King Crimson were an English progressive rock band formed in 1968 in London. The band drew inspiration from a wide variety of music, incorporating elements of classical, jazz, folk, heavy metal, gamelan, industrial, electronic, experimental music and new wave. They exerted a strong influence on the early 1970s progressive rock movement, including on contemporaries such as Yes and Genesis, and continue to inspire subsequent generations of artists across multiple genres. The band earned a large cult following.
Starless and Bible Black is the sixth studio album by English progressive rock band King Crimson, released in March 1974 by Island Records in the United Kingdom and by Atlantic Records in the United States. It carries over most of the same lineup which appeared on the preceding album, Larks' Tongues in Aspic, with only percussionist Jamie Muir not returning. In order to more faithfully capture the band's live energy, much of the material on this album was tracked in concert and edited together with studio recordings.
Larks' Tongues in Aspic is the fifth studio album by the English progressive rock group King Crimson, released on 23 March 1973 through Island Records in the UK and Atlantic Records in the United States and Canada. This album is the debut of King Crimson's third incarnation, featuring co-founder and guitarist Robert Fripp along with four new members: bass guitarist and vocalist John Wetton, violinist and keyboardist David Cross, percussionist Jamie Muir, and drummer Bill Bruford. It is a key album in the band's evolution, drawing on Eastern European classical music and European free improvisation as central influences.
Red is the seventh studio album by English progressive rock band King Crimson. It was released on 1 October 1974 through Island Records in the United Kingdom and Atlantic Records in North America and Japan. The album was recorded at Olympic Studios in London in July and August 1974, and produced by the band themselves. The track "Providence" was a free improvisation recorded at their 30 June 1974 concert at the Palace Theater in the city of the same name. Parts of some of the pieces were conceived during previous improvisations performed by the band live. "Starless" was originally considered for their previous album, Starless and Bible Black (1974), but was deemed incomplete at the time. The lengthy version included on this album was refined and performed during concerts throughout 1974.
King Crimson Live in Mainz is a live album by the band King Crimson, released through the King Crimson Collectors' Club in March 2001. The album was recorded at Eltzer Hof, Mainz, West Germany, on March 30, 1974.
The Beat Club, Bremen is a live album by the band King Crimson, released through the King Crimson Collectors' Club in February 1999. It was recorded on the German programme Beat Club, in Bremen, West Germany, on October 17, 1972 and first aired on November 25. The video of this performance is included in the deluxe "Larks' Tongues in Aspic" box set.
B'Boom: Live in Argentina is a live album by the band King Crimson, released in 1995. All songs were recorded between 6 and 16 October 1994 at the Broadway Theatre in Buenos Aires, Argentina, except for "Heartbeat" which was recorded in Córdoba.
USA is a live album by the English band King Crimson, released in 1975. It was recorded at the Casino, Asbury Park, New Jersey, on 28 June 1974, except “21st Century Schizoid Man”, which was recorded at the Palace Theatre, Providence, Rhode Island, United States, on 30 June 1974. Violin and electric piano overdubs by Eddie Jobson were recorded at Olympic Studios, London in 1975.
Live in Central Park, NYC is a live album by the band King Crimson, released through the King Crimson Collectors' Club in April 2000. It was recorded at Central Park, New York, USA, July 1, 1974. This was the last performance by the 1970s incarnation, and the last by King Crimson before reforming in 1981.
A Beginners' Guide to the King Crimson Collectors' Club is a 2000 album by the band King Crimson, compiled from King Crimson Collectors' Club albums - limited release live recordings of concert performances, studio sessions and radio sessions.
Frame by Frame: The Essential King Crimson is a 4-CD box set by the band King Crimson, released in 1991.
David Cross is an English electric violinist and keyboardist best known for playing with progressive rock band King Crimson from 1972 to 1974. Cross appears on their studio albums Larks' Tongues in Aspic (1973) and Starless and Bible Black (1974), as well as “Providence”, a live track on Red (1974), in addition to numerous concert recordings that have been released by Robert Fripp's Discipline Global Mobile label in the decades since, including USA (1975) and The Night Watch (1997).
Richard William Palmer-James is an English guitarist, songwriter and lyricist. He may be best known as one of the founder members of Supertramp ; writing lyrics for several songs by the progressive rock group King Crimson in the early 1970s; and for writing lyrics for the 1985 hit "(I'll Never Be) Maria Magdalena" by Sandra.
Cirkus: The Young Persons' Guide to King Crimson Live is a live album compilation from King Crimson. It was released in 1999 through Virgin Records.
"Starless" is a composition by English progressive rock band King Crimson. It is the final track on their seventh studio album, Red, released on 6 October 1974.
"Larks' Tongues in Aspic" is a musical suite by the English progressive rock band King Crimson. Spanning thirty years and four albums, the series comprises five parts, all of which carry unifying musical motifs. Parts I and II were released as the introductory and final tracks on King Crimson's 1973 album of the same name, part III was featured on their 1984 album Three of a Perfect Pair, part IV appeared on 2000's The Construkction of Light, and the final part, "Level Five", was included on the 2003 album The Power to Believe. Despite breaking the naming convention, Robert Fripp, King Crimson founder and only constant contributor to the suite, insists that "Level Five" is part of the pentalogy.
The 21st Century Guide to King Crimson – Volume One – 1969–1974 is the first of two 4-CD sets of compilation albums, showcasing the entire production of the British progressive rock band King Crimson. This set of discs contains both studio and live performances ranging from the beginnings of the band in 1969 to their first dissolution in 1974.
The Great Deceiver is a 4-CD box set by the band King Crimson, consisting of live recordings from 1973 and 1974, released on Virgin Records in 1992. In 2007, it was reissued on Fripp's Discipline Global Mobile label as two separate 2-CD sets, each featuring new artwork. The box set is titled after a song from the group's 1974 album Starless and Bible Black.
Live at the Orpheum is a live album by the band King Crimson, released by Discipline Global Mobile records in 2015. The album was recorded on 30 September and 1 October at the Orpheum Theatre in Los Angeles, California on the band's The Elements of King Crimson US tour of 2014.
Larks' Tongues in Aspic is the second of the major box set releases from English progressive rock group King Crimson, released in 2012 by Discipline Global Mobile & Panegyric Records. The set is devoted to all existing recordings associated with the 1973 album Larks' Tongues In Aspic.
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