Frederick George Hobson, known as Fred Leslie, was an English actor, singer, comedian and dramatist.
George Grossmith was an English comedian, writer, composer, actor, and singer. His performing career spanned more than four decades. As a writer and composer, he created 18 comic operas, nearly 100 musical sketches, some 600 songs and piano pieces, three books and both serious and comic pieces for newspapers and magazines.
The Opera Comique was a 19th-century theatre constructed in Westminster, London, located between Wych Street, Holywell Street and the Strand. It opened in 1870 and was demolished in 1902, to make way for the construction of the Aldwych and Kingsway.
Henry James Byron was a prolific English dramatist, as well as an editor, journalist, director, theatre manager, novelist and actor.
Thespis, or The Gods Grown Old, is an operatic extravaganza that was the first collaboration between dramatist W. S. Gilbert and composer Arthur Sullivan. No musical score of Thespis was ever published, and most of the music has been lost. Gilbert and Sullivan went on to become the most famous and successful artistic partnership in Victorian England, creating a string of enduring comic opera hits, including H.M.S. Pinafore, The Pirates of Penzance and The Mikado.
Clement William Scott was an influential English theatre critic for The Daily Telegraph and other journals, and a playwright, lyricist, translator and travel writer, in the final decades of the 19th century. His style of criticism, acerbic, flowery and carried out on the first night of productions, set the standard for theatre reviewers through to today.
Sir Francis Cowley Burnand, usually known as F. C. Burnand, was an English comic writer and prolific playwright, best known today as the librettist of Arthur Sullivan's opera Cox and Box.
John Lawrence Toole was an English comic actor, actor-manager and theatrical producer. He was famous for his roles in farce and in serio-comic melodramas, in a career that spanned more than four decades, and the first actor to have a West End theatre named after him.
Benjamin Charles Stephenson or B. C. Stephenson was an English dramatist, lyricist and librettist. After beginning a career in the civil service, he started to write for the theatre, using the pen name "Bolton Rowe". He was author or co-author of several long-running shows of the Victorian theatre. His biggest hit was the comic opera Dorothy, which set records for the length of its original run.
Charles Henry Collette was an English stage actor, composer and writer noted for his work in comedy in a long career onstage. He appeared, beginning in the late 1860s, in many Bancroft productions and was engaged by other managers, including J. L. Toole, John Hollingshead, Mary Anderson, Lydia Thompson and Herbert Beerbohm Tree, as well as performing in his own companies. He toured for some years as the title character in F. C. Burnand's The Colonel and played many military men.
Victorian burlesque, sometimes known as travesty or extravaganza, is a genre of theatrical entertainment that was popular in Victorian England and in the New York theatre of the mid-19th century. It is a form of parody in which a well-known opera or piece of classical theatre or ballet is adapted into a broad comic play, usually a musical play, usually risqué in style, mocking the theatrical and musical conventions and styles of the original work, and often quoting or pastiching text or music from the original work. Victorian burlesque is one of several forms of burlesque.
Ruy Blas and the Blasé Roué is a burlesque written by A. C. Torr and Herbert F. Clark with music by Meyer Lutz. It is based on the Victor Hugo drama Ruy Blas. The piece was produced by George Edwardes. As with many of the Gaiety burlesques, the title is a pun.
Sir William Schwenck Gilbert was an English dramatist, librettist, poet and illustrator best known for his collaboration with composer Arthur Sullivan, which produced fourteen comic operas. The most famous of these include H.M.S. Pinafore, The Pirates of Penzance and one of the most frequently performed works in the history of musical theatre, The Mikado. The popularity of these works was supported for over a century by year-round performances of them, in Britain and abroad, by the repertory company that Gilbert, Sullivan and their producer Richard D'Oyly Carte founded, the D'Oyly Carte Opera Company. These Savoy operas are still frequently performed in the English-speaking world and beyond.
Fun was a Victorian weekly humorous magazine, first published on 21 September 1861 in competition with Punch.
Ellen "Nellie" Farren was an English actress and singer best known for her roles as the "principal boy" in musical burlesques at the Gaiety Theatre in London.
John Hollingshead was an English theatrical impresario, journalist and writer during the latter half of the 19th century. After a journalism career, Hollingshead managed the Alhambra Theatre and was later the first manager of the Gaiety Theatre, London. Hollingshead also wrote several books during his life.
Henrietta Hodson was an English actress and theatre manager best known for her portrayal of comedy roles in the Victorian era. She had a long affair with the journalist-turned-politician Henry Labouchère, later marrying him.
The Forty Thieves is a "Pantomime Burlesque" written by Robert Reece, W. S. Gilbert, F. C. Burnand and Henry J. Byron, created in 1878 as a charity benefit, produced by the Beefsteak Club of London. The Beefsteak Club still meets in Irving Street, London. It was founded by actor John Lawrence Toole and others in 1876, in rooms above the Folly Theatre, King William IV Street. It became an essential after theatre club for the bohemian theatre set, such as Henry Irving, Toole, John Hare, W. H. Kendal, F. C. Burnand, Henry Labouchère, W. S. Gilbert and two hundred of their peers. It soon moved to Green Street. The Club occasionally performed amateur plays for their own amusement and to raise funds for charities.
Carmen up to Data is a musical burlesque with a score written by Meyer Lutz. Set in Seville, the piece was a spoof of Bizet's 1875 opera Carmen. The libretto was written by G. R. Sims and Henry Pettitt.
William Beatty-Kingston was an English journalist, known both as a foreign correspondent and a music critic.
