> (1931 film) 1931 film

Sally in Our Alley is a 1931 British romantic comedy drama film directed by Maurice Elvey and starring Gracie Fields, Ian Hunter, and Florence Desmond. It is based on the 1923 West End play The Likes of Her by Charles McEvoy.

Nine till Six is a 1932 British drama film directed by Basil Dean and starring Louise Hampton, Elizabeth Allan and Florence Desmond. Produced by Basil Dean's Associated Talking Pictures, it was the first film made at Ealing Studios after the facility had been converted to sound.

<i>O-Kay for Sound</i> 1937 British film

O-Kay for Sound is a 1937 British comedy film directed by Marcel Varnel and starring the Crazy Gang troupe of comedians. After falling on hard times the members of the Crazy Gang are busking on the streets of London. However, they are hired as extras on a film set. After arriving at the studios they are mistaken for a group of potential investors and given free run of the studios, causing chaos.

My Old Duchess is a 1934 British comedy film directed by Lupino Lane and starring George Lacy, Betty Ann Davies and Dennis Hoey. The film was made at Elstree Studios. It was based on an original sketch by Fred Karno. The screenplay concerns a stage manager who disguises himself as a duchess.

The Water Gipsies is a 1932 British, low-budget "quota quickie" drama film directed by Maurice Elvey and starring Ann Todd, Sari Maritza and Ian Hunter. It is an adaptation of the 1930 novel The Water Gipsies by A.P. Herbert. The film was made at Beaconsfield Studios. Vivian Ellis worked as the film's composer, and later used some of the music in the 1955 stage musical adaptation of the novel.

Mother, Don't Rush Me is a 1936 British comedy film directed by Norman Lee and starring Robb Wilton, Muriel Aked and Peter Haddon. It was made at the Riverside Studios in Hammersmith. It is based on a sketch by the celebrated music hall performer Fred Karno, who produced the film.

References

  1. John Mundy Popular Music on Screen: From the Hollywood Musical to Music Video 1999 - Many of these, such as ATP's The Bailiffs (1932), based on a sketch by Fred Karno and starring Flanagan and Allen, made use of existing music-hall talent. Karno had his own production company, based in Hammersmith,..."
  2. George C. Perry Forever Ealing: a celebration of the great British film studio 1981-p174 "Associated Talking Pictures productions and others made at Ealing before Balcon ... 1932 The Bailiffs Bud Flanagan, Chesney Allen Produced by Clayton Hutton, ...
  3. J. P. Gallagher Fred Karno: master of mirth and tears 1971 p159 "But C. M. Woolf nearly blew up in fury when he saw from the credits that the film had been made in the Ealing Studios and was only distributed by Ideal Films ! Fred was angry too. He objected violently when he found that the film had been...Hutton soothed C. M. Woolf by pointing out that Ideal Films had refused to go on with their Karno film, though they had the first offer, and in any event Ideal Films' budget had not paid for The Bailiffs."