The Tell-Tale Heart is a 1960 British horror film directed by Ernest Morris produced by the Danzigers. The screenplay by Brian Clemens and Eldon Howard is a loose adaptation of the 1843 short story of the same name by Edgar Allan Poe. The film was released in England in December 1960, and in the U.S. in February 1962 as The Hidden Room of 1,000 Horrors.
Ghost Ship is a 1952 British second feature thriller film directed by Vernon Sewell and starring Dermot Walsh and Hazel Court. It was written by Vernon Sewell and Philip Thornton. This was one of four attempts by Vernon Sewell to adapt and film the Pierre Mills and Celia de Vilyars Grand Guignol stage play L'Angoisse.
The Foreman Went to France is a 1942 British Second World War war film starring Clifford Evans, Tommy Trinder, Constance Cummings and Gordon Jackson. It was based on the real-life wartime exploits of Welsh munitions worker Melbourne Johns, who rescued machinery used to make guns for Spitfires and Hurricanes. It was an Ealing Studios film made in 1941 with the support of the War Office and the Free French Forces. All of the 'heroes' are portrayed as ordinary people caught up in the war.
The Blue Parrot is a low budget 1953 British "B" crime film directed by John Harlow and starring Dermot Walsh, Jacqueline Hill, Ballard Berkeley, Richard Pearson, and John Le Mesurier. The film was produced by Stanley Haynes for Act Films Ltd. The screenplay is by Alan MacKinnon from a story by British crime reporter Percy Hoskins.
Tread Softly is a 1952 British crime film with musical overtones, directed by David MacDonald and starring Frances Day, Patricia Dainton and John Bentley. A chorus girl investigates a series of mysterious happenings at a derelict theatre.
Torment is a 1950 British second feature thriller film directed by John Guillermin and starring Dermot Walsh, Rona Anderson and John Bentley.
Solution by Phone is a 1954 British crime film directed by Alfred Travers and starring Clifford Evans, Thea Gregory and Georgina Cookson. The screenplay concerns an actor who seeks help from a crime novelist in his attempts to dispose of a body. It was a second feature, shot at Brighton Studios with sets designed by the art director Don Russell.
The Lost Hours is a 1952 British film noir directed by David MacDonald and starring Mark Stevens, Jean Kent and John Bentley. It was produced by Tempean Films which specialised in making second features at the time, and marked Kent's first descent into B films after her 1940s stardom. It was shot at Isleworth Studios and on location around London. The film's sets were designed by the art director Andrew Mazzei. It was released in the United States the following year by RKO Pictures as The Big Frame.
No Trace is a 1950 British second feature crime film directed by John Gilling and starring Hugh Sinclair, Dinah Sheridan and John Laurie. A crime writer murders a blackmailer, and is then asked to help solve the case by the police.
The Frightened Man, also known as Rosselli and Son, is a 1952 British second feature crime film directed by John Gilling and starring Dermot Walsh, Barbara Murray and Charles Victor. An antiques dealer suffers a dramatic fall from grace.
Glad Tidings is a 1953 British comedy film directed by Wolf Rilla and starring Barbara Kelly, Raymond Huntley and Ronald Howard. It was based on the play of the same title by R. F. Delderfield and made at the Nettlefold Studios in Walton-on-Thames. The film's art direction was by John Stoll. The backers Eros Films were pleased enough with the film's success to adapt another Delderfield play as Where There's a Will in 1955.
Behind the Headlines is a 1953 British crime film directed by Maclean Rogers and starring Gilbert Harding, John Fitzgerald and Adrienne Fancey.
Counterspy is a 1953 British second feature thriller film directed by Vernon Sewell and starring Dermot Walsh, Hazel Court and Hermione Baddeley. An accountant comes into possession of secret papers sought by both the government and a spy ring.
The Temptress is a 1949 British drama film directed by Oswald Mitchell and starring Joan Maude, Arnold Bell and Don Stannard. It was made as a second feature at Bushey Studios. It was the final film directed by Mitchell before his death the same year.
Dark Secret is a 1949 British crime film directed by Maclean Rogers and starring Dinah Sheridan, Emrys Jones and Irene Handl. It was a remake of the 1933 film The Crime at Blossoms, also directed by Rogers.
To the Public Danger is a 1948 British drama short film directed by Terence Fisher and produced by John Croydon. It stars Dermot Walsh, Susan Shaw, Barry Letts, and Frederick Piper.
The Happiness of Three Women is a 1954 British drama film directed by Maurice Elvey and starring Brenda de Banzie, Donald Houston and Petula Clark. The film was released on the Odeon Circuit as a double bill with The Crowded Day. It was made at Walton Studios with sets designed by the art director John Stoll. It was adapted from Eynon Evans's Welsh-set play Wishing Well.
His Brother's Keeper is a 1940 British crime film directed by Roy William Neill and starring Clifford Evans, Tamara Desni and Una O'Connor.
Emergency is a 1962 British second feature drama film directed by Francis Searle and starring Glyn Houston, Zena Walker and Dermot Walsh.
Straw Man is a 1951 mystery thriller novel by the American writer Doris Miles Disney.
