The Sweet Hereafter (soundtrack)

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The Sweet Hereafter
Sweet Hereafter Soundtrack.jpg
OST CD cover
Soundtrack album by
ReleasedNovember 18, 1997 (1997-11-18)
StudioCBC Studio 44
Genre Early Music
Length51:37
Label Virgin Records
Producer Ron Searles

The Sweet Hereafter is the soundtrack album to Atom Egoyan's 1997 film The Sweet Hereafter .

Contents

Track listing

The album contains composer Mychael Danna's score, with several songs featuring lyrics and vocals by actress Sarah Polley. [1]

#TrackBy
1"The Sweet Hereafter"Danna and Polley
2"Procession"Danna
3"One More Colour" Jane Siberry and Polley
4"Bus"Danna
5"Bus Stop"Danna and Graham Gouldman
6"Courage (for Hugh MacLennan)" The Tragically Hip and Polley
7"It's Important That We Talk"Danna
8"Dog Track Drizzle"Danna
9"Thin Ice"Danna
10"It Was a Wonderful Time in Our Lives"Danna
11"Pied Piper"Danna
12"A Huge Wave"Danna
13"Boy"Danna and Polley
14"Why I Lied"Danna
15"A Different Town"Danna

Background

Mychael Danna.jpg
Sarah Polley - 66th Venice International Film Festival, 2009 (2).jpg
Mychael Danna, left, arranged popular Canadian songs which actress Sarah Polley performed, and the two worked together to create original songs.

The film makes references to The Pied Piper of Hamelin by Robert Browning, which influenced composer Mychael Danna's music. He used a Persian ney flute along with old instruments such as recorders, crumhorns and lutes, [2] creating "a pseudo-medieval score" [3] which was performed by the Toronto Consort, conducted by David Fallis. [4] [5] [6] [7] [8] The ney performer is Persian music teacher Hossein Omoumi. [9] The score thus combined Danna's interests in old and exotic music. [10] Egoyan stated medieval-style music was used to make the film feel timeless, evoking Brothers Grimm fairy tales and avoiding the feel of a TV movie. [11]

Polley's character, Nicole, is an aspiring singer before the accident, and is seen on stage performing the Tragically Hip's "Courage (for Hugh MacLennan)" and Jane Siberry's "One More Colour". Danna and Polley cooperated to create Nicole's music, with Polley writing lyrics to Danna's original songs and with Danna arranging the adaptations of "Courage" and "One More Colour". The songs were chosen because of their domestic popularity, reinforcing the local nature of Nicole's music. [12] The Tragically Hip's original version of "Courage" also appears in the film. [13]

Release

The album was released in Canada by Virgin Music Canada, selling 7,000 copies by May 1998. The album was also released by Virgin Records in the United States, United Kingdom and Europe. [1] By October, the album had sold 25,000 copies worldwide, bringing in a profit for Virgin Records given the inexpensive production. [14]

Reception

Gramophone magazine gave the soundtrack a positive review, writing "A dreamy piece for keyboards, as well as other delicate atmospheres, makes the viewer/listener aware of the transforming power of grief". Gramophone also stated "Polley’s plaintive, beautiful soprano voice is a real find". [9]

MTV wrote "the soundtrack, which also includes Polley's cover of Toronto singer-songwriter Jane Siberry's 'One More Colour,' plus an original score by Canadian composer Mychael Danna, provides positive counterbalances to the bleak images on the film". [15]

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References

  1. 1 2 LeBlanc, Larry (2 May 1998). "TV, Film Score Field Still in Early Years". Billboard . p. 60.
  2. Mera 2007, p. 37.
  3. Mera 2007, p. 36.
  4. "Toronto Consort". The Canadian Encyclopedia . Historica Canada. Performance ensemble formed in Toronto in 1972 to perform early vocal and instrumental music (about 1200 to 1675)... in 1997 it performed on the soundtrack of Canadian director Atom Egoyan's award-winning film, The Sweet Hereafter.
  5. Brown, Royal S. (2007). Film Musings: A Selected Anthology from Fanfare Magazine . Scarecrow Press. p. 262.
  6. "The Sweet Hereafter (1997) ****". Film Score Monthly. 3 (1): 39. 1 January 1998. ...featuring the Toronto Consort and Hossein Omoumi on the Iranian ney flute.
  7. Wyndham Wise (ed.). Take One's Essential Guide to Canadian Film. p. 204. Sweet Hereafter, The [...] mus Mychael Danna, Toronto Consort...
  8. Whitesell, Lloyd (Summer 2011). "Musical Eclecticism and Ambiguity in The Sweet Hereafter". American Music. 29 (2). University of Illinois Press: 229–263. doi:10.5406/americanmusic.29.2.0229. JSTOR   10.5406/americanmusic.29.2.0229. p. 245: Danna enlists the Toronto Consort to perform on a variety of historical instruments, including lute, recorder, shawm, sackbut, krumhorn, vielle, hurdy gurdy, and percussion. Contrapuntal texture, modal harmony, and melodic shape evoke renaissance styles; repeating rhythmic patterns often suggest dance music.
  9. 1 2 KM. "The Sweet Hereafter Original Soundtrack". Gramophone . Retrieved 19 August 2016.
  10. Mera 2007, p. 38.
  11. Wood 2006, p. 59.
  12. Mera 2007, p. 41.
  13. Mera 2007, p. 42.
  14. LeBlanc, Larry (3 October 1998). "Virgin Roster Thrives Under Kulawick". Billboard . p. 64.
  15. "The Tragically Hip Find the Courage to Succeed". MTV . 20 May 1997. Retrieved 19 August 2016.

Bibliography