The Seagull is a play by Russian dramatist Anton Chekhov, written in 1895 and first produced in 1896. The Seagull is generally considered to be the first of his four major plays. It dramatises the romantic and artistic conflicts between four characters: the famous middlebrow story writer Boris Trigorin, the ingenue Nina, the fading actress Irina Arkadina, and her son the symbolist playwright Konstantin Treplev.
The Cherry Orchard is the last play by Russian playwright Anton Chekhov. Written in 1903, it was first published by Znaniye, and came out as a separate edition later that year in Saint Petersburg, via A.F. Marks Publishers. It opened at the Moscow Art Theatre on 17 January 1904 in a production directed by Konstantin Stanislavski. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. Since its first production, directors have contended with its dual nature. It is often identified as one of the three or four outstanding plays by Chekhov, along with The Seagull, Three Sisters, and Uncle Vanya.
Michael Vivian Fyfe Pennington is an English actor, director and writer. Together with director Michael Bogdanov, he founded the English Shakespeare Company in 1986 and was its Joint Artistic Director until 1992. He has written ten books, directed in the UK, US, Romania and Japan, and is an Honorary Associate Artist of the Royal Shakespeare Company. He is best known as Moff Jerjerrod in the original Star Wars trilogy film Return of the Jedi.
Regina Annette Taylor is an American actress and playwright. She has won several awards throughout her career, including a Golden Globe Award and NAACP Image Award. In July 2017, Taylor was announced as the new Denzel Washington Endowed Chair in Theatre at Fordham University's theatre program.
The Red Devil Battery Sign is a three-act play by American writer Tennessee Williams. He copyrighted the text in 1975 for its premiere in Boston, but revised the play in 1979; that later version was published by New Directions in 1988.
The Dallas Theater Center is a major regional theater in Dallas, Texas, United States. It produces classic, contemporary and new plays and is the 2017 Tony Award recipient for Best Regional Theater. Dallas Theater Center produces its original works at the Kalita Humphreys Theater, the Margot and Bill Winspear Opera House, and the Dee and Charles Wyly Theatre as part of the AT&T Performing Arts Center in the Dallas Arts District.
Emily Betsy Mann is an American director, playwright and screenwriter. She has served as the artistic director and resident playwright of the McCarter Theatre Center since 1990.
The Playhouse Theatre is a West End theatre in the City of Westminster, located in Northumberland Avenue, near Trafalgar Square. The Theatre was built by F. H. Fowler and Hill with a seating capacity of 1,200. It was rebuilt in 1907 and still retains its original substage machinery. Its current seating capacity is 786.
Bart DeLorenzo is a Los Angeles-based theater director and producer. He is the founding artistic director of the Evidence Room theater, a 17-year-old company renowned in Los Angeles for contemporary theater productions.
Stephen Sachs is an American stage director and playwright. He is currently the Co-Artistic Director of The Fountain Theatre in Los Angeles, which he co-founded in 1990.
The Vancouver Playhouse Theatre Company is a regional Canadian theatre company, producing plays since 1962. The following is a list of the productions that have been staged since its inception, starting with the most recently completed season.
Whit Hertford is an American theatre director, writer, and actor.
The Moscow Art Theatre production of The Seagull in 1898, directed by Konstantin Stanislavski and Vladimir Nemirovich-Danchenko, was a crucial milestone for the fledgling theatre company that has been described as "one of the greatest events in the history of Russian theatre and one of the greatest new developments in the history of world drama." It was the first production in Moscow of Anton Chekhov's 1896 play The Seagull, though it had been performed with only moderate success in St. Petersburg two years earlier. Nemirovich, who was a friend of Chekhov's, overcame the writer's refusal to allow the play to appear in Moscow after its earlier lacklustre reception and convinced Stanislavski to direct the play for their innovative and newly founded Moscow Art Theatre (MAT). The production opened on 29 December [O.S. 17 December] 1898. The MAT's success was due to the fidelity of its delicate representation of everyday life, its intimate, ensemble playing, and the resonance of its mood of despondent uncertainty with the psychological disposition of the Russian intelligentsia of the time. To commemorate this historic production, which gave the MAT its sense of identity, the company to this day bears the seagull as its emblem.
Headlong is a British touring theatre company noted for making bold, innovative productions with some of the UK’s finest artists.
Anya Reiss is a British playwright and screenwriter.
Ann Dunnigan Kennard was an American actress and teacher who later became a translator of 19th-century Russian literature.
Benedict Andrews is an Australian theatre and film director, based in Reykjavík. Born in Adelaide in 1972, he was educated at Flinders University Drama Centre. His first feature film Una was released in 2016.
The Seagull is a 2018 American historical drama film directed by Michael Mayer with a screenplay by Stephen Karam, based on the 1896 play of the same name by Anton Chekhov. The film stars Annette Bening, Saoirse Ronan, Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, Glenn Fleshler, Michael Zegen, Billy Howle and Brian Dennehy. Filming began in June 2015 in New York City and the world premiere took place at the Tribeca Film Festival on April 21, 2018 prior to general release on May 11, 2018 through Sony Pictures Classics.
Roger Hodgman is an Australian stage and television director.
Stupid Fucking Bird is a contemporary adaptation of Anton Chekhov's 1896 play The Seagull, written by American playwright Aaron Posner, co-founder of the Arden Theatre Company in Philadelphia. Posner has written multiple adaptations of Chekhov and Shakespeare works. In 2013, Stupid Fucking Bird premiered at the Woolly Mammoth Theatre Company in Washington, DC. According to Howard Shalwitz, the play takes a satirical spin on a theatrical classic, but has the essence of Chekhov's original intent for the piece—what it means to create art.
