Ava Lavinia Gardner was an American actress. She first signed a contract with Metro-Goldwyn-Mayer in 1941 and appeared mainly in small roles until she drew critics' attention in 1946 with her performance in Robert Siodmak's film noir The Killers. She was nominated for an Academy Award for Best Actress for her performance in John Ford's Mogambo (1953), and for best actress for both a Golden Globe Award and BAFTA Award for her performance in John Huston's The Night of the Iguana (1964). She was a part of the Golden Age of Hollywood.
Mickey Rooney was an American actor. In a career spanning nearly nine decades, he appeared in more than 300 films and was among the last surviving stars of the silent-film era. He was the top box-office attraction from 1939 to 1941, and one of the best-paid actors of that era. At the height of a career marked by declines and comebacks, Rooney performed the role of Andy Hardy in a series of 16 films in the 1930s and 1940s that epitomized the mainstream United States self-image.
How to Stuff a Wild Bikini is a 1965 Pathécolor beach party film from American International Pictures. The sixth entry in a seven-film series, the movie features Mickey Rooney, Annette Funicello, Dwayne Hickman, Brian Donlevy, and Beverly Adams. The film features a brief appearance by Frankie Avalon and includes Buster Keaton in one of his last roles.
Bring Your Smile Along is a 1955 American Technicolor comedy film by Blake Edwards. It was Edwards' directorial debut and the motion picture debut of Constance Towers. Edwards wrote the script for this Frankie Laine musical with his mentor, director Richard Quine. Songs Laine sang in the film included his 1951 hit "The Gandy Dancers' Ball."
Babes in Arms is the 1939 American film version of the 1937 coming-of-age Broadway musical of the same title. Directed by Busby Berkeley, it stars Mickey Rooney and Judy Garland, and features Charles Winninger, Guy Kibbee, June Preisser, Grace Hayes, and Betty Jaynes. It was Garland and Rooney's second film together as lead characters after their earlier successful pairing in the fourth of the Andy Hardy films. The film concerns a group of youngsters trying to put on a show to prove their vaudevillian parents wrong and make it to Broadway. The original Broadway script was significantly revamped, restructured, and rewritten to accommodate Hollywood's needs. Almost all of the Rodgers and Hart songs from the Broadway musical were discarded.
Slave Ship is a 1937 American historical adventure film directed by Tay Garnett and starring Warner Baxter, Wallace Beery and Elizabeth Allan. The supporting cast features Mickey Rooney, George Sanders, Jane Darwell, and Joseph Schildkraut. It is one of very few films out of the forty-eight that Beery made during the sound era for which he did not receive top billing.
Drive a Crooked Road is a 1954 American crime film noir directed by Richard Quine and starring Mickey Rooney and Dianne Foster. The drama's screenplay was adapted by Blake Edwards and Richard Quine from "The Wheel Man", a story by Canadian James Benson Nablo.
Baby Face Nelson is a 1957 American film noir crime film based on the real-life 1930s gangster, directed by Don Siegel, co-written by Daniel Mainwaring—who also wrote the screenplay for Siegel's 1956 sci-fi thriller Invasion of the Body Snatchers—and starring Mickey Rooney, Carolyn Jones, Cedric Hardwicke, Leo Gordon as Dillinger, Anthony Caruso, Jack Elam, John Hoyt and Elisha Cook Jr.
Young Tom Edison is a 1940 biographical film about the early life of inventor Thomas Edison directed by Norman Taurog and starring Mickey Rooney. The film was the first of a complementary pair of Edison biopics that Metro-Goldwyn-Mayer released in 1940. Edison, the Man, starring Spencer Tracy, followed two months later, completing the two-part story of Edison's life.
A Family Affair is a 1937 American comedy film directed by George B. Seitz. It was the first of 16 movies now known as the Andy Hardy series, though Andy Hardy, played by Mickey Rooney, did not become the main character in the series until a few more installments had been made. The movie features Lionel Barrymore as Judge Hardy and Spring Byington as his wife, who are Andy's parents. Barrymore and Byington were replaced in their roles by Lewis Stone and Fay Holden in the subsequent films.
The Human Comedy is a 1943 American comedy-drama film directed by Clarence Brown. It began as a screenplay by William Saroyan, who was expected to direct. After Saroyan was removed from the project, he wrote the novel of the same name and published it just before the film was released. Howard Estabrook was brought in to reduce the run time to two hours. The picture stars Mickey Rooney with Frank Morgan; also appearing in the film are James Craig, Marsha Hunt, Fay Bainter, Ray Collins, Van Johnson, Donna Reed and Jackie "Butch" Jenkins. Barry Nelson, Robert Mitchum and Don DeFore appear together as boisterous soldiers in uncredited supporting roles.
Girl Crazy is a 1943 American musical film starring Judy Garland and Mickey Rooney. Produced by the Freed Unit of Metro-Goldwyn-Mayer, it is based on the stage musical Girl Crazy – which was written by Guy Bolton and Jack McGowan, with music and lyrics by George and Ira Gershwin. It was the last of Garland and Rooney's nine movies as co-stars, the pair appearing only once more together on film, as guest stars in 1948's Words and Music.
Strike Up the Band is a 1940 American musical film produced by the Arthur Freed unit at Metro-Goldwyn-Mayer. The film was directed by Busby Berkeley and stars Mickey Rooney and Judy Garland, in the second of a series of musicals they co-starred in, after Babes in Arms, all directed by Berkeley. The story written for the 1927 stage musical Strike Up the Band, and its successful 1930 Broadway revision, bear no resemblance to this film, aside from the title song.
The Last Mile is a 1932 American pre-Code crime drama film directed by Samuel Bischoff and starring Preston Foster. The picture is based on John Wexley's 1930 Broadway play, The Last Mile. Actor Howard Phillips appeared in both the play and the film but in different roles. In 1959, the play was adapted a second time into a film of the same name starring Mickey Rooney.
The Last Mile is a Broadway play by John Wexley that ran for 289 performances from February 13, 1930, to October 1930 at the Sam H. Harris Theatre. It was produced by Herman Shumlin and staged by Chester Erskine. It is set in the death row wing of a prison. The lead role of John "Killer" Mears was first played by Spencer Tracy, and it was the role that brought him to the attention of Hollywood. It was later played for a time by Clark Gable on tour. The play was adapted into a 1932 film starring Preston Foster and into a 1959 film starring Mickey Rooney.
The Crowd Roars is a 1938 American sports drama film directed by Richard Thorpe and starring Robert Taylor as a boxer who gets entangled in the seamier side of the sport. It was remade in 1947 as Killer McCoy, featuring Mickey Rooney in the title role. This film was not a remake of the 1932 film of the same name starring James Cagney. The supporting cast for the 1938 version features Edward Arnold, Frank Morgan, Lionel Stander, and Jane Wyman.
Andy Hardy Gets Spring Fever is a 1939 American romantic comedy film directed by W. S. Van Dyke. The plot is about Andy Hardy having a crush on his high school drama teacher, Miss Rose Meredith. It is the seventh of sixteen Andy Hardy films starring Mickey Rooney.
Andy Hardy's Double Life is a 1942 comedy film directed by George B. Seitz. It was the thirteenth installment of MGM's enormously popular Andy Hardy film series starring Mickey Rooney as the title character.
Killer McCoy is a 1947 American sports drama film about a boxer starring Mickey Rooney. It is a remake of The Crowd Roars (1938). The picture was directed by Roy Rowland with a supporting cast featuring Brian Donlevy, Ann Blyth, James Dunn, Tom Tully, and Sam Levene.
My Pal, the King is a 1932 American Pre-Code Western film directed by Kurt Neumann, starring Tom Mix, and featuring Mickey Rooney and James Kirkwood. The screenplay concerns a rodeo cowboy who helps a child king.
