The Deep End of the Ocean (film)

Last updated
The Deep End of the Ocean
DeepEndOcean.jpg
Theatrical release poster
Directed by Ulu Grosbard
Screenplay by Stephen Schiff
Based on The Deep End of the Ocean
by Jacquelyn Mitchard
Produced byKate Guinzburg
Steve Nicolaides
Starring
Cinematography Stephen Goldblatt
Edited by John Bloom
Music by Elmer Bernstein
Production
companies
Distributed by Sony Pictures Releasing
Release date
  • March 12, 1999 (1999-03-12)
Running time
108 minutes
CountryUnited States
LanguageEnglish
Budget $38 million [1]
Box office$28,121,100

The Deep End of the Ocean is a 1999 American drama film directed by Ulu Grosbard, and starring Michelle Pfeiffer, Treat Williams, Jonathan Jackson, John Kapelos, and Whoopi Goldberg. It is based on the 1996 novel of the same name by Jacquelyn Mitchard, a bestseller that was the first novel selected by Oprah Winfrey to be discussed on Oprah's Book Club in 1996. [2] The film tells the story of a family's reaction when Ben, the youngest son, is kidnapped and then found nine years later, living in the same town where his family had just moved. The film was released in theaters on March 12, 1999 by Columbia Pictures, and was a box-office flop, grossing $28 million worldwide.

Contents

Plot

During her high school reunion in a crowded hotel lobby, Beth Cappadora's 3-year-old son Ben vanishes. Police are called to the scene as a frantic search begins but it is unsuccessful, and Beth experiences a nervous breakdown. Unable to cope with her devastation, she unintentionally neglects her other two children, Vincent and Kerry.

After nine years, the Cappadora family has seemingly accepted that Ben has gone forever, when a familiar-looking boy turns up at their new house offering to mow their lawn. He introduces himself as Sam Karras, but Beth becomes convinced that he is Ben. She alerts the police and an investigation begins.

Beth discovers Ben was kidnapped at the reunion by Cecil Lockhart, a mentally unstable woman who was an old classmate of Beth's. She brought Ben up as her own child until she took her own life five years later. Ben, now Sam, had since been living with Cecil's husband George who adopted Sam after they met, believing the child was hers.

Sam is returned to the Cappadora family but the attempted reintegration produces painful results for everyone, so Beth and her husband Pat eventually decide to return him to his adoptive father. Their marriage suffers as a result over time and they begin sleeping in separate beds.

One night, Vincent, now a troubled teenager who is distant from his parents, leaves the house during the night and ends up in jail after a drunk driving incident. Beth and Pat discuss his erratic behavior with Candace "Candy" Bliss, a detective in Ben's case who became a family friend, and Candy reassures Beth that Vincent loves her. They eventually reconcile their relationship.

Sam visits Vincent in jail and reveals he has remembered something from before his abduction; he was playing hide and seek with Vincent and got stuck in a trunk, but Vincent found him, which made him feel safe. Sam calls him his brother and asks if they can be friends.

Pat later bails Vincent out of jail and, one night, finds him playing basketball outside with Sam. Vincent, who has carried guilt for not watching Ben at the reunion, letting go of his hand and telling him to get lost, is forgiven by Sam. Sam tells him he has decided to move back to live with the Cappadoras. They play a game of basketball, stating the loser has to carry Sam's remarkably heavy suitcase into the house. Beth and Pat, reconciled, watch happily from the living room window.

Cast

Production

According to a small behind-the-scenes booklet featured on the DVD release, the film began production on October 27, 1997 and was predominantly shot in Los Angeles. Oprah Winfrey was considered for the role of Det. Candace "Candy" Bliss before Whoopi Goldberg was cast. [3] Coincidentally, the novel in which this movie is based was the very first book selected by Winfrey to be discussed on Oprah's Book Club in 1996. [4]

The original ending of the book, which was Michelle Pfeiffer's preferred ending, was filmed but was received poorly by test audiences who felt it was too grim. This prompted the studio to go for a more conventional happy ending, [5] which resulted in the film being pushed back from a planned 1998 Fall release to Spring 1999. [6]

Release

The film was theatrically released on March 12, 1999.

Reception

The Deep End of the Ocean holds an approval rating of 42% on review aggregator website Rotten Tomatoes, based on 36 reviews, with an average rating of 5.8/10. [7] The film has a weighted average score of 45 out of 100 on Metacritic, based on 28 critics, indicating "mixed or average reviews". [8] Audiences polled by CinemaScore gave the film an average grade of "C+" on an A+ to F scale. [9]

In The New York Times , Janet Maslin praised the director and lead actress but criticised the music: "With a fine, impassioned performance from Michelle Pfeiffer as the story's raw-nerved heroine, the film moves beyond the detective-story aspects of its material to concentrate on what kind of shock waves batter a family after an event like this... Grosbard mercifully avoids melodrama. And he paces the film so simply and determinedly that its early scenes are like a string of picture postcards, each one depicting a new phase of the family's ordeal. Only when the film seeks tidy resolution for a tangled set of problems does this restraint seem overwhelmed by the complexity of the situation. But the only real false notes are musical ones, from a score by Elmer Bernstein that turns familiar and trite when the film does not." [10]

In Variety , Emanuel Levy praised all aspects of the film: "Michelle Pfeiffer and Treat Williams give such magnetic performances that they elevate the film way above its middlebrow sensibility and proclivity for neat resolutions... In the first reel, Pfeiffer is brilliant as an anxious mother consumed with finding her lost son. Dominating scene after scene, she conveys anguish and guilt in an all-out performance that ranks with her best... Coming from the theater, Grosbard has always coaxed strong performances from his handpicked casts, but Deep End's technical sheen places this outing at the top of his oeuvre. Stephen Goldblatt's clean lensing, Elmer Bernstein's evocative score, Dan Davis' crafty production design, Susie DeSanto's authentic costumes and, particularly, John Bloom's fluent editing serve as models for efficient storytelling, representing mainstream cinema at its best." [11]

In the San Francisco Chronicle , Edward Guthmann commended Pfeiffer and Jackson but was ultimately unimpressed: "Pfeiffer, who segued into mother roles in her past two films, One Fine Day and A Thousand Acres , brings heart and soul to this domestic melodrama, but it's not enough. The Deep End of the Ocean has nothing but the noblest of intentions, and Grosbard's direction is meticulous, sober and tasteful, but the movie is so deliberate, so enervated that you feel as if you're watching it through glass... In a difficult role that he doesn't quite pull off, Ryan Merriman plays Sam, the 12-year-old whose allegiance is split between two homes. As his damaged older brother, Jonathan Jackson brings such confidence, maturity and self-possession that he seems to belong in another movie. And Whoopi Goldberg - all-purpose, you-got-a-part-I'll-play-it Whoopi - shows up as a helpful detective named Candy Bliss." [12]

In Rolling Stone , Peter Travers held a similar view: "The Deep End of the Ocean, from Jacquelyn Mitchard's best-selling novel about parents who find their lost son nine years after his abduction, benefits from a customarily fine performance by Michelle Pfeiffer as the boy's mother. Treat Williams excels as the husband, as does Whoopi Goldberg, a detective who helps the parents in their search. Director Ulu Grosbard ( Georgia ) and screenwriter Stephen Schiff ( Lolita ) commendably try to avoid the usual kidnapping clichés in favor of family dynamics, but the film ultimately gives in to a case of TV-movie blahs." [13]

In Entertainment Weekly , Michael Sauter also found the lead performances superior to the film as a whole: "The first half of this drama, with Pfeiffer and Williams as parents whose 3-year-old son vanishes, is almost unbearably wrenching... Far less effective, however, is the rest of the story, set nine years later, when the boy resurfaces... But if the film was less than satisfying as a big-screen event, it's still worth renting for Pfeiffer, who valiantly portrays the devastating complexities of grief and guilt." [14]

Two extremely negative reviews came from Roger Ebert in the Chicago Sun-Times and Desson Howe in The Washington Post . Ebert wrote that "Ulu Grosbard's The Deep End of the Ocean is a painfully stolid movie that lumbers past emotional issues like a wrestler in a cafeteria line, putting a little of everything on his plate. It provides big roles for Michelle Pfeiffer and Treat Williams, but doesn't provide them with the screenplay support they need; the result is that awkwardness when characters express emotions that the audience doesn't share." [15] Howe described the "moments in The Deep End of the Ocean that will break your heart. After all, the movie – based on Jacquelyn Mitchard's novel – is about losing a child. This is, essentially, emotional blackmail for anyone with a family. Two hundred monkeys fighting over one word processor could make you cry over material like that. Yet producer/star Michelle Pfeiffer, director Ulu Grosbard and scriptwriter Stephen Schiff still mess things up. Apart from the previously mentioned occasions, and nice performances from Jonathan Jackson and Ryan Merriman, the movie's a floating longboat that ought to be ignited and pushed out to sea, Viking style." [16]

Music

Elmer Bernstein's original score to The Deep End of the Ocean was released in 1999 by Milan Records. [17]

Track listing [18]

  1. Main Title - 5:10
  2. Brothers - 2:33
  3. Sam is Lost - 3:59
  4. Home Again - 4:13
  5. Photographs - 2:24
  6. Cecil - 2:25
  7. Giving Back - 3:05
  8. Reunion - 3:06
  9. End Credits - 3:08

Awards and nominations

Ryan Merriman won a Young Artist Award for Best Performance in a Feature Film - Supporting Young Actor. [19]

Related Research Articles

<span class="mw-page-title-main">Whoopi Goldberg</span> American actor, comedian, and television personality (born 1955)

Caryn Elaine Johnson, known professionally as Whoopi Goldberg, is an American actor, comedian, author, and television personality. A recipient of numerous accolades, she is one of 19 entertainers to win the EGOT, which includes an Emmy Award, a Grammy Award, an Academy Award, and a Tony Award. In 2001, she received the Mark Twain Prize for American Humor.

<span class="mw-page-title-main">Michelle Pfeiffer</span> American actress (born 1958)

Michelle Marie Pfeiffer is an American actress. Prolific in film for over four decades, she became one of Hollywood's most bankable stars during the 1980s and 1990s, as well as one of the era's defining sex symbols. She is known for pursuing a wide range of characters that span multiple genres, which have earned her various accolades, including a Golden Globe Award and a British Academy Film Award, in addition to nominations for three Academy Awards and a Primetime Emmy Award.

<i>Ghost</i> (1990 film) Film by Jerry Zucker

Ghost is a 1990 American supernatural romance film directed by Jerry Zucker from a screenplay by Bruce Joel Rubin, and starring Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn, Vincent Schiavelli, and Rick Aviles. It focuses on Sam Wheat (Swayze), a murdered banker, whose ghost sets out to save his girlfriend, Molly Jensen (Moore), from the person who killed him – through the help of the psychic Oda Mae Brown (Goldberg).

<span class="mw-page-title-main">Ryan Merriman</span> American actor

Ryan Earl Merriman is an American actor. He began his career at the age of ten and has appeared in several feature films and television shows. He is best known for a handful of Disney Channel original movies and for portraying Jake Pierce in The Ring Two, Kevin Fischer in Final Destination 3, and Ian Thomas in Pretty Little Liars.

<span class="mw-page-title-main">Jonathan Jackson (actor)</span> American actor, musician, and author

Jonathan Stevens Jackson is an American actor, musician, and author. He is best known for his role as Lucky Spencer in the television soap opera General Hospital, which won him five Daytime Emmy Awards. He is also known for his roles in the films The Deep End of the Ocean (1999), Tuck Everlasting (2002), Dirty Dancing: Havana Nights (2004), and Riding the Bullet (2004), as well as the television series Nashville (2012–2018), for which he received a Critics' Choice Television Award nomination.

<i>Sister Act</i> 1992 film directed by Emile Ardolino

Sister Act is a 1992 American musical crime comedy film directed by Emile Ardolino and written by Paul Rudnick. It stars Whoopi Goldberg as a lounge singer forced to join a convent after being placed in a witness protection program. It also features Maggie Smith, Kathy Najimy, Wendy Makkena, Mary Wickes, and Harvey Keitel.

<i>Sister Act 2: Back in the Habit</i> 1993 American film directed by Bill Duke

Sister Act 2: Back in the Habit is a 1993 American musical comedy film, directed by Bill Duke, and released by Touchstone Pictures. It is the sequel to the 1992 film Sister Act, and is loosely based on the life of Crenshaw High School choir instructor Iris Stevenson. The story sees Whoopi Goldberg reprising her role as Deloris van Cartier, as she finds herself coming to the aid of her nun friends who need her help to save her old school. Maggie Smith, Kathy Najimy, Wendy Makkena, and Mary Wickes also reprised their roles in the sequel.

<i>The Deep End of the Ocean</i> 1996 novel by Jacquelyn Mitchard

The Deep End of the Ocean is a best-selling novel by Jacquelyn Mitchard, released in 1996. It is about an American middle class, suburban family that is torn apart when the youngest son is kidnapped and raised by a mentally ill woman, until he appears at the front doorstep of his real mother and asks if he can mow the lawn.

<span class="mw-page-title-main">Jacquelyn Mitchard</span> American journalist and author

Jacquelyn Mitchard is an American journalist and author. She is the author of the best-selling novel The Deep End of the Ocean, which was the first selection for Oprah's Book Club, on September 17, 1996. Other books by Mitchard include The Breakdown Lane, Twelve Times Blessed, Christmas, Present, A Theory of Relativity, The Most Wanted, Cage of Stars, No Time to Wave Goodbye, Second Nature - A Love Story, and Still Summer.

<i>The Color Purple</i> (1985 film) 1985 film by Steven Spielberg

The Color Purple is a 1985 American epic coming-of-age period drama film directed by Steven Spielberg and written by Menno Meyjes. It is based on the Pulitzer Prize–winning 1982 novel of the same name by Alice Walker and was Spielberg's eighth film as a director, marking a turning point in his career as it was a departure from the summer blockbusters for which he had become known. It was also the first feature film directed by Spielberg for which John Williams did not compose the music, instead featuring a score by Quincy Jones, who also produced. The film stars Whoopi Goldberg in her breakthrough role, with Danny Glover, Oprah Winfrey, Margaret Avery, and Adolph Caesar.

<i>The Story of Us</i> (film) 1999 film by Rob Reiner

The Story of Us is a 1999 American romantic comedy-drama film directed by Rob Reiner, and starring Bruce Willis and Michelle Pfeiffer as a couple married for 15 years.

<i>Burglar</i> (film) 1987 film by Hugh Wilson

Burglar is a 1987 heist comedy film directed by Hugh Wilson and distributed by Warner Bros.. The film stars Whoopi Goldberg and Bobcat Goldthwait.

<i>Fatal Beauty</i> 1987 film by Tom Holland

Fatal Beauty is a 1987 American action comedy thriller film directed by Tom Holland, and starring Whoopi Goldberg as Detective Rita Rizzoli, and Sam Elliott as Mike Marshak. The screenplay was written by Hilary Henkin and Dean Riesner. The original music score was composed by Harold Faltermeyer. The film was marketed with the tagline "An earthquake is about to hit L.A. It's called Detective Rita Rizzoli."

K. K. Dodds is an American actress best known for playing Susan Hollander on the Fox drama Prison Break and for her roles in the films Soldier and A Life Less Ordinary.

<i>The Subject Was Roses</i> (film) 1968 film by Ulu Grosbard

The Subject Was Roses is a 1968 American Metrocolor drama film directed by Ulu Grosbard. The screenplay by Frank D. Gilroy is based on his 1964 Pulitzer Prize-winning play of the same title.

Israel "Ulu" Grosbard was a Belgian-born, naturalized American theater and film director and film producer.

Rose Gregorio was an American actress. She began her career appearing mostly in theatre in Chicago and New York City during the 1950s and 1960s. During the 1970s she became more active in television and film, appearing mostly in supporting roles.

The YoungStar Awards, presented by The Hollywood Reporter, honored young American actors and actresses from ages 6–18 in their work in film, television, stage and music. Winners were chosen via a poll of 3,500 entertainment industry insiders who read The Hollywood Reporter. The awards ceremony was held from 1995 until 2000; there was no ceremony in 1996.

<i>Sharkansas Womens Prison Massacre</i> 2016 American film

Sharkansas Women's Prison Massacre is a 2016 American science fiction action horror film directed by Jim Wynorski and starring Dominique Swain and Traci Lords. It was released direct-to-DVD in the U.S. on May 3, 2016.

Selina Kyle (<i>Batman Returns</i>) 1989-1997 Batman film series character

Selina Kyle, also known as Catwoman, is a character portrayed by Michelle Pfeiffer in Tim Burton's 1992 superhero film Batman Returns. Based on the DC Comics character of the same name, she is initially depicted as the meek assistant and secretary of wealthy industrialist Max Shreck, who pushes her out of a window when she uncovers his corruption. Selina survives the fall and swears revenge against Shreck as Catwoman, which brings her into conflict with Batman. She forms an alliance with the Penguin to disgrace Batman while beginning to date Bruce Wayne, unaware that he is Batman's alter ego. After discovering each other's secret identities, Selina ultimately rejects Bruce's plea to abandon her vengeance and kills Shreck before vanishing into the night.

References

  1. "Oprah Book Club books - 1996 to 1997". oprah.com. Retrieved 2009-12-24.
  2. "The Deep End of the Ocean". IMDb.
  3. "Oprah Book Club books - 1996 to 1997". oprah.com. Retrieved 2009-12-24.
  4. "The Deep End of the Ocean". IMDb.
  5. "The Deep End of the Ocean". IMDb.
  6. "The Deep End of the Ocean Movie Reviews, Pictures". Rotten Tomatoes . Fandango Media. Archived from the original on 2008-07-26. Retrieved 2023-05-24.
  7. "Deep End of the Ocean, The - reviews at Metacritic.com". Metacritic . Fandom, Inc. Retrieved 2023-05-21.
  8. "Home". CinemaScore. Retrieved 2023-05-21.
  9. Maslin, Janet (March 12, 1999). "'The Deep End of the Ocean': A Child Is Gone, and Then He Is Not". The New York Times .
  10. Levy, Emanuel (March 1, 1999). "The Deep End of the Ocean Review". variety.com.
  11. Guthmann, Edward (March 12, 1999). "'Ocean' Swims in Somber Melodrama / Kidnapping story is just too virtuous". sfgate.com.
  12. Travers, Peter (April 17, 2001). "The Deep End of the Ocean : Review : Rolling Stone". rollingstone.com. Archived from the original on December 3, 2007.
  13. Sauter, Michael (August 13, 1999). "The Deep End of the Ocean / Movies / EW.com". ew.com.
  14. Ebert, Roger (March 12, 1999). "The Deep End Of The Ocean :: rogerebert.com :: Reviews". rogerebert.suntimes.com.
  15. Howe, Desson (March 12, 1999). "'The Deep End of the Ocean' (PG-13)". washingtonpost.com.
  16. "Releases". Milan Records.
  17. "Discography". elmerbernstein.com.
  18. "The Deep End of the Ocean - Awards". imdb.com. Retrieved 2009-12-24.