The Lady Objects | |
---|---|
Directed by | Erle C. Kenton |
Screenplay by | Gladys Lehman Charles Kenyon |
Produced by | William Perlberg |
Starring | Lanny Ross Gloria Stuart Joan Marsh |
Cinematography | Allen G. Siegler |
Edited by | Al Clark |
Music by | Morris Stoloff |
Production company | |
Distributed by | Columbia Pictures |
Release date |
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Running time | 66 minutes |
Country | United States |
Language | English |
The Lady Objects is a 1938 American drama film written by Gladys Lehman and Charles Kenyon and directed by Erle C. Kenton. It was nominated for the Oscar for Best Song at the 11th Academy Awards with the song A Mist Is Over the Moon, with music by Ben Oakland and lyric by Oscar Hammerstein II. Although the writing credits differ, this film bears a striking resemblance to Columbia's 1933 film, Ann Carver's Profession . [1]
Bill Hayward's years as a college athlete and singer are behind him, and while he struggles financially, his attorney wife Ann is prospering, promoted to junior partner in her law firm.
While she's in Washington, D.C., on business, Bill accompanies friends June and George to a New York City nightclub where they have been hired to entertain. He is persuaded to get on stage and sing himself, but resists the temptation to get into a romantic situation with June, a former girlfriend from their school days.
June gets inebriated and a stumble results in her accidental death. Bill, however, is charged with her murder. Ann offers to defend him in court, but Bill can't bear that thought. When the case goes badly against him, however, Ann volunteers information that results in Bill's acquittal and their reconciliation.
Susan Hayward was an Academy Award-winning American film actress, best known for her film portrayals of women that were based on true stories.
I'll Cry Tomorrow (1955) is a biopic that tells the story of Lillian Roth, a Broadway star who rebels against the pressure of her domineering mother and struggles with alcoholism after the death of her fiancé. It stars Susan Hayward, Richard Conte, Eddie Albert, Margo, and Jo Van Fleet.
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Merrily We Live is a 1938 comedy film directed by Norman Z. McLeod and written by Eddie Moran and Jack Jevne. It stars Constance Bennett and Brian Aherne and features Ann Dvorak, Bonita Granville, Billie Burke, Tom Brown, Alan Mowbray, Clarence Kolb, and Patsy Kelly. The film was produced by Hal Roach for Hal Roach Studios, and was distributed by Metro-Goldwyn-Mayer.
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The Adventures of Tom Sawyer is a 1938 American drama film produced by David O. Selznick and directed by Norman Taurog who had previously directed Huckleberry Finn (1931) with Jackie Coogan and Junior Durkin. The film starred Tommy Kelly in the title role, with Jackie Moran and Ann Gillis. The screenplay by John V. A. Weaver was based on the classic 1876 novel of the same name by Mark Twain. The movie was the first film version of the novel to be made in color.
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Ann Carver's Profession is an American pre-Code 1933 film directed by Edward Buzzell. It focuses on the relationship of a female lawyer and her husband, and on the strain that her financial success places on their marriage. The film stars actress Fay Wray and this film was made during the year she cemented her fame in King Kong. Although the writing credits differ, the film bears a striking resemblance in plot to Columbia's 1938 production The Lady Objects starring Lanny Ross and Gloria Stuart.
Loose Ankles is a 1930 pre-Code romantic comedy with songs, produced and released by First National Pictures, which had become a subsidiary of Warner Bros. The film was directed by Ted Wilde and stars Loretta Young, Douglas Fairbanks, Jr., Louise Fazenda and Edward Nugent. It was a remake of the 1926 silent film titled Ladies at Play, which had been produced by First National Pictures. Both versions were adapted by Gene Towne from the 1926 play Loose Ankles by Sam Janney. Sam Janney was to direct the film but died in a car crash during production.
The Duke of West Point is a 1938 American drama film directed by Alfred E. Green and starring Louis Hayward, Joan Fontaine and Tom Brown. It was described as "A Yank at Oxford in reverse".