The Manhattan Transfer is an American vocal group founded in 1969, performing a cappella, vocalese, swing, standards, Brazilian jazz, rhythm and blues, and pop music. The group has won eleven Grammy Awards.
There have been several incarnations and formations of the Manhattan Transfer, with each edition having different styles, with original member Tim Hauser being the only person to be part of each of them.
The first and original rendition was in the 1960s, consisting of a mostly a capella tinged style; it featured Hauser, Erin Dickins, Marty Nelson, Pat Rosalia, and Gene Pistilli. The second version of the group, formed in 1972, incorporating a more vocal jazz approach, consisted of Hauser, Alan Paul, Janis Siegel, and Laurel Massé.
The third, and most commercially perceived, formation of the group happened in 1979, after Massé left the group after being badly injured in a car crash and was replaced by Cheryl Bentyne. This edition of the Manhattan Transfer performed electronic-styled pop, soul, funk, and rhythmic music, having success in the 1980s.
The group's fourth, and current, edition, since the 1990s, originally consisted of Hauser, Paul, Siegel, and Bentyne, and performs mostly cool and smooth jazz. It also has several rotating touring members, and longtime pianist Yaron Gershovsky accompanied the group on tour and served as music director. Trist Curless from the Los Angeles a cappella group m-pact became a permanent member in October 2014 following Hauser's death.[2]
Early years
In 1969, Tim Hauser formed a vocal group in New York City called The Manhattan Transfer after the novel by John Dos Passos.[3] The group consisted of Hauser, Erin Dickins, Marty Nelson, Pat Rosalia, and Gene Pistilli. This group made one album, Jukin' (Capitol, 1971), which looked at the jazz music of the past as well as rock and country genres unlike the later incarnations of the group.[4] They were not picked up by Capitol Records for a second album, and the group broke up in 1973.
Shortly thereafter, Hauser met Laurel Massé while he was a cab driver and she was his passenger. Soon after, he met Janis Siegel. During this time, session drummer Roy Markowitz, who had played with Janis Joplin and recorded with Don McLean, attended a performance of the group and convinced Tim to change the group's direction. Roy was in the Broadway band of Grease and introduced one of its cast members, Alan Paul (who played the dual role of bandleader Johnny Casino and the Teen Angel), to Tim. Thus began another version of The Manhattan Transfer.[3][4] After performing in clubs in New York City, the quartet asked Roy to produce a demo to present to Ahmet Ertegun at Atlantic Records. The demo was a success and Atlantic released its debut album with guest appearances by bona fide jazz musicians Randy Brecker, Jon Faddis, and Zoot Sims. The Manhattan Transfer (Atlantic, 1975) eschewed the condescension of the previous album, presenting instead serious vocalese renditions of "Java Jive" and "Tuxedo Junction" and scoring a Hot 100 top 25 hit with the gospel-tinged "Operator."[4] During the month of August 1975, the group hosted a four-week variety series on CBS-TV. The hour-long show was simply called The Manhattan Transfer, aired on Sunday evenings, and for the most part concentrated on showcasing the talents of the group.[5] Their next album, Coming Out (1976), produced "Chanson d'Amour," which was a number one hit in the UK and Ireland.[4]
Bentyne and "Birdland"
In 1978, Laurel Massé was in a car crash and dropped out of the group. She was replaced by Cheryl Bentyne.[3][4] The group's next album, Extensions (Atlantic, 1979), produced the hit "Twilight Zone/Twilight Tone", a song based on the TV series The Twilight Zone (including an impersonation of Rod Serling's narration from Alan Paul).[6]
In 1981, the Manhattan Transfer made music history by becoming the first group to win Grammy awards for both popular and jazz categories in the same year. "The Boy from New York City", a cover of the 1965 success by The Ad Libs, reached the Top 10 on the Hot 100 and won them the award for Best Pop Performance by a Duo or Group with Vocal, and "Until I Met You (Corner Pocket)" earned them a Grammy Award for Best Jazz Vocal Performance, Duo or Group. Both of these songs appeared on the group's fifth album, Mecca for Moderns (Atlantic, 1981). In 1982, the group won another Grammy, for Best Jazz Vocal Performance, Duo or Group, for its rendition of "Route 66". The song was featured on the soundtrack to the Burt Reynolds film Sharky's Machine.
Stretching out
In September 1983, the group released the album Bodies and Souls, with an urban-contemporary style which resulted in two R&B chart singles. The first was the No.2 hit "Spice of Life", which was co-written by former Heatwave member Rod Temperton who had penned several hits for Michael Jackson. The single also reached No.40 on the US pop chart and No.19 in the UK. The other single, the ballad "Mystery" (#80 R&B, No.102 Pop), was later covered by Anita Baker on her 1986 album Rapture.
In 1985, the group released two albums; the first was Bop Doo-Wopp, which included both live and studio recordings, and the second was Vocalese, which received twelve Grammy nominations—at the time making it second only to Michael Jackson's Thriller as the most nominated single album ever. The group won in two categories: Best Jazz Vocal Performance, Duo or Group, and Best Arrangement for Voices. This was followed by a live recording of many of these songs titled Live. This concert, recorded in Japan, was also released on VHS and DVD, later titled Vocalese Live.
For their next album, Brasil (1987), the group headed south to work with Brazilian songwriters and musicians Ivan Lins, Milton Nascimento, Djavan and Gilberto Gil. Brasil won a Grammy for Best Pop Performance by a Duo or Group with Vocal.
The group did not release any studio albums again until 1991, when they signed with the Sony Music label and released The Offbeat of Avenues, featuring original material written or co-written by members of the quartet. Their efforts brought them their 10th Grammy award, for the song "Sassy". This was followed by the release of their first holiday album entitled The Christmas Album in 1992.
The group signed to the Telarc label in 2003 to release Couldn't Be Hotter, a live performance capturing many of the songs from The Spirit of St. Louis. In 2004, the group released Vibrate, another one of their pastich albums, blending original tunes with older ones, pop, jazz and funk. Vibrate featured notable musicians such as bassist Will Lee and Steve Hass on drums. They also released, first in Japan, their second holiday album, An Acapella Christmas, in 2005. The album was released in the U.S. in 2006.
During 2006, the group released The Symphony Sessions, a collection of some of their best-known songs re-recorded with an orchestra, and also The Definitive Pop Collection, a two-disc collection of the group's material from their Atlantic Records period. They also recorded their first original title song for a movie, "Trail of the Screaming Forehead"; and, in late 2006, the group released a new concert DVD, The Christmas Concert, which was broadcast by PBS.
In 2011, The Manhattan Transfer worked on an album of previously recorded, but never finished, songs to honor their 40th anniversary. "We are working on a project now that is called The Vaults. Over the years, there are a lot of different songs that we recorded but never finished. We pull out from the archives a lot of these songs and are finishing them," said Alan Paul in an interview for Jazz FM radio in Bulgaria.[7] One of the highlights of the album was a vocalese version of George and Ira Gershwin's "The Man I Love," based on an Artie Shaw and His Orchestra performance of the composition, which had originally been slated for the Swing album.
Substitutes and fourth line-up
Original member Pat Rosalia died from cancer in July 2011.
In 2011, while receiving treatment for Hodgkin's lymphoma, Cheryl Bentyne was replaced on stage for eight months by the soprano Margaret Dorn; Dorn replaced her again December 2013 (followed by Katie Campbell in early 2014) while Bentyne underwent further treatment.[8] Tim Hauser was absent from the stage in 2013 and early 2014 as he recovered from spinal surgery; he was replaced on stage by bass/baritone Trist Curless of the a cappella group m-pact.
In September 2013, one of the original members of the group, Erin Dickins, started a Kickstarter campaign to re-record "Java Jive" with the surviving original members. It featured Tim Hauser's scat musings, as well as a vocal arrangement by Marty Nelson, sung by Dickins, Nelson, Hauser and Gene Pistilli. The project was successfully funded on October 9, 2013, and released on the CD Java Jive on Dot Time Records.[9]
Tim Hauser died of cardiac arrest on October 16, 2014. Following Hauser's death, the group announced Curless would replace him.[2]
1982 "Route 66", Grammy Award for Best Jazz Vocal Performance, Duo or Group
1983 "Why Not! (Manhattan Carnival)", Grammy Award for Best Jazz Vocal Performance, Duo or Group
1986 Vocalese, Grammy Award for Best Jazz Vocal Performance, Duo or Group
1986 "Another Night in Tunisia", Grammy Award for Best Vocal Arrangement for Two or More Voices, Bobby McFerrin and Cheryl Bentyne, performed by The Manhattan Transfer
"Chanson d'Amour" was featured in Are You Being Served, performed by all the staff of Grace Brothers department store in the final episode of the long running sitcom.
Related Research Articles
The 28th Annual Grammy Awards were held on February 25, 1986, at Shrine Auditorium, Los Angeles. They recognized accomplishments by musicians from the previous year, 1985. The night's big winner was USA For Africa's "We Are The World", which won four awards, including Song of the Year which went to Michael Jackson and Lionel Richie. It marked the first time in their respective careers that they received the Song of the Year Award. For Richie, it was his sixth attempt in eight years. The other three awards for the latter single were given to the song's producer, Quincy Jones.
The 23rd Annual Grammy Awards were held on February 25, 1981, at Radio City Music Hall in New York City and were broadcast live on American television. They recognized accomplishments by musicians from the year 1980.
Timothy DuPron Hauser was a singer and founding member of the vocal group The Manhattan Transfer. He won 10 Grammy Awards as a member of The Manhattan Transfer.
Laurel Massé is an American jazz singer and former member of The Manhattan Transfer.
Jukin' is the debut album by The Manhattan Transfer. Released on Capitol Records in 1971, it was also the only album by the first version of the group, which consisted of Tim Hauser, Erin Dickins, Marty Nelson, Gene Pistilli, and Pat Rosalia.
The Manhattan Transfer is the second album by The Manhattan Transfer. However, it is the first of four albums to be released by the lineup of Tim Hauser, Laurel Massé, Alan Paul, and Janis Siegel, and the first to establish the sound and style for which the group would become known. It was released on April 2, 1975, by Atlantic Records and was produced by Ahmet Ertegün and Tim Hauser.
Extensions is the fifth studio album by the Manhattan Transfer, released on October 31, 1979, by Atlantic Records.
Mecca for Moderns is the sixth studio album by the Manhattan Transfer. It was released in 1981 by Atlantic Records.
Bodies and Souls is the seventh studio album by The Manhattan Transfer, released in September 1983 on the Atlantic Records label.
Bop Doo-Wopp is the eighth studio album by the Manhattan Transfer, released in 1984 on the Atlantic Records label. Six of the ten tracks on Bop Doo-Wopp are live performances.
Vocalese is the ninth studio album by Jazz band The Manhattan Transfer, released in 1985 on the Atlantic Records. Recording sessions took place during 1985. Production came from Tim Hauser and Martin Fischer. This album is considered to be The Manhattan Transfer's most critically acclaimed album. It received 12 Grammy nominations, making it second only to Michael Jackson's Thriller as the most nominated individual album. It also received extremely high ratings from music critics, including a 4.5 out of 5 stars rating from Allmusic. The album peaked at number 2 on the Top Jazz Albums and number 74 on the Billboard 200. The album's title Vocalese refers to a style of music that sets lyrics to previously recorded jazz instrumental pieces. The vocals then reproduce the sound and feel of the original instrumentation. Jon Hendricks, proficient in this art, composed all of the lyrics for this album.
Brasil was The Manhattan Transfer's tenth studio album. It was released in 1987 on Atlantic Records.
The Offbeat Of Avenues was the thirteenth album released by The Manhattan Transfer on August 13, 1991, by Columbia Records.
Couldn't Be Hotter is the fourth live album released by The Manhattan Transfer in 2003 on the Telarc label. This is their third live album with Cheryl Bentyne. It was recorded during a tour of Japan over two nights at Orchestra Hall in Tokyo.
Cheryl Bentyne is a jazz singer who spent much of her career with The Manhattan Transfer.
Janis Siegel is a multiple grammy-winning American jazz singer, best known as a member of the vocal group The Manhattan Transfer.
The Chick Corea Songbook is the twenty-second studio album released by The Manhattan Transfer on September 29, 2009. The album features The Manhattan Transfer's interpretations of several Chick Corea compositions, including a song written by Corea for this album. The executive producer was Yusuf Gandhi. It was the final album with Tim Hauser, who died in between the release of this album and their subsequent album.
Spontaneous Inventions is a 1986 live album by American vocalist Bobby McFerrin, released by Blue Note Records.
Live is the eleventh album released by The Manhattan Transfer. It was recorded live at the Nakano Sun Plaza Hall in Japan on 20 & 21 February 1986. It was released in 1987.
The Junction is the twenty-third studio album by The Manhattan Transfer, released on March 30, 2018. This is their first album in nine years since their last album; The Chick Corea Songbook.
↑ McNeil, Alex (1984). Total Television: A Comprehensive Guide to Programming from 1948 to the Present. Penguin Books. p. 403. ISBN0-14-00-7377-9.
↑ The introduction of the song is incorrectly attributed in the liner notes to Bernard Herrmann, who wrote the theme used in Season 1 of the series. The more famous Twilight Zone theme that is used in the Manhattan Transfer song (and from season 2 of the TV series onward) was composed by Marius Constant.
↑ Manhattan Transfer, November 28, 2013. "Ladies and Gentlemen ... Margaret Dorn!". Manhattan Transfer Official Site. Retrieved December 2, 2013.{{cite web}}: CS1 maint: multiple names: authors list (link) CS1 maint: numeric names: authors list (link)
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