| The Boat | |
|---|---|
 | |
| Artist | Henri Matisse |
| Year | 1953 |
| Type | Paper-cut |
| Dimensions | 13.84 cm× 10.33 cm(5.4 in× 4.1 in) |
| Location | New York, Museum of Modern Art |
The Boat (French: Le Bateau) is a paper-cut from 1953 by Henri Matisse. The picture is composed from pieces of paper cut out of sheets painted with gouache, and was created during the last years of Matisse's life.
Le Bateau caused a minor stir when the Museum of Modern Art, New York, which housed it, hung the work upside-down for 47 days in 1961 until Genevieve Habert, a stockbroker, noticed the mistake and notified a guard. Habert later informed The New York Times , which in turn notified Monroe Wheeler, the museum's art director. As a result, the artwork was rehung properly. An assistant curator blamed the confusion on a label on the verso posted the wrong way, as well as screw holes which implied it had been hung upside down before. [1] [2] [3]
Henri Émile Benoît Matisse was a French visual artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
Gouache, body color, or opaque watercolor is a water-medium paint consisting of natural pigment, water, a binding agent, and sometimes additional inert material. Gouache is designed to be opaque. Gouache has a long history, having been used for at least twelve centuries. It is used most consistently by commercial artists for posters, illustrations, comics, and other design work.
The Bateau-Lavoir is the nickname of a building in the Montmartre district of the 18th arrondissement of Paris that is famous in art history as the residence and meeting place for a group of outstanding early 20th-century artists, men of letters, theatre people, and art dealers. It is located at No. 13 Rue Ravignan at Place Emile Goudeau, just below the Place du Tertre.
The 1913 Armory Show, also known as the International Exhibition of Modern Art, was organized by the Association of American Painters and Sculptors. It was the first large exhibition of modern art in America, as well as one of the many exhibitions that have been held in the vast spaces of U.S. National Guard armories.
The Salon d'Automne, or Société du Salon d'automne, is an art exhibition held annually in Paris. Since 2011, it is held on the Champs-Élysées, between the Grand Palais and the Petit Palais, in mid-October. The first Salon d'Automne was created in 1903 by Frantz Jourdain, with Hector Guimard, George Desvallières, Eugène Carrière, Félix Vallotton, Édouard Vuillard, Eugène Chigot and Maison Jansen.
Les Demoiselles d'Avignon is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to "liberate an utterly original artistic style of compelling, even savage force” leading him to add a shamanistic aspect to his project.
Events from the year 1961 in art.
Dance (La Danse) is a painting made by Henri Matisse in 1910, at the request of Russian businessman and art collector Sergei Shchukin, who bequeathed the large decorative panel to the Hermitage Museum, in Saint Petersburg. The composition of dancing figures is commonly recognized as "a key point of (Matisse's) career and in the development of modern painting". A preliminary version of the work, sketched by Matisse in 1909 as a study for the work, resides at MoMA in New York, where it has been labeled Dance (I).
The Chapelle du Rosaire de Vence, often referred to as the Matisse Chapel or the Vence Chapel, is a small Catholic chapel located in the town of Vence on the French Riviera. It was dedicated to the Dominican Order. The church was built and decorated between 1947 and 1951 under a plan devised by artist Henri Matisse.
The Blue Nudes is a series of collages, and related color lithographs, by Henri Matisse, made from paper cut-outs depicting nude figures in various positions. Restricted by his physical condition after his surgery for stomach cancer, Matisse began creating art by cutting and painting sheets of paper by hand; these Matisse viewed as independent artworks in their own right. The Blue Nudes refers also to the editioned multiples based on the cut-outs. Matisse supervised the creation of these lithographs until his death in 1954.
The Red Studio is an oil on canvas painting by French artist Henri Matisse from 1911. It is held in the collection of the Museum of Modern Art, in New York.
La Négresse (1952–53) by Henri Matisse is a gouache découpée, made of cut pieces of colored paper.
Notre-Dame, une fin d'après-midi is a painting by Henri Matisse from 1902. Its somber coloration is typical of Matisse's works executed between the end of 1901 and the end of 1903, a period of personal difficulties for the artist. This episode has been called Matisse's Dark Period.
Fauvism is a style of painting and an art movement that emerged in France at the beginning of the 20th century. It was the style of les Fauves, a group of modern artists whose works emphasized painterly qualities and strong colour over the representational or realistic values retained by Impressionism. While Fauvism as a style began around 1904 and continued beyond 1910, the movement as such lasted only a few years, 1905–1908, and had three exhibitions. The leaders of the movement were André Derain and Henri Matisse.
The Constellations are a series of 23 paintings on paper produced from January 1940 to September 1941 by the Spanish surrealist Joan Miró. Art historians and museum curators have said of the paintings: "Universally considered one of the greatest achievements of his career", "The Constellations, as a group and singly, are among the miracles that art occasionally bestows", "masterpiece of world painting", "perhaps the most intricate, most elaborately developed of all Miró's compositions", "genuine masterpieces", "one of the most brilliant episodes of his career", and "As an optical experience the Constellations are entirely unprecedented, having no forerunners even in Miró's own work".
Proto-Cubism is an intermediary transition phase in the history of art chronologically extending from 1906 to 1910. Evidence suggests that the production of proto-Cubist paintings resulted from a wide-ranging series of experiments, circumstances, influences and conditions, rather than from one isolated static event, trajectory, artist or discourse. With its roots stemming from at least the late 19th century, this period is characterized by a move towards the radical geometrization of form and a reduction or limitation of the color palette. It is essentially the first experimental and exploratory phase of an art movement that would become altogether more extreme, known from the spring of 1911 as Cubism.
Bathers is a Proto-Cubist painting, now lost or missing, created circa 1908 by the French artist and theorist Jean Metzinger. Possibly exhibited during the spring of 1908 at the Salon des Indépendants. This black-and-white image of Metzinger's painting, the only known photograph of the work, was reproduced in Gelett Burgess, "The Wild Men of Paris", Architectural Record, May 1910. The painting was also reproduced in The New York Times, 8 October 1911, in an article titled "The 'Cubists' Dominate Paris' Fall Salon", and subtitled, "Eccentric School of Painting Increases Its Vogue in the Current Art Exhibition - What Its Followers Attempt to Do".
Monroe Wheeler was an American publisher and museum coordinator whose relationship with the novelist and poet Glenway Wescott lasted from 1919 until Wescott's death in 1987.
Bathers by a River, also known as Bathers at the River and occasionally referred to as simply Bathers, is a large 1917 oil-on-canvas painting by French artist Henri Matisse. Matisse began painting the canvas in 1909 and finished the painting in the fall of 1917, making it one of three pictures he painted during the Battle of Verdun.
Most paintings are intended to be hung in a precise orientation, defining an upper part and a lower part. Some paintings are displayed upside down, sometimes by mistake since the image does not represent an easily recognizable oriented subject and lacks a signature or by a deliberate decision of the exhibitor.
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