The Lost King

Last updated
The Lost King
The Lost King 2022 film poster.png
Theatrical release poster
Directed by Stephen Frears
Screenplay by
Based onThe King's Grave: The Search for Richard III
by Philippa Langley
Michael Jones
Produced by
Starring
CinematographyZac Nicholson
Edited by Pia Di Ciaula
Music by Alexandre Desplat
Production
companies
Distributed by
Release dates
  • 10 September 2022 (2022-09-10)(TIFF)
  • 7 October 2022 (2022-10-07)(UK)
Running time
108 minutes [1]
CountryUnited Kingdom
LanguageEnglish
Box office$4.5 million [2] [3]

The Lost King is a 2022 British biographical film directed by Stephen Frears. Written by Steve Coogan and Jeff Pope, it is based on the 2013 book The King's Grave: The Search for Richard III by Philippa Langley and Michael Jones. It is a dramatisation of the story of Philippa Langley (Sally Hawkins), the woman who initiated the search to find King Richard III's remains under a car park in Leicester, and her treatment by the University of Leicester in the claiming of credit for the discovery. Coogan and Harry Lloyd also feature in the cast.

Contents

The Lost King was produced by Pathé, Baby Cow, BBC Film and Ingenious Media, and distributed by Pathé in France and Switzerland as a standalone distributor, and in the UK via Warner Bros. Pictures. The film premiered at the 47th Toronto International Film Festival on 10 September 2022 and was released in the United Kingdom on 7 October. The Lost King received generally positive reviews from critics.

Plot

Living in Edinburgh, Philippa Langley loses a work promotion to a less experienced and better-looking woman. She unsuccessfully confronts her male boss about being passed over and also appeals that her myalgic encephalomyelitis (or "ME") has never affected her work. Distraught, her ex-husband John, who helps with their two teenage boys, tells her to keep her job as they need the money.

Philippa attends the play Richard III , and identifies with Richard whom she feels was unfairly maligned as a hunchback, child killer, and usurper. She begins to have visions of Richard who appears to her. She joins the local Richard III Society who believe he was unfairly vilified by Tudor propagandists.

Philippa stops going to work, manages her ME with medication, and begins talking to her Richard III apparition. Her research shows some sources say he was buried in 1485 in the Leicester Greyfriars priory choir area, while others say his body was thrown into the River Soar. After Greyfriars was demolished in the 1530s Reformation, Leicester mayor Robert Herrick around 1600 had a shrine built in his garden saying "Here lies the body of Richard III, sometime king of England."

Philippa attends a lecture in Leicester on Richard, lying to her ex-husband about it being a work trip. She meets Dr Ashdown-Hill, who is publishing a genetic genealogy study on a Canadian direct descendant of Richard III's sister. He tells her to look for Richard in open spaces in Leicester because people for centuries have avoided building over old abbeys. While walking around Leicester looking for the ancient site of Greyfriars, and seeing apparitions of Richard, she gets a strong feeling that an "R" painted on a car park is the site of Richard's grave. Returning home, she confesses her activities to John.

Philippa contacts University of Leicester archaeologist Richard Buckley, who dismisses her ideas, but when the university cuts his funding, he gets back to her. Buckley finds an old map of Leicester marking Robert Herrick's property, showing a possible public shrine in his garden. They overlay a modern map of Leicester and find that the shrine may be in the middle of the car park that Philippa had felt strongly about.

Philippa and Buckley team up. She pitches it to Leicester City Council. Richard Taylor of the University of Leicester advises that her amateur "feeling" is too risky. The Council still approves her plan for the publicity, but when ground-radar finds nothing, funding drops out. She turns to the Richard III Society to crowd-fund her "Looking For Richard," and the money comes in from around the world to fund three trenches.

On day one of the dig, Buckley tells Langley that the dig certificate has been signed, but does not tell her that her name has been omitted. Philippa gets Buckley to start trench one at the painted "R" spot, and they immediately find the legs of a skeleton. Buckley thinks it is an extramural graveyard for monks. Philippa confronts Taylor onsite for now falsely claiming credit for leading the project. While still only on day one of the dig, she insists on stopping all work to focus on the skeleton in trench one. Buckley angrily relents and goes home while the crew digs the skeleton. The osteologist soon sees that it is indeed Richard III, a 30-year-old male with a badly-curved spine and a death blow to the skull.

After the success of the first day of digging, the University of Leicester leaders rush in to take over the project. They re-hire Buckley. In February 2013, Taylor announces their findings to the world at a University of Leicester press conference, at which Phillippa is largely sidelined, even by Buckley. Buckley is later given an honorary doctorate by the university.

Richard appears to Philippa a final time at Bosworth Field; he thanks her, and rides off. Richard is shown getting a funeral fit for a king in Leicester Cathedral. The closing credits say the royal family's website has reinstated Richard as the rightful King of England 1483–1485, so that he is no longer regarded as a usurper. Langley was awarded an MBE for her work.

Cast

Sally Hawkins 2014.jpg
Steve Coogan 2013.jpg
Mark Addy.JPG
Stuttgart 2023 -Comic Con Germany- Harry Lloyd- by-RaBoe 034 (cropped).jpg
(Clockwise) The Lost King stars Sally Hawkins, Steve Coogan, Harry Lloyd, and Mark Addy

Also appearing are: Jessica Hardwick as Bookseller, Robert Jack as Alex, John-Paul Hurley as Buckingham, Nomaan Khan as Anil, Sinead MacInnes as Hiker, Phoebe Pryce as Jo Appleby, Alasdair Hankinson as Mathew Morris, James Rottger as Richmond, Benjamin Scanlan as Raife Langley, Mahesh Patel as Foreign Dignitary (uncredited), Sharon Osdin as Buckley's PA, Glenna Morrison as Lorna, Adam Robb as Max Langley, Simon Donaldson as Graham, Kern Falconer as Ken, Violet Hughes as School Girl 1, Josie O'Brien as School Girl 2, Robert Maloney as Heckling Bar Customer (uncredited), Lukas Svoboda as Car Seller (uncredited), Iman Akhtar as Receptionist, Lati Gbaja as Shopper (uncredited).

Philippa Langley makes a cameo appearance at the end of the film as Woman Attending the Re-Burial of Richard III (uncredited).

Production

In November 2020, it was announced that Stephen Frears was set to direct the film, based on a screenplay written by Steve Coogan and Jeff Pope, and co-starring Coogan. [6] In March 2021, it was announced that Sally Hawkins had joined the cast as Philippa Langley. [7] Principal photography began in April of that year, [8] and took place across a variety of locations in the Edinburgh area, including Morningside [9] and Newtongrange. [10]

Release

The film premiered at the 47th Toronto International Film Festival, [11] and was released in UK cinemas on 7 October 2022. [12] IFC Films had acquired U.S. distribution rights to the film. [13] It was then released in the US the following year on March 24, 2023. [14]

Reception

Critical response

On the review aggregator website Rotten Tomatoes , 77% of 124 critics' reviews are positive, with an average rating of 6.5/10.The website's consensus reads: "The movie's curiously bland compared to the remarkable real-life story it dramatizes, but Sally Hawkins' performance saves The Lost King from feeling like a royal disappointment." [15] Metacritic, which uses a weighted average, assigned a score of 64 out of 100 based on 32 critics, indicating "generally favourable reviews". [16]

Hawkins' performance was met with critical acclaim. The Evening Standard 's four-star review stated "Sally Hawkins is Oscar-worthy". [17] Likewise, Heat [18] and iNews [19] gave the film four out of five stars, with the latter stating "Coogan is marvellous". Peter Bradshaw of The Guardian gave the film two stars out of five, commenting on the "uneven" nature of the script and that scenes with Richard III "make the film odd and unrelaxed", [5] while these scenes were praised in Matthew McMillan's four-star review for The Upcoming, for imbuing the film "with an offbeat allure", describing the film as "a treat […] spearheaded by Hawkins's performance, and guided by the dexterity of Frears's craft". [20] The film made The Guardian readers' "best films of 2022 list" with the reviewer stating "As a lecturer myself, I particularly enjoyed the way the film pricked the bubble of academic arrogance". [21] Klye Smith in the Wall Street Journal praised the film saying, "As it ticks along from one small but crucial development to another, this climax is far more exciting than any part of any superhero movie I've seen in recent months". [22] In March 2023, the New York Times added the film to its "Critic's Pick" list. [23] Sally Hawkins' performance was nominated for a BIFA in 2022. [24] The film itself was longlisted by BIFA in 2023 for the Outstanding British Film category. [25]

Reception by the University of Leicester

Based on the trailer, some of the lead University of Leicester archaeologists involved in the story did not feel that the film's presentation as "the true story" was correct and that it had under-represented their involvement in the project. [26] Langley contends that the archaeologists took undue credit for finding the remains of Richard III given that she had led the search, raised the funding for the dig and commissioned the archaeologists. [27] Following the UK première of the film the University of Leicester issued a press release, including the following abstract:

We worked closely with Philippa Langley throughout the project, and she was not sidelined by the University. Indeed, she formed part of the team interview panel for every single press conference connected to the King.

The suggested whereabouts of the King's remains was public knowledge prior to Philippa's intervention, however, we recognise she was the positive driving force behind the decision to dig for Richard III. [28]

Langley issued a rebuttal, calling the University's statement "misleading":

Contrary to the misleading media statement issued by the University, I did feel side-lined (and continue to feel side-lined) by the University wrongly taking my credit for leading the search for the King's remains. The only press conference that mattered was the one on 4 February 2013 to confirm that the remains were those of Richard III. That conference was the one attended by the world's media. I was not invited by the University to sit on the panel that faced the journalists and the University wrongly presented themselves as leading the search that I had commissioned and paid for. It is true the University invited me to address the conference but as the 13th of 13 speakers, long after the live TV news feed had ended.

As for the general whereabouts of the extensive Greyfriars precinct – where some (not all) believed Richard III might be buried – yes this was known, but no one knew the layout of the buildings and therefore where the Greyfriars Church itself (and therefore the body of the King) might be (if he wasn't in the River Soar as most leading historians then believed). Only through my intuition and research was the precise area identified where the dig should take place. In a matter of hours of starting to dig, the King's remains were revealed. If the University (and everyone else) knew exactly where to dig, why hadn't they done so before? [29]

Richard Taylor said to the BBC:

I'm portrayed as kind of a bullying, cynical, double-crossing, devious manipulator which is bad, but then when you add to that I behave in a sexist way and a way that seems to mock Richard III's disabilities, you start to get into the realm of defamation. [4]

The filmmakers responded to Taylor by saying:

The university's version of events has been extensively documented over the past 10 years. Philippa's recollection of events, as corroborated by the filmmakers' research, is very different. [4]

In February 2024, Taylor started legal action for libel against Coogan and producing companies Pathé and Baby Cow, citing his "patronising and misogynistic" portrayal in film as false. [30]

Reception by other archaeologists

British archaeologist and academic Mike Pitts, who had written Digging for Richard III: The Search for the Lost King in 2015 with the team from the University of Leicester archeology department, described the film as "a misleading saga based on a farrago of untruths and omissions". He says that by showing a "phalanx of male archaeologists and administrators, interested only in furthering their own careers at Langley's expense", the film portrays science unfairly, and in a manner that is closed to outsiders. [31] [32] Pitts later responded angrily to the film's review in The Guardian readers' "best films of 2022 list" where it was praised for having "pricked the bubble of academic arrogance", [21] responding to the newspaper that: "Contrary to movie PR and most media coverage, however, its key thread is fiction: the “bubble of academic arrogance” is a fantasy of the film's anti-intellectual agenda". [33]

See also

Related Research Articles

<span class="mw-page-title-main">Richard III of England</span> King of England from 1483 to 1485

Richard III was king of England from 26 June 1483 until his death in 1485. He was the last king of the Plantagenet dynasty and its cadet branch the House of York. His defeat and death at the Battle of Bosworth Field, the last decisive battle of the Wars of the Roses, marked the end of the Middle Ages in England.

<span class="mw-page-title-main">Princes in the Tower</span> 15th-century English siblings who disappeared

The Princes in the Tower refers to the mystery of the fate of the deposed King Edward V of England and his younger brother Prince Richard of Shrewsbury, Duke of York, heirs to the throne of King Edward IV of England. The brothers were the only sons of the king by his queen, Elizabeth Woodville, living at the time of their father's death in 1483. Aged 12 and 9 years old, respectively, they were lodged in the Tower of London by their paternal uncle and England's regent, Richard, Duke of Gloucester, supposedly in preparation for Edward V's forthcoming coronation. Before the young king could be crowned, however, he and his brother were declared illegitimate. Gloucester ascended the throne as Richard III.

<span class="mw-page-title-main">Steve Coogan</span> English comedian and actor (born 1965)

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<span class="mw-page-title-main">Leicester Cathedral</span> Cathedral in Leicester, England

The Cathedral Church of Saint Martin, Leicester, commonly known as Leicester Cathedral, is a Church of England cathedral in Leicester, England and the seat of the Bishop of Leicester. The church was elevated to a collegiate church in 1922 and made a cathedral in 1927 following the establishment of a new Diocese of Leicester in 1926.

<span class="mw-page-title-main">Kings Langley</span> Village and civil parish in Hertfordshire, England

Kings Langley is a village, former manor and civil parish in Hertfordshire, England, 21 miles north-west of Westminster in the historic centre of London and to the south of the Chiltern Hills. It now forms part of the London commuter belt. The village is divided between two local government districts by the River Gade with the larger western portion in the Borough of Dacorum and smaller part, to the east of the river, in Three Rivers District. It was the location of Kings Langley Palace and the associated King's Langley Priory, of which few traces survive.

<span class="mw-page-title-main">Ricardian (Richard III)</span> Person interested in rehabilitating the reputation of Richard III of England

Ricardians are people who dispute the negative posthumous reputation of King Richard III of England. Richard III has long been portrayed unfavourably, most notably in Shakespeare's play Richard III, in which he is portrayed as murdering his 12-year-old nephew Edward V to secure the English throne for himself. Ricardians believe these portrayals are false and politically motivated by Tudor propaganda.

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References

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