The Fat of the Land | ||||
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Studio album by | ||||
Released | 30 June 1997 | |||
Studio |
| |||
Genre | ||||
Length | 56:21 [4] | |||
Label | XL | |||
Producer | Liam Howlett | |||
The Prodigy chronology | ||||
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Singles from The Fat of the Land | ||||
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The Fat of the Land is the third studio album by English electronic music group the Prodigy, released on 30 June 1997 through XL Recordings. The album received critical acclaim and topped the UK Albums Chart and the US Billboard 200. It has sold over 10 million copies worldwide as of 2019. [6] [7] It is their best-selling album.
While Liam Howlett is generally responsible for the compositions and Maxim Reality is featured on two tracks, this is the first record to include contributions by Keith Flint. The Fat of the Land album cover featured an image of a halloween moon crab [8] and a new logo, dropping "The" and adding an ant silhouette. The album title comes from the old English phrase 'living off the fat of the land', which means living well or being wealthy. [9]
Released in the first week of July, the album hit number one on the Billboard chart on 19 July 1997. Certified double platinum on 2 December that year, [10] it sold 2,600,000 copies in the United States. [11]
In 1999, The Fat of the Land entered the Guinness World Records as the fastest-selling dance album in the UK. The album was also nominated for Best Alternative Music Album at the 40th Annual Grammy Awards, but lost to Radiohead's OK Computer .
The National Organization for Women objected to the seeming misogyny of "Smack My Bitch Up", though the band maintains that its true interpretation is "doing anything intensely". [12] Liam Howlett observed, "That record was for the fans. Only brainless people get some stupid message out of it… I'm often misquoted. Some magazine said, 'Liam Howlett says his band are dangerous.' What I said was, 'For this band to survive, it has to be dangerous for us'… I wasn't saying we were dangerous because we're firestarters and we have spiky hair." [13]
Review scores | |
---|---|
Source | Rating |
AllMusic | [4] |
Entertainment Weekly | B [14] |
The Guardian | [15] |
Los Angeles Times | [5] |
The New Zealand Herald | [16] |
NME | 8/10 [17] |
Pitchfork | 7.9/10 (1999) [18] 5.9/10 (2018) [19] |
Q | [20] |
Rolling Stone | [21] |
Spin | 7/10 [22] |
The album has been featured in a number of music publication lists:
The album is included in the book 1001 Albums You Must Hear Before You Die , [33] and was nominated for the 1997 Mercury Music Prize. [34]
Following Flint's death on 4 March 2019, fans used the hashtag 'Firestarter4Number1' on various social media platforms to replicate the song's success by getting it to the number one spot again; which was done out of respect for Keith Flint and to raise awareness of suicide among men. [35] Shortly afterwards, "Firestarter" returned to the Billboard charts, entering number 13 on its Dance/Electronic Digital Song Sales chart in its 26 March 2019 issue, marking the first time that this song has appeared on a dance chart of any kind. [36]
No. | Title | Writer(s) | Length |
---|---|---|---|
1. | "Smack My Bitch Up" (featuring Shahin Badar) | 5:42 | |
2. | "Breathe" |
| 5:35 |
3. | "Diesel Power" (featuring Kool Keith) |
| 4:17 |
4. | "Funky Shit" |
| 5:16 |
5. | "Serial Thrilla" |
| 5:11 |
6. | "Mindfields" |
| 5:40 |
7. | "Narayan" (featuring Crispian Mills) |
| 9:05 |
8. | "Firestarter" |
| 4:41 |
9. | "Climbatize" |
| 6:38 |
10. | "Fuel My Fire" (L7 cover; featuring Saffron) | 4:19 | |
Total length: | 56:27 |
No. | Title | Writer(s) | Length |
---|---|---|---|
11. | "Molotov Bitch" | Howlett | 4:56 |
12. | "No Man Army" |
| 4:10 |
No. | Title | Length |
---|---|---|
1. | "Smack My Bitch Up" (Noisia Remix) | 5:53 |
2. | "Firestarter" (Alvin Risk Remix) | 3:18 |
3. | "Breathe" (Zeds Dead Remix) | 4:36 |
4. | "Mindfields" (Baauer Remix) | 3:51 |
5. | "Breathe" (The Glitch Mob Remix) | 4:25 |
6. | "Smack My Bitch Up" (Major Lazer Remix) | 5:05 |
The Prodigy
Additional musicians
| Other personnel
|
Weekly charts
| Year-end charts
|
Year | Song | Chart | Peak position |
---|---|---|---|
1996 | "Firestarter" | UK Singles Chart [78] | 1 |
1996 | "Breathe" | UK Singles Chart [78] | 1 |
1996 | "Firestarter" | Australian ARIA Singles Chart [79] | 22 |
1996 | "Breathe" | Australian ARIA Singles Chart [79] | 2 |
1997 | "Smack My Bitch Up" | UK Singles Chart [78] | 8 |
1997 | "Smack My Bitch Up" | Australian ARIA Singles Chart [79] | 41 |
1997 | "Smack My Bitch Up" | Canadian Singles Chart [80] | 12 |
1997 | "Firestarter" | US Billboard Hot 100 [80] | 30 |
1997 | "Firestarter" | US Hot Dance Music/Maxi-Singles Sales [80] | 11 |
1997 | "Firestarter" | US Modern Rock Tracks [80] | 24 |
1997 | "Breathe" | US Modern Rock Tracks [80] | 18 |
1997 | "Breathe" | Canadian Singles Chart [81] | 65 |
1997 | "Smack My Bitch Up" | US Hot Dance Music/Maxi-Singles Sales [80] | 19 |
1998 | "Smack My Bitch Up" | US Billboard Hot 100 [80] | 89 |
Region | Certification | Certified units/sales |
---|---|---|
Australia (ARIA) [82] | 2× Platinum | 140,000^ |
Austria (IFPI Austria) [83] | Gold | 25,000* |
Belgium (BEA) [84] | Platinum | 50,000* |
Canada (Music Canada) [85] | 3× Platinum | 300,000^ |
Finland (Musiikkituottajat) [86] | Platinum | 42,426 [86] |
France (SNEP) [87] | 2× Gold | 200,000* |
Germany (BVMI) [88] | Gold | 250,000^ |
Italy (FIMI) [89] | Gold | 50,000* |
Japan (RIAJ) [90] | Platinum | 200,000^ |
Netherlands (NVPI) [91] | 2× Platinum | 200,000^ |
New Zealand (RMNZ) [92] | Platinum | 15,000^ |
Spain (PROMUSICAE) [93] | Platinum | 100,000^ |
Switzerland (IFPI Switzerland) [94] | Gold | 25,000^ |
Sweden (GLF) [95] | Platinum | 80,000^ |
United Kingdom (BPI) [96] | 5× Platinum | 1,500,000‡ |
United States (RIAA) [97] | 2× Platinum | 2,600,000 [98] |
Summaries | ||
Europe (IFPI) [99] | 2× Platinum | 2,000,000* |
* Sales figures based on certification alone. |
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Dig Your Own Hole is the second studio album by the English electronic music duo the Chemical Brothers. It was released on 7 April 1997 in the United Kingdom by Freestyle Dust and Virgin Records and in the United States by Astralwerks. It was recorded between 1995 and 1997, and features Noel Gallagher of Oasis and Beth Orton as guest vocalists.
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