Henry "Hank" Mobley was an American tenor saxophonist and composer. Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with players like Coltrane and Sonny Rollins. The critic Stacia Proefrock claimed him "one of the most underrated musicians of the bop era." Mobley's compositions include "Double Exposure," "Soul Station", and "Dig Dis."
Douglas Watkins was an American jazz double bassist. He was best known for being an accompanist to various hard bop artists in the Detroit area, including Donald Byrd and Jackie McLean.
Miles Davis, Volumes 1 & 2 are a pair of separate but related albums by American jazz trumpeter Miles Davis recorded on May 9, 1952, April 20, 1953 and March 6, 1954 and released on Blue Note early 1956. The three sessions were originally released on ten-inch LPs as Young Man with a Horn (1953), Miles Davis, Vol. 2 (1953) and Miles Davis, Vol. 3 (1954), respectively.
Blue Trombone is an LP by J. J. Johnson. An early example of hard bop, the album features pianist Tommy Flanagan, bassist Paul Chambers and drummer Max Roach. The album was released on Columbia Records in 1957 and was reissued on CD by Tristar in 1994.
Horace Silver and the Jazz Messengers is an album by Horace Silver and the Jazz Messengers compiling two 1955 10" LPs—Horace Silver Quintet, Vol. 3 and Horace Silver Quintet, Vol. 4 —recorded on November 13, 1954 and February 6, 1955 respectively and released on Blue Note in October 1956—Silver’s debut 12". The quintet features horn section Hank Mobley and Kenny Dorham and rhythm section Doug Watkins and Art Blakey.
This is a discography of the Jazz trombonist J. J. Johnson.
Hank Mobley with Donald Byrd and Lee Morgan, also known as Hank Mobley Sextet, is an album by American jazz saxophonist Hank Mobley recorded on November 25, 1956 and released on Blue Note the following year. The sextet features trumpeters Donald Byrd and Lee Morgan, backed by rhythm section Horace Silver, Paul Chambers, and Charli Persip.
Hank Mobley Quartet is the debut ten-inch LP by American jazz saxophonist Hank Mobley, recorded on March 27, 1955 and released on Blue Note later that year. The quartet features rhythm section Horace Silver, Doug Watkins and Art Blakey.
Presenting Cannonball is the 1955 debut album by jazz saxophonist Cannonball Adderley, released on the Savoy label, featuring a quintet with Nat Adderley, Hank Jones, Paul Chambers, and Kenny Clarke. A 1994 Japanese CD release also included alternate takes of tracks from Adderley's recording debut previously released as Kenny Clarke's Bohemia After Dark (1955).
Silver's Blue is a studio album by American jazz pianist Horace Silver recorded for the Epic label in 1956 featuring performances by Silver with Joe Gordon, Hank Mobley, Doug Watkins, and Kenny Clarke and another session with Donald Byrd and Art Taylor replacing Gordon and Clarke. Silver, Mobley, Watkins, and Byrd all had recently left The Jazz Messengers. These were Silver's first sessions as a leader after leaving the Messengers.
Whistle Stop is a jazz studio album by Kenny Dorham, featuring performances by acclaimed musicians Hank Mobley, Kenny Drew, Paul Chambers and Philly Joe Jones. It was recorded in January 1961 at Van Gelder Studio, in Englewood Cliffs, and was originally released on Blue Note Records as BST 84063 and BLP 4063. "In 1975", Blumenthal states in the CD liner notes, "five British critics picked Whistle Stop as one of 200 albums that belonged in a basic library of jazz recorded after World War II".
The Eminent Jay Jay Johnson, Vols. 1 & 2 are a pair of separate but related compilation albums by American jazz trombonist J. J. Johnson, recorded over three sessions between 1953 and 1955 and released on Blue Note in 1956.
The Eminent Jay Jay Johnson, Vol. 2 is a ten-inch LP by American jazz trombonist J. J. Johnson recorded on September 24, 1954 and released on Blue Note later that year. Johnson is backed by rhythm section Wynton Kelly, Charles Mingus and Kenny Clarke, and percussionist Sabu Martinez.
Afro-Cuban is an album by American jazz trumpeter Kenny Dorham, recorded for Blue Note on March 29, 1955 and released later that year on the Blue Note Modern Jazz Series, shortly before the label discontinued the format. It was soon reissued on the new 1500 series, recompiled with a session by an early incarnation of the ensemble, with new cover art.
Byrd's Eye View is an album by trumpeter Donald Byrd recorded in 1955 and originally released on Tom Wilson's Transition label. The album was later re-released as part of the compilation CD set The Transition Sessions on the Blue Note label.
Miles Davis, Vol. 3 is the sixth 10" studio album by musician Miles Davis, recorded on March 6, 1954 and released by Blue Note later that year, the third and last of his three ten-inches published for the label. Davis would once again record at Blue Note, but as a sideman on Cannonball Adderley's Somethin' Else, several years later.
The Jazz Messengers were a jazz combo that existed for over thirty-five years beginning in the early 1950s as a collective, and ending when long-time leader and founding drummer Art Blakey died in 1990. Blakey led or co-led the group from the outset. "Art Blakey" and "Jazz Messengers" became synonymous over the years, though Blakey did lead non-Messenger recording sessions and played as a sideman for other groups throughout his career.
"Yes sir, I'm gonna to stay with the youngsters. When these get too old, I'm gonna get some younger ones. Keeps the mind active."
Julius Watkins Sextet is an album by horn player Julius Watkins featuring tracks recorded in 1954 and 1955 which were originally released as two 10 inch LPs on the Blue Note label.
Jay Jay Johnson, also known as Jay Jay Johnson with Clifford Brown, is a 10" album by the Jay Jay Johnson Sextet, recorded on June 22, 1953 and released on Blue Note later that year. The sextet features brass section Clifford Brown and Jimmy Heath, and rhythm section John Lewis, Percy Heath, Kenny Clarke.
