The Black Scorpion (film)

Last updated
The Black Scorpion
BlackScorpion1957movie.jpg
Directed by Edward Ludwig
Written by Robert Blees
David Duncan
Produced by Jack Dietz
Frank Melford
Starring Richard Denning
Mara Corday
Carlos Rivas
Mario Navarro
Cinematography Lionel Lindon
Edited by Richard L. Van Enger
Music by Paul Sawtell
Distributed by Warner Bros.
Release date
  • October 11, 1957 (1957-10-11)(US)
Running time
88 minutes
CountriesUnited States
Mexico
LanguageEnglish

The Black Scorpion is a 1957 black-and-white Mexican-American giant arachnid horror film from Warner Bros., produced by Jack Dietz and Frank Melford, directed by Edward Ludwig, and starring Richard Denning, Mara Corday, Carlos Rivas, and Mario Navarro. [1] The film's stop-motion animation special effects were created by Willis O'Brien. In the film, volcanic activity releases giant prehistoric scorpions from the earth. They wreak havoc in the rural countryside and eventually threaten Mexico City.

Contents

Plot

An earthquake strikes Mexico, resulting in the overnight birth of a new volcano. Geologists Dr. Hank Scott and Dr. Arturo Ramos are dispatched to study this crisis at the village of San Lorenzo, the two men finding a destroyed house and a totaled police car en route. They find a dead policeman nearby, and an abandoned and seemingly orphaned infant. They take the infant to San Lorenzo and give it to friends of the child's missing parents, while being welcomed by the village's priest, Father Delgado. Delgado reveals that the property damage is caused by something that is slaughtering the livestock, the villagers believing the culprit to be a demon bull and have been pestering Delgado for divine assistance.

Undaunted, Hank and Arturo begin their geological survey as members of the Mexican army under Major Cosio arrive in San Lorenzo to begin disaster-relief efforts. Hank meets and falls in love with local rancher Teresa Alvarez, and makes friends with a young boy named Juanito. When the volcano erupts again, the culprits behind the disappearances and deaths are revealed as giant prehistoric scorpions. After killing a crew of telephone repairmen, the scorpions attack San Lorenzo with the Mexican military unable to harm them. The next morning, the scorpions have returned to their underground lair, leaving the authorities to seek the help of renowned entomologist Dr. Velasco. Velasco sends Hank and Arturo to scout the cavern to determine whether poison gas would be an effective means of extermination. While also fending off giant worms and spiders, Hank and Arturo observe that the scorpions kill each other by striking a small white spot on their throats. Returning to the surface, they report that the cavern is too vast for poison gas to fill it at sufficient density, so Velasco says their only choice is to seal the entrance with dynamite. Hank objects that there may be other entrances, but Velasco points out that all the sightings of giant scorpions have been traced to this source.

The giant scorpions resurface days later to attack a train. Some of the passengers are killed. In-fighting among the scorpions resolves with the largest of them killing the others before heading for Mexico City. Hank and Arturo come up with a plan to lure it to a stadium with a truckload of meat, with the military distracting it long enough to kill it by shooting an electric cable attached to a spear into the white spot on its throat. However, the spear misses. The soldiers neglect to shut off the power after the miss, so the gunman is fatally electrocuted when he attempts to reload the spear. Hank re-fires the spear himself, finally slaying the last scorpion.

Cast

Production

Willis O'Brien, creator of the stop-motion animation effects for the original King Kong , was the special-effects supervisor, albeit on a smaller budget. Pete Peterson, who worked with O'Brien on Mighty Joe Young and would again on The Giant Behemoth , did most of the actual hands-on animation. [2] O'Brien borrowed heavily from his previous films for the stop-motion special effects. The miniatures used for the trapdoor spider and the giant tentacled worm have been reported to be the same ones that were used in the now "Lost Spider Pit Sequence" from the original King Kong (1933). The trapdoor spider model matches precisely the smaller spider model seen in behind-the-scenes stills from King Kong. Biographers, however, dispute whether O'Brien saved his models, and Ray Harryhausen's An Animated Life noted that many models used in King Kong were still in storage at RKO in the 1950s, by which time many were decayed. The sounds made by the giant scorpions were reminiscent of the giant ant sound effects used in Them! [3] A large-scale scorpion "head" was used for close-up reaction shots.

Reception

Harrison's Reports gave The Black Scorpion a mixed review, with praise for its special effects but reservations about its unexceptional storytelling, long running time, and mediocre photography with revolting closeups. [4] The New York Times liked the Mexican locations and some of the "technical fakery" but considered the film "strictly standard" with forgettable human plot elements. [5]

Mystery Science Theater 3000

The Black Scorpion was featured in episode number 113 of Mystery Science Theater 3000 . The episode debuted February 3, 1990, on the Comedy Channel. In show continuity, this was the last episode for Josh Weinstein, who voiced robot Tom Servo and portrayed Dr. Clayton Forrester's assistant, Dr. Laurence "Larry" Erhardt. [6] Dr. Erhardt was proclaimed missing and replaced by Frank Conniff's TV's Frank in season two, while Kevin Murphy began voicing Tom Servo. However, although the episode number suggests this was the last episode of MST3K's first season, Women of the Prehistoric Planet (episode 104) was produced and aired after The Black Scorpion, so that movie was actually the last in which Weinstein participated. [7]

Paste writer Jim Vogel did not rate the episode highly. "It's a little tedious, sure, but the film actually sports some pretty damn cool-looking stop-motion animation special effects," Vogel wrote, but "the story ... is instantly forgettable." [8]

The MST3K version of The Black Scorpion was included as part of the Mystery Science Theater 3000, Volume XXX DVD collection, released by Shout! Factory on July 29, 2014. The other episodes in the four-disc set include Outlaw , The Projected Man , and It Lives by Night . The Black Scorpion disc included the featurette Stinger of Death: Making the Black Scorpion. [9]

Home media

The film was released on region 1 DVD with a cardboard snapper case in an open matte 4:3 ratio. This version was replaced by a 1.78:1 widescreen print, both on region 1 DVD and a region free Blu-ray, released by Warner Bros. Archive Collection.[ citation needed ]

The extras on all releases include stop-motion test footage by Pete Peterson for unrealized projects, animated around the late 1950s, known as “Las Vegas Monster” and “Beetlemen”, and the sequence that Harryhausen and O’Brien animated for the 1956 Irwin Allen documentary, The Animal World .

Related Research Articles

<i>King Kong</i> (1933 film) 1933 film directed by Merian C. Cooper and Ernest B. Schoedsack

King Kong is a 1933 American pre-Code adventure horror monster film directed and produced by Merian C. Cooper and Ernest B. Schoedsack, with special effects by Willis H. O'Brien. Produced and distributed by RKO Radio Pictures, it is the first film in the King Kong franchise. The film stars Fay Wray, Robert Armstrong and Bruce Cabot. In the film, a giant ape dubbed Kong captured from Skull Island attempts to possess a beautiful young woman.

<span class="mw-page-title-main">Willis H. O'Brien</span> American special effects technician and animator

Willis Harold O'Brien, known as Obie O'Brien, was an American motion picture special effects and stop-motion animation pioneer, who according to ASIFA-Hollywood "was responsible for some of the best-known images in cinema history," and is best remembered for his work on The Lost World (1925), King Kong (1933), The Last Days of Pompeii (1935) and Mighty Joe Young (1949), for which he won the 1950 Academy Award for Best Visual Effects.

<span class="mw-page-title-main">Ray Harryhausen</span> American-British animator (1920–2013)

Raymond Frederick Harryhausen was an American-British animator and special effects creator who created a form of stop motion model animation known as "Dynamation". His works include the animation for Mighty Joe Young (1949) with his mentor Willis H. O'Brien ; his first color film, The 7th Voyage of Sinbad (1958); and Jason and the Argonauts (1963), which featured a sword fight with seven skeleton warriors. His last film was Clash of the Titans (1981), after which he retired.

<i>It Came from Beneath the Sea</i> 1955 science fiction film directed by Robert Gordon

It Came from Beneath the Sea is a 1955 American science fiction monster horror film from Columbia Pictures, produced by Sam Katzman and Charles Schneer, directed by Robert Gordon, that stars Kenneth Tobey, Faith Domergue, and Donald Curtis. The screenplay by George Worthing Yates was designed to showcase the stop motion animation special effects of Ray Harryhausen.

<i>The Beast from 20,000 Fathoms</i> 1953 monster film by Eugène Lourié

The Beast from 20,000 Fathoms is a 1953 American science fiction action horror film directed by Eugène Lourié, with special effects by Ray Harryhausen. The film stars Paul Christian, Paula Raymond, Cecil Kellaway, and Kenneth Tobey. The screenplay is based on Ray Bradbury's 1951 short story "The Fog Horn", specifically the scene where a lighthouse is destroyed by the title character. The film is about the Rhedosaurus, a dinosaur that is released from its frozen hibernating state by an atomic bomb test in the Arctic Circle and begins to wreak a path of destruction as it travels southward, eventually arriving at its ancient spawning grounds, which includes New York City.

<i>The Valley of Gwangi</i> 1969 American fantasy western film

The Valley of Gwangi is a 1969 American fantasy Western film produced by Charles H. Schneer and Ray Harryhausen, directed by Jim O'Connolly, written by William Bast, and starring James Franciscus, Richard Carlson, and Gila Golan.

<i>20 Million Miles to Earth</i> 1957 American science fiction film

20 Million Miles to Earth is a 1957 American horror science fiction monster film directed by Nathan Juran and starring William Hopper, Joan Taylor, and Frank Puglia. It was produced by Charles H. Schneer's Morningside Productions for Columbia Pictures. The screenplay was written by Bob Williams and Christopher Knopf from an original treatment by Charlott Knight. As with several other Schneer-Columbia collaborations, the film was developed to showcase the stop-motion animation of Ray Harryhausen.

<i>Clash of the Titans</i> (1981 film) 1981 film by Desmond Davis

Clash of the Titans is a 1981 fantasy adventure film directed by Desmond Davis and written by Beverley Cross, loosely based on the Greek myth of Perseus. Starring Harry Hamlin, Judi Bowker, Burgess Meredith, Maggie Smith and Laurence Olivier, the film features the final work of stop-motion visual effects artist Ray Harryhausen.

<i>Mighty Joe Young</i> (1949 film) 1949 US black-and-white fantasy film by Merian C. Cooper and Ernest B. Schoedsack

Mighty Joe Young is a 1949 American black and white fantasy film distributed by RKO Radio Pictures and produced by the same creative team responsible for King Kong (1933). The film was produced by Merian C. Cooper, directed by Ernest B. Schoedsack, and Ruth Rose wrote the screenplay. It stars Robert Armstrong, Terry Moore, and Ben Johnson in his first credited screen role. Animation effects were handled by Ray Harryhausen, Pete Peterson and Marcel Delgado.

<i>Sinbad and the Eye of the Tiger</i> 1977 film by Ray Harryhausen, Sam Wanamaker

Sinbad and the Eye of the Tiger is a 1977 fantasy adventure film directed by Sam Wanamaker and featuring stop-motion effects by Ray Harryhausen. The film stars Patrick Wayne, Taryn Power, Jane Seymour and Patrick Troughton. The third and final Sinbad film released by Columbia Pictures, it follows The 7th Voyage of Sinbad (1958) and The Golden Voyage of Sinbad (1973).

James Danforth is an American stop-motion animator, known for model-animation, matte painting, and for his work on When Dinosaurs Ruled the Earth (1970), a theme-sequel to Ray Harryhausen's One Million Years B.C. (1967). He later went on to work with Ray Harryhausen on the film Clash of the Titans (1981) to mainly do the animation of the winged horse Pegasus.

David W. Allen was an American film and television stop motion model (puppet) animator.

Marcel Delgado was a sculptor and model-maker. His technique revolutionized the stop motion film industry. He is best known for his work on the 1933 film King Kong.

Model animation is a form of stop motion animation designed to merge with live-action footage to create the illusion of a real-world fantasy sequence.

<span class="mw-page-title-main">Monster movie</span> Film genre

A monster movie, monster film, creature feature or giant monster film is a film that focuses on one or more characters struggling to survive attacks by one or more antagonistic monsters, often abnormally large ones. The film may also fall under the horror, comedy, fantasy, or science fiction genres. Monster movies originated with adaptations of horror folklore and literature.

<i>The Giant Claw</i> 1957 film by Fred F. Sears

The Giant Claw is a 1957 American monster film from Columbia Pictures, produced by Sam Katzman, directed by Fred F. Sears, that stars Jeff Morrow and Mara Corday. Both Sears and Katzman were well known as low-budget B film genre filmmakers. The film was released as a double feature with The Night the World Exploded.

<i>The Animal World</i> (film) 1956 American film

The Animal World is a 1956 American documentary film that was produced, written and directed by Irwin Allen. The film includes live-action footage of animals throughout the world, along with a ten-minute stop motion animated sequence about dinosaurs.

<span class="mw-page-title-main">Joaquín Cosío</span> Mexican actor and poet (born 1962)

Joaquín Cosío Osuna is a Mexican actor and poet. He is best known for roles such as Rubén "Mascarita" in Matando Cabos (2004), General Medrano in Quantum of Solace (2008), Eufemio "El Cochiloco" Mata in El Infierno, Ernesto Fonseca Carrillo in Narcos: Mexico (2018–2021) and Major General Mateo Suárez in The Suicide Squad (2021), among others.

<span class="mw-page-title-main">Pete Peterson (animator)</span>

Pete Peterson was an American motion picture special effects and stop-motion animation pioneer, best remembered for his work with Willis H. O'Brien on Mighty Joe Young (1949), The Black Scorpion (1957) and The Giant Behemoth (1959).

Neville Buchanan is a stop motion animator and director based in England. His style is informed by his mentor Ray Harryhausen His work has been likened to Harryhausen's predecessor Willis O'Brien with its emphasis on meticulously detailed puppets sculpted onto armatures forwarding the narrative.

References

  1. The Black Scorpion at IMDb
  2. Pettigrew, Neil (1999). The Stop-Motion Filmography. McFarland & Company, Inc. p. 86. ISBN   0-7864-0446-9.
  3. Rajewski, Genevieve (2006). Introducing the Deadly Mantis. The Rosen Publishing Group. p. 33. ISBN   1-4042-0848-8.
  4. https://web.archive.org/web/20170317181213/https://archive.org/details/harrisonsreports39harr Harrison's Reports, September 21, 1957, page 151
  5. "Screen: 'My Man Godfrey' Returns; Blase Butler's Story is Told by Universal June Allyson, Niven in Comedy at Roxy 'The Black Scorpion". The New York Times. Archived from the original on 2023-08-13. Retrieved 2021-03-07.
  6. Episode guide: 113- The Black Scorpion. Archived 2012-09-20 at the Wayback Machine Satellite News. Retrieved on 2018-07-19.
  7. Beaulieu, Trace; et al. (1996). The Mystery Science Theater 3000 Amazing Colossal Episode Guide (1st ed.). New York: Bantam Books. p. 17. ISBN   9780553377835.
  8. Ranking Every MST3K Episode, From Worst to Best. Archived 2017-10-25 at the Wayback Machine Vorel, Jim. Paste. April 13, 2017. Retrieved on 2018-07-19.
  9. MST3K: Volume XXX. Archived 2018-07-19 at the Wayback Machine Shout! Factory. Retrieved on 2018-07-19.

Further reading