Blanche Mehaffey was an American showgirl and film actress.
Glenn Tryon was an American film actor, screenwriter, director and producer. He appeared in more than 60 films between 1923 and 1951.
Sally of the Subway is a 1932 American pre-Code crime film directed by George B. Seitz and starring Jack Mulhall, Dorothy Revier and Blanche Mehaffey. It was produced as a second feature for release by Mayfair Pictures.
Passport to Paradise is a 1932 American pre-Code drama film directed by George B. Seitz and starring Jack Mulhall, Blanche Mehaffey and Eddie Phillips. It was produced as a second feature for release by the independent company Mayfair Pictures. The film is now considered to be lost.
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How to Handle Women is a 1928 American silent comedy film directed by William James Craft and starring Glenn Tryon. Bela Lugosi had a brief uncredited role as a diplomatic aide, and Krazy Kat cartoonist George Herriman played himself in a cameo appearance. It also featured Bull Montana and Cesare Gravina. It was produced and distributed by Universal Pictures. The film had several working titles: Fresh Every Hour, The Prince of Peanuts, Meet the Prince, The Prince of Knuts and Three Days.
Soul of the Slums is a 1931 American Pre-Code crime melodrama directed by Frank R. Strayer from an original screenplay by W. Scott Darling. The film stars William Collier Jr., Blanche Mehaffey, and Murray Smith, and was released by Action Pictures on November 15, 1931.
The Denver Dude is a 1927 American silent Western film directed by B. Reeves Eason and starring Hoot Gibson, Blanche Mehaffey, and Robert McKim. It was produced and distributed by Universal Pictures.
Barnum Was Right is a 1929 American comedy film directed by Del Lord and starring Glenn Tryon, Merna Kennedy and Basil Radford. Along with the sound version, the film was also released in a silent version for theatres not wired for sound. At present only the silent version exists, whilst the sound version is presumed lost.
Take It from Me is a 1926 American silent comedy film directed by William A. Seiter and starring Reginald Denny, Blanche Mehaffey, and Lee Moran.
The Runaway Express is a 1926 American silent action film directed by Edward Sedgwick and starring Jack Dougherty, Blanche Mehaffey, and Tom O'Brien.
The White Sheep is a 1924 American silent comedy film directed by Hal Roach and starring Glenn Tryon, Blanche Mehaffey, and Jack Gavin.
Marlie the Killer is a 1928 American silent action film directed by Noel M. Smith and starring Francis X. Bushman Jr., Joseph W. Girard and Blanche Mehaffey. It was designed as a vehicle for Klondike the Dog, an imitator of Rin Tin Tin.
Is There Justice? is a 1931 American pre-Code crime film directed by Stuart Paton and starring Rex Lease, Henry B. Walthall and Blanche Mehaffey. It is now considered a lost film.
Riders of the North is a 1931 American pre-Code Western film directed by J.P. McGowan and starring Bob Custer, Blanche Mehaffey and Eddie Dunn.
The Sky Spider is a 1931 American "youth-oriented" adventure film. Directed by Richard Thorpe, the film starred Glenn Tryon, Beryl Mercer, Blanche Mehaffey, Pat O'Malley and newcomer John Trent.
Mounted Fury is a 1931 American drama film directed by Stuart Paton and written by Betty Burbridge. The film stars John Bowers, Blanche Mehaffey, Robert Ellis, Frank Rice, George Regas and Lina Basquette. The film was released on December 1, 1931, by Sono Art-World Wide Pictures.
Alias Mary Smith is a 1932 American mystery crime film directed by E. Mason Hopper and starring Blanche Mehaffey, John Darrow and Raymond Hatton. It was released by the independent company Mayfair Pictures.
The Tired Business Man is a 1927 American silent comedy film directed by Allen Dale and starring Raymond Hitchcock, Dot Farley and Margaret Quimby. It was produced and released by the independent studio Tiffany Pictures. The film's sets were designed by the art director George Sawley.
Finnegan's Ball is a 1927 American silent comedy film directed by James P. Hogan and starring Blanche Mehaffey, Mack Swain and Cullen Landis. It is based on an 1894 Broadway play of the same title.
