The Diamond Age

Last updated
The Diamond Age
The Diamond Age.jpg
First edition
Author Neal Stephenson
Cover artist Bruce Jensen
CountryUnited States
LanguageEnglish
Genre
Publisher Bantam Spectra (U.S.)
Publication date
February 1995
Media typePrint (hardback & paperback) & Audio Book (Cassette, MP3 CD, Audio download. Narrator: Jennifer Wiltsie) & e-book
Pages455 (hardcover), 512 (paperback)
Awards Locus Award for Best Science Fiction Novel (1996), Hugo Award for Best Novel (1996)
ISBN 0-553-09609-5 (hardcover), ISBN   0-553-38096-6 (paperback)
OCLC 30894530
813/.54 20
LC Class PS3569.T3868 D53 1995

The Diamond Age: Or, A Young Lady's Illustrated Primer is a science fiction novel by American writer Neal Stephenson. It is to some extent a Bildungsroman or coming-of-age story, focused on a young girl named Nell, set in a future world in which nanotechnology affects all aspects of life. The novel deals with themes of education, social class, ethnicity, and the nature of artificial intelligence. The Diamond Age was first published in 1995 by Bantam Books, as a Bantam Spectra hardcover edition. In 1996, it won both the Hugo and Locus Awards, and was shortlisted for the Nebula and other awards. [1]

Contents

Setting

The Diamond Age depicts a near-future world revolutionised by advances in nanotechnology, much as Eric Drexler envisioned it in his 1986 nonfiction book Engines of Creation . Molecular nanotechnology is omnipresent in the novel's world, generally in the form of Matter Compilers and the products that come out of them. The book explicitly recognizes the achievements of several existing nanotechnology researchers: Feynman, Drexler, and Ralph Merkle are seen among characters of the fresco in Merkle-Hall, where new nanotechnological items are designed and constructed.

The book contains descriptions of various exotic technologies, such as the chevaline (a mechanical horse that can fold up and is light enough to be carried one-handed), and forecasts the use of technologies that are in development today, such as smart paper that can show personalized news headlines. Major cities have immune systems made up of aerostatic defensive micromachines, and public matter compilers provide basic food, blankets, and water for free to anyone who requests them.

Matter compilers receive their raw materials from the Feed, a system analogous to the electrical grid of modern society. The Feed carries streams of both energy and basic molecules, which are rapidly assembled into usable goods by matter compilers. The Source, where the Feed's stream of matter originates, is controlled by the Victorian phyle (though smaller, independent Feeds are possible). The hierarchic nature of the Feed and an alternative, anarchic developing technology, known as the Seed, mirror the cultural conflict between East and West that is depicted in the book. This conflict has an economic element as well, with the Feed representing a centrally-controlled distribution mechanism, while the Seed represents a more flexible, open-ended, decentralized method of creation and organization.

Phyles

Society in The Diamond Age is dominated by a number of phyles, also sometimes called tribes, which are groups of people often distinguished by shared values, similar ethnic heritage, a common religion, or other cultural similarities. In the extremely globalized future depicted in the novel, these cultural divisions have largely supplanted the system of nation-states that divides the world today. Cities appear divided into sovereign enclaves affiliated or belonging to different phyles within a single metropolis. Most phyles depicted in the novel have a global scope of sovereignty, and maintain segregated enclaves in or near many cities throughout the world.

The phyles coexist much like historical nation-states under a system of justice and mutual protection, known as the Common Economic Protocol (CEP). The rules of the CEP are intended to provide for the co-existence of, and peaceful economic activity between, phyles with potentially very different values. The CEP is concerned particularly with upholding rights to personal property, being shown to provide particularly harsh punishment for harming the economic capability of another person.

"Thetes" are individuals who are not members of any phyle and are often socially disadvantaged and economically poor, being similar to second-class citizens under the CEP. In the novel, the material needs of nearly all thetes are satisfied by freely-available food and clothing, albeit of low quality; thetes without the political connections of a phyle are entitled to similarly low-quality "free justice."

The book distinguishes between the four Great Phyles: the Han (consisting of Han Chinese), Nippon (consisting of Japanese), Hindustan (a "riotously diverse collection of microtribes sintered together according to some formula we don't get") and the Neo-Victorian New Atlantis (consisting largely of Anglo-Saxons but also accepting Indians, Africans, and other members of the Anglosphere who identify with the culture).

Internally, the New Atlantis phyle is a corporate oligarchy whose "equity lords" rule the organization and its bylaws under allegiance to the vestigial British monarchy. Other phyles are less defined – some intentionally, as with the CryptNet group or the mysterious hive-mind Drummers. Over the course of the story, the Common Economic Protocol sponsors the investigation of clandestine Seed technologies in order to preserve the established order from subversion, using the justification that unrestricted access to Sources would lead to the proliferation of high tech weapons and result in anarchy.

Plot summary

The protagonist in the story is Nell, a thete (or person without a tribe; equivalent to the lowest working class) living in the Leased Territories, a lowland slum built on the artificial, diamondoid island of New Chusan, located offshore from the mouth of the Yangtze River, northwest of Shanghai. When she is four, Nell's older brother Harv gives her a stolen copy of a highly sophisticated interactive book, Young Lady's Illustrated Primer: a Propædeutic Enchiridion , in which is told the tale of Princess Nell and her various friends, kin, associates, etc., commissioned by the wealthy Neo-Victorian "Equity Lord" Alexander Chung-Sik Finkle-McGraw for his granddaughter, Elizabeth. The story follows Nell's development under the tutelage of the Primer, and to a lesser degree, the lives of Elizabeth Finkle-McGraw and Fiona Hackworth, Neo-Victorian girls who receive other copies. The Primer is intended to steer its reader intellectually toward a more interesting life, as defined by Lord Finkle-McGraw, and growing up to be an effective member of society. The most important quality to achieving an interesting life is deemed to be a subversive attitude towards the status quo. The Primer is designed to react to its owner's environment and teach them what they need to know to survive and develop.

The Diamond Age features intersecting story lines: the social downfall of the nanotech engineer designer of the Primer, John Percival Hackworth, who makes an unauthorized copy of the Primer for his own young daughter, Fiona, and Nell's education through her independent work with the Primer after her brother Harv steals it from Hackworth. Hackworth's crime becomes known to Dr. X, the black market engineer whose compiler Hackworth used to create the copy of the Primer, and later Lord Finkle-McGraw. Hackworth is compelled by both to advance their opposing goals. Another storyline follows actress ("ractor") Miranda Redpath, who voices most of the Primer characters who interact with Nell and effectively becomes a surrogate mother to Nell. After Miranda disappears in her quest to find Nell, her storyline continues from the point of view of her her boss, Carl Hollywood.

The Diamond Age also includes fully narrated educational tales from the Primer that map Nell's individual experience (e.g. her four toy friends) onto archetypal folk tales stored in the primer's database. The story explores the role of technology and personal relationships in child development, and its deeper themes also probe the relative values of cultures.

Title

"Diamond Age" is an extension of labels for archeological time periods that take central technological materials to define an entire era of human history, such as the Stone Age, the Bronze Age or the Iron Age. Technological visionaries such as Eric Drexler and Ralph Merkle, both of whom receive an honorary mention in The Diamond Age, have argued that if nanotechnology develops the ability to manipulate individual atoms at will, it will become possible to simply assemble diamond structures from carbon atoms, materials also known as diamondoids. [2] Merkle states: "In diamond, then, a dense network of strong bonds creates a strong, light, and stiff material. Indeed, just as we named the Stone Age, the Bronze Age, and the Steel Age after the materials that humans could make, we might call the new technological epoch we are entering the Diamond Age". [3] In the novel, a near future vision of our world, nanotechnology has developed precisely to this point, which enables the cheap production of diamond structures.

Characters

Cover of the 1998 Penguin edition. Diamond Age Penguin 1998.jpg
Cover of the 1998 Penguin edition.

Reception

Reviews

Michael Berry of the San Francisco Chronicle wrote: "Stephenson's world-building skills are extraordinary, and while he sometimes lets his narrative ramble or grow complicated, he can be depended upon to serve up plenty of clever extrapolations." [4] Gerald Jonas of The New York Times: "While the final chapters of the novel veer toward the stylistic excesses that marred Snow Crash , Mr. Stephenson mostly holds to his theme." [5] Marc Laidlaw of Wired magazine praised the characters, the setting, and called the "rich and polished, the inventiveness unceasing" but found it ultimately disappointing saying Stephenson "gave himself an enormous task and nearly succeeded in all respects, instead of "merely" most of them." [6]

Awards

In 1996, it won both the Hugo and Locus Awards, and was shortlisted for the Nebula and other awards. [1]

Allusions to other works and genres

Proposed television adaptation

In January 2007, the Sci-Fi Channel announced a planned six-hour miniseries based on The Diamond Age. [9] According to a June 2009 report in Variety , Zoë Green had been hired to write the series, with George Clooney and Grant Heslov of Smokehouse Productions as executive producers on the project. [10]

Allusions to The Diamond Age

During the early stages of its development, the Amazon Kindle e-reader was codenamed "Fiona", as a deliberate reference to the Illustrated Primer and Fiona Hackworth. [11]

See also

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References

  1. 1 2 "1996 Award Winners & Nominees". Worlds Without End. Retrieved 2009-07-20.
  2. Cf. Dinello, 2005:232
  3. Merkle, Ralph. "It's a Small, Small, Small, Small World". Technology Review . Retrieved 2010-08-07. Indeed, just as we named the Stone Age, the Bronze Age, and the Steel Age after the materials that humans could make, we might call the new technological epoch we are entering the Diamond Age.
  4. Berry, Michael (January 8, 1995). "A High-Tech Victorian Romp". San Francisco Chronicle . Archived from the original on 2015-01-19.
  5. Jonas, Gerald (12 March 1995). "Science Fiction". The New York Times . Archived from the original on 2015-05-26.
  6. Laidlaw, Marc (1995-05-01). "Nanotech Writ Large". Wired magazine . Archived from the original on 2016-12-21.
  7. "The Diamond Age by Neal Stephenson". complete review . Retrieved 2010-08-07. Dickens immediately surfaces as a point of comparison, not only because of the size of the book but because the future Stephenson presents his readers with is, in many respects, a skewed reflection and imitation of the Victorian age.
  8. Kleiman, Mark (2003-02-16). "Book Reports" . Retrieved 2010-08-07. And the update on Judge Dee is utterly wonderful, with the Confucian classics given loving attention.
  9. "Clooney, Sci Fi Celebrate 'The Diamond Age' - Burnett and Star also develop for Sci Fi". Zap2it . January 12, 2007. Archived from the original on 2007-01-17.
  10. Schneider, Michael (June 4, 2009). "'Diamond' sparkes for Zoë Green". Variety. Archived from the original on 2009-06-09. Retrieved January 1, 2024.
  11. "The Everything Store: Jeff Bezos and the Age of Amazon", ISBN   978-0-316-21926-6 by Brad Stone; published 2013 by Little, Brown and Company

Bibliography