The Sense of Style

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The Sense of Style
The Sense of Style.jpg
Author Steven Pinker
CountryUnited States of America
LanguageEnglish
Published2014 (Penguin Books)
ISBN 9780670025855
OCLC 870919633

The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century is a 2014 English style guide written by cognitive scientist, linguist and popular science author Steven Pinker. Building upon earlier guides, such as Strunk & White's The Elements of Style and Fowler's A Dictionary of Modern English Usage , it applies science to the process of writing, and explains its prescriptions by citing studies in related fields – e.g., grammatical phenomena, mental dynamics, and memory load – as well as history and criticism, to "distinguish the rules that enhance clarity, grace, and emotional resonance from those that are based on myths and misunderstandings".

Contents

Pinker's prescriptions combine data from ballots given to the Usage Panel of the American Heritage Dictionary , the usage notes of several dictionaries and style guides, the historical analyses in Merriam–Webster's Dictionary of English Usage , the meta-analysis in Roy Copperud's American Usage and Style: The Consensus, and views from modern linguistics represented in The Cambridge Grammar of the English Language and the blog Language Log .

Contents

Prologue

"Style" is the effective use of words to engage the human mind. Style manuals that are innocent of linguistics are crippled in dealing with the aspect of writing that evokes the most emotion: correct and incorrect usage. Orthodox stylebooks are ill-equipped to deal with a fundamental fact about language: it changes over time. Language is not a protocol legislated by an authority but rather an evolving set of tacit standards from the contributions of millions of writers and speakers.

Good writing

Reverse-engineering good prose as the key to developing a writerly ear – The starting point for becoming a good writer is to be a good reader. Good writers are avid readers. They have absorbed a vast inventory of words, idioms, constructions, tropes, and rhetorical tricks, and with them a sensitivity to how they mesh and how they clash. This is the elusive "ear" of a skilled writer – the tacit sense of style which cannot be explicitly taught.

A window onto the world

Classic style as an antidote for academese, bureaucratese, corporatese, legalese, officialese, and other kinds of stuffy prose – The key to good style, far more than obeying any list of commandments, is to have a clear conception of the make-believe world in which you're pretending to communicate. A writer of classic prose must simulate two experiences: showing the reader something in the world, and engaging the reader in conversation. Classic style is an ideal. Not all prose should be classic, and not all writers can carry off the pretense. But knowing the hallmarks of classic style will make anyone a better writer, and it is "the strongest cure for the disease that enfeebles academic, bureaucratic, corporate, legal, and official prose".

The curse of knowledge

The main cause of incomprehensible prose is the curse of knowledge – the difficulty of imagining what it is like for someone else not to know something that you know. Be aware of specific pitfalls that it sets in your path, e.g., the use of jargon, abbreviations, and technical vocabulary. Show a draft to some people who are similar to your intended audience, and find out whether they can follow it. Show a draft to yourself, after enough time has passed that the text is no longer familiar. Rework and revise.

The web, the tree, and the string

Understanding syntax can help a writer avoid ungrammatical, convoluted, and misleading prose – Learning how to bring the units of language into consciousness can allow writers to reason their way to grammatically consistent sentences, and to diagnose problems. Grammar is a fascinating subject in its own right, when it is properly explained.

Arcs of coherence

How to ensure that readers will grasp the topic, get the point, keep track of the players, and see how one idea follows from another – Even if every sentence in a text is crisp, lucid, and well formed, a succession of them can feel choppy, disjointed, unfocused, incoherent. A coherent text is a designed object: an ordered tree of sections within sections, crisscrossed by arcs that track topics, points, actors, and themes, and held together by connectors that tie one proposition to the next. Like other designed objects, it comes about not by accident but by drafting a blueprint, attending to details, and maintaining a sense of harmony and balance.

Telling right from wrong

How to make sense of the rules of correct grammar, word choice, and punctuation – The idea that there are exactly two approaches to usage – all the traditional rules must be followed, or else anything goes – is a myth. The first step in mastering usage is to understand why the myth is wrong. There is no such thing as a "language war" between prescriptivists and descriptivists. "The alleged controversy is as bogus as other catchy dichotomies such as nature versus nurture and America: Love It or Leave It." The key is to recognize that the rules of usage are tacit conventions. A convention is an agreement among the members of a community to abide by a single way of doing things. Linguists capture their regularities in "descriptive rules" – that is, rules that describe how people speak and understand. A subset of these conventions is less widespread and natural, but has become accepted by a smaller community of literate speakers for use in public forums such as government, journalism, literature, business, and academia. These conventions are "prescriptive rules" – rules that prescribe how one ought to speak and write in these forums. Unlike the descriptive rules, many of the prescriptive rules have to be stated explicitly, because they are not second nature to most writers: the rules may not apply in the spoken vernacular, or they may be difficult to implement in complicated sentences which tax the writer's memory. This raises the question of how a careful writer can distinguish a legitimate rule of usage from a tall tale. The answer: look it up. Pinker includes a short guide to a hundred of the most commonly raised issues of grammar, word usage, and punctuation. (For Pinker's Top 10 list, see [1] .)

Reception

The Sense of Style won Plain English Campaign's International Award for 2014, [2] and was ranked among the best books of 2014 by The Economist , [3] The Sunday Times , [4] and Amazon. [5] It received mainly positive reviews from several major publications, [6] including The New York Times , [7] Scientific American , [8] and The Washington Post , [9] and a negative review from The New Yorker . [10] The Telegraph states Pinker "doesn't have anything new to say" and criticizes Pinker for allegedly "logrolling" in his choice of which authors to quote. [11]

Related Research Articles

In linguistics, the grammar of a natural language is its set of structural rules on speakers' or writers' usage and creation of clauses, phrases, and words. The term can also refer to the study of such rules, a subject that includes phonology, morphology, and syntax, together with phonetics, semantics, and pragmatics. There are, broadly speaking, two different ways to study grammar: traditional grammar and theoretical grammar.

Punctuation marks are marks indicating how a piece of written text should be read and, consequently, understood. The oldest known examples of punctuation marks were found in the Mesha Stele from the 9th century BC, consisting of points between the words and horizontal strokes between sections. The alphabet-based writing began with no spaces, no capitalization, no vowels, and with only a few punctuation marks, as it was mostly aimed at recording business transactions. Only with the Greek playwrights did the ends of sentences begin to be marked to help actors know when to make a pause during performances. Punctuation includes space between words and the other, historically or currently used, signs.

Singular they, along with its inflected or derivative forms, them, their, theirs, and themselves, is a gender-neutral third-person pronoun. It typically occurs with an indeterminate antecedent, in sentences such as:

In English writing, quotation marks or inverted commas, also known informally as quotes, talking marks, speech marks, quote marks, quotemarks or speechmarks, are punctuation marks placed on either side of a word or phrase in order to identify it as a quotation, direct speech or a literal title or name. Quotation marks may be used to indicate that the meaning of the word or phrase they surround should be taken to be different from that typically associated with it, and are often used in this way to express irony. They are also sometimes used to emphasise a word or phrase, although this is usually considered incorrect.

<span class="mw-page-title-main">Linguistic prescription</span> Prescriptive rules of grammar and usage

Linguistic prescription, or prescriptive grammar, is the establishment of rules defining preferred usage of language. These rules may address such linguistic aspects as spelling, pronunciation, vocabulary, syntax, and semantics. Sometimes informed by linguistic purism, such normative practices often suggest that some usages are incorrect, inconsistent, illogical, lack communicative effect, or are of low aesthetic value, even in cases where such usage is more common than the prescribed usage. They may also include judgments on socially proper and politically correct language use.

<i>AP Stylebook</i> Book on English usage by Associated Press

The Associated Press Stylebook, alternatively titled The Associated Press Stylebook and Briefing on Media Law, is a style and usage guide for American English grammar created by American journalists working for or connected with the Associated Press journalism cooperative based in New York City. The Stylebook offers a basic reference to American English grammar, punctuation, and principles of reporting, including many definitions and rules for usage as well as styles for capitalization, abbreviation, spelling, and numerals.

The usage of a language is the ways in which its written and spoken variations are routinely employed by its speakers; that is, it refers to "the collective habits of a language's native speakers", as opposed to idealized models of how a language works or in the abstract. For instance, Fowler characterized usage as "the way in which a word or phrase is normally and correctly used" and as the "points of grammar, syntax, style, and the choice of words." In everyday usage, language is used differently, depending on the situation and individual. Individual language users can shape language structures and language usage based on their community.

<span class="mw-page-title-main">English usage controversies</span> Disputes over "correct" English grammar and style

In the English language, there are grammatical constructions that many native speakers use unquestioningly yet certain writers call incorrect. Differences of usage or opinion may stem from differences between formal and informal speech and other matters of register, differences among dialects, and so forth. Disputes may arise when style guides disagree with each other, or when a guideline or judgement is confronted by large amounts of conflicting evidence or has its rationale challenged.

"Between you and I" is an English phrase that has drawn considerable interest from linguists, grammarians, and stylists. It is commonly used by style guides as a convenient label for a construction where the nominative/subjective form of pronouns is used for two pronouns joined by and in circumstances where the accusative/oblique case would be used for a single pronoun, typically following a preposition, but also as the object of a transitive verb. One frequently cited use of the phrase occurs in Shakespeare's The Merchant of Venice (1596–98). According to many style guides, the Shakespearian character who used the phrase should have written "between you and me". Use of this common construction has been described as "a grammatical error of unsurpassable grossness", although whether it is in fact an error is a matter of debate.

In English-language punctuation, a serial comma is a comma placed immediately after the penultimate term in a series of three or more terms. For example, a list of three countries might be punctuated as either "France, Italy and Spain" or "France, Italy, and Spain".

In written English usage, a comma splice or comma fault is the use of a comma to join two independent clauses. For example:

It is nearly half past five, we cannot reach town before dark.

Scare quotes are quotation marks that writers place around a word or phrase to signal that they are using it in an ironic, referential, or otherwise non-standard sense. they may imply skepticism or disagreement, belief that the words are misused, or that the writer intends a meaning opposite to the words enclosed in quotes. Whether quotation marks are considered scare quotes depends on context because scare quotes are not visually different from actual quotations. The use of scare quotes is sometimes discouraged in formal or academic writing.

In linguistics, a redundancy is information that is expressed more than once in linguistics.

Sentence spacing concerns how spaces are inserted between sentences in typeset text and is a matter of typographical convention. Since the introduction of movable-type printing in Europe, various sentence spacing conventions have been used in languages with a Latin alphabet. These include a normal word space, a single enlarged space, and two full spaces.

In literature, writing style is the manner of expressing thought in language characteristic of an individual, period, school, or nation. As Bryan Ray notes, however, style is a broader concern, one that can describe "readers' relationships with, texts, the grammatical choices writers make, the importance of adhering to norms in certain contexts and deviating from them in others, the expression of social identity, and the emotional effects of particular devices on audiences." Thus, style is a term that may refer, at one and the same time, to singular aspects of an individual's writing habits or a particular document and to aspects that go well-beyond the individual writer. Beyond the essential elements of spelling, grammar, and punctuation, writing style is the choice of words, sentence structure, and paragraph structure, used to convey the meaning effectively. The former are referred to as rules, elements, essentials, mechanics, or handbook; the latter are referred to as style, or rhetoric. The rules are about what a writer does; style is about how the writer does it. While following the rules drawn from established English usage, a writer has great flexibility in how to express a concept. Some have suggested that the point of writing style is to:

<i>Garners Modern English Usage</i> Usage dictionary and style guide by American writer Bryan A. Garner

Garner's Modern English Usage (GMEU), written by Bryan A. Garner and published by Oxford University Press, is a usage dictionary and style guide for contemporary Modern English. It was first published in 1998 as A Dictionary of Modern American Usage, with a focus on American English, which it retained for the next two editions as Garner's Modern American Usage (GMAU). It was expanded to cover English more broadly in the 2016 fourth edition, under the present title. The work covers issues of usage, pronunciation, and style, from distinctions among commonly confused words and phrases to notes on how to prevent verbosity and obscurity. In addition, it contains essays about the English language. An abridged version of the first edition was also published as The Oxford Dictionary of American Usage and Style in 2000 and a similar version was published in The Chicago Manual of Style 16th edition in 2017. The latter includes three sections titled "Grammar", "Syntax" and "Word Usage", each with several subcategories.

The dash is a punctuation mark consisting of a long horizontal line. It is similar in appearance to the hyphen but is longer and sometimes higher from the baseline. The most common versions are the en dash, generally longer than the hyphen but shorter than the minus sign; the em dash, longer than either the en dash or the minus sign; and the horizontal bar, whose length varies across typefaces but tends to be between those of the en and em dashes.

Sentence spacing guidance is provided in many language and style guides. The majority of style guides that use a Latin-derived alphabet as a language base now prescribe or recommend the use of a single space after the concluding punctuation of a sentence.

Officialese, bureaucratese, or governmentese is language that sounds official. It is the "language of officialdom". Officialese is characterized by a preference for wordy, long sentences; complex words, code words, or buzzwords over simple, traditional ones; vagueness over directness; and passive over active voice. The history of officialese can be traced to the history of officialdom, as far back as the eldest human civilizations and their surviving official writings.

Comprised of is an expression in English that means "composed of". This is thought by language purists to be improper because to "comprise" can already mean to "be composed of", and by that definition, "comprised of" would be ungrammatical. However, another widely accepted definition of to "comprise" is to "compose", hence the commonly accepted meaning of "comprised of" as "composed of".

References

  1. Pinker, Steven (15 August 2014). "10 'grammar rules' it's OK to break (sometimes)". The Guardian. Retrieved 4 February 2015.
  2. "International award 2014". Plain English Campaign. Retrieved 3 February 2015.
  3. "Books of the Year". The Economist. Retrieved 3 February 2015.
  4. "The Sense of Style: The Thinking Person's Guide to Writing in the 21st Century by Steven Pinker". The Sunday Times. Archived from the original on February 4, 2015. Retrieved 3 February 2015.
  5. "Best of 2014". Amazon.com. Retrieved 3 February 2015.
  6. "Reviews & Feature Articles". Steven Pinker. Retrieved 3 February 2015.
  7. McGrath, Charles (17 October 2014). "Steven Pinker's "The Sense of Style"". The New York Times. Retrieved 3 February 2015.
  8. Cook, Gareth. "Steven Pinker's Sense of Style". Scientific American. Retrieved 3 February 2015.
  9. Straaijer, Robin. "Can something be totally unique? Steven Pinker's new book says yes". The Washington Post. Retrieved 3 February 2015.
  10. Heller, Nathan (3 November 2014). "Steven Pinker's Bad Grammar". The New Yorker. Retrieved 3 February 2015.
  11. Preston, John (16 September 2014). "The Sense of Style by Steven Pinker, review: 'waffle and bilge'" . Retrieved 5 February 2018.