The Time to Live and the Time to Die

Last updated
A Time to Live, A Time to Die
The Time to Live and the Time to Die.jpg
Chinese 童年往事
Literal meaningChildhood events
Hanyu Pinyin Tóngnián wǎngshì
Directed by Hou Hsiao-hsien
Written by Chu T’ien-wen
Hou Hsiao-hsien
Starring Yu An-shun
Tien Feng
Xin Shufen
Cinematography Mark Lee Ping-Bin
Music byWu Chu-chu
Production
company
Distributed byCentral Motion Pictures Corporation
Release date
  • 1985 (1985)
Running time
138 minutes
CountryTaiwan
Languages Mandarin
Hakka
Taiwanese Minnan

The Time to Live and the Time to Die, also known as A Time to Live, A Time to Die is a 1985 Taiwanese film directed by Hou Hsiao-hsien. This film is inspired by Hou's own experience of growing up in Fengshan, Kaohsiung city. It is the second part of Hou's coming-of-age trilogy, preceded by A Summer at Grandpa's (1984) and followed by Dust in the Wind (1986).

Contents

Plot

The Time to Live and the Time to Die adopts Hou Hsiao-hsien’s own voice as the voice-over narrator to tell the story of the maturation of Ah-ha (阿孝; Hou’s nickname pronounced in Hakka), which spans from the years of 1947 to 1965. It begins with Hou recounting how his father, who was a public servant in the Nationalist government, brought his family to Taiwan to live in Hsinchu and then moved to the dormitory in Fengshan, Kaohsiung due to his ill health.  Ah-ha’s grandma would always go out to call him back for dinner and sometimes take him with her to embark on the road to go back to the home in China. The father died when Hou was still young. He grew up to become a rebellious high school student. While marks of tanks on the asphalt road indicated that Taiwan was in a state of war, it did not prevent Ah-ha from picking fights with other students or local gangs. He was defiant enough to even deflate his school teacher‘s bike tire and break the window of the veteran house. The death of his mother began to make him change. He fell in love with a girl from another high school, who told him she would only consider dating him after he was admitted to college, which prompted him to seriously prepare for the college entrance exam. A year later Ah-ha failed the exam. He blamed himself for neglecting to take good care of his grandmother, who died without being noticed by him and his two young brothers at home. The mortician found that half of her body was already in decay and gave them a scolding look for their lack of filial piety. The narrator ends the film by saying that he was often reminded of the road he walked with his grandmother to go back to China and the many guava they picked on the way home.

Production

The Time to Live and the Time to Die is a film which is inspired by Hou Hsiao-hsien’s own life story, which is shot in his old home in Fengshan District, Kaohsiung, and the voice-over in this film is also recorded by the director himself. Hou mentioned that he tried to make the film realistic to render his childhood memories on screen and that he actually cared very little about the form when shooting the film. The documentary, Portrait of Hou Hsiao-Hsien, by Olivier Assayas, begins with the segment of The Time to Live and the Time to Die. It also invites Hou to take the crew back to his hometown for a tour of the locations in The Time to Live and the Time to Die. [1]

Nearly all of the actors in this film are non-professional and are picked by Hou. Actor Yu An-Shun and Actress Hsin Shu-fen made their debut in this film. Yu An-Shun (游安順) was introduced to Hou Hsiao-hsien by actress Yang Li-Yin (楊麗音) and cinematographer Chen Huai-En (陳懷恩). [2] Hsin Shu-fen was discovered by Hou near a theatre in Ximending, Taipei. She was later cast in many of Hou’s later films, including the acclaimed Dust in the Wind. [3]

The film’s director of sound Tu Du-Chih and cinematographer Lee Ping-Bin became Hou Hsiao-hsien’s important long-term collaborators after they collaborated on this film. [3]

Actress Mei Fang (梅芳), who could speak Taiwanese, Hakka, and Mandarin fluently, was also the dubbing instructor when the film was being filmed, who taught most of the actors how to speak Hakka. [4]

The digital restoration of this film was released in 2013 by Central Motion Picture Corp. [4]

Cast

Actor/ActressRole
Tian Feng (田豐)A Xiao(阿孝)’s father
Mei Fang (梅芳)A Xiao’s mother
Tang Ru-Yun (唐如韞)A Xiao’s grandmother
Xiao Ai (蕭艾)A Xiao’s sister/Hui-Lan (惠闌)
Yu An-Shun (游安順)A Xiao/He Xiao-Yan (何孝炎)
Chen Shu-Fang (陳淑芳)Mother of A Xia’s crush
Xin Shu-Fen (辛樹芬)High school girl/A Xia’s crush

Awards

Reception

Rotten Tomatoes reports 100% approval for The Time to Live and the Time to Die, based on five reviews with an average rating of 8.2/10. Janet Maslin of The New York Times praised its cinematography and wrote that "much of the film is about suffering and loss, detailing the painful circumstances in which family members, one by one, grow ill and die. The simplicity and tact with which these illnesses are chronicled help to give an otherwise largely uneventful film some emotional impact…It's an unpretentious and largely unremarkable film that occasionally reaches unexpected depths of feeling". [6] Variety called it a "beautifully controlled and highly nostalgic picture of childhood". [7]

Legacy

Derek Malcolm has compared Hou Hsiao-hsien to Satyajit Ray and wrote that the film's honesty and truth "manage[s] to summon up this little microcosm of the world perfectly…Everything is right: the miraculous use of sound, the limpid cinematography, the natural acting create an atmosphere you can't forget". [8] Jonathan Rosenbaum praised its long takes and deep focus cinematography and called it "unhurried family chronicle carries an emotional force and a historical significance that may not be immediately apparent". [9] Geoff Andrew of Time Out wrote that "it is the unflinching, unsentimental honesty that supplies the elegiac intelligence: Hou's quiet style bursts forth, here and there, into sudden, superlative scenes of untrammelled emotional power. It's a brilliantly simple but multi-faceted portrait of loss and the complacency of childhood: quite literally, we can't go home again". [10]

Anecdotes

Actress Yang Li-Yin (楊麗音) had cooperated with Hou Hsiao-hsien for multiple times, and starred in many of his films. She volunteered to be the assistant director, who was in charge of prop in The Time to Live and the Time to Die. It was her first time as a technical crew. In an interview, she said that she didn’t do well in this occupation , and after this film, Hou joked and told her she better stayed focused as an actress. [4]

Chen Shu-Fang (陳淑芳)’s part in The Time to Live and the Time to Die was cut in the digital restoration version due to film damping. The restored version was as a result defective. [4]

Related Research Articles

<span class="mw-page-title-main">Hou Hsiao-hsien</span> Taiwanese director, actor (born 1947)

Hou Hsiao-hsien is a retired Mainland Chinese-born Taiwanese film director, screenwriter, producer and actor. He is a leading figure in world cinema and in Taiwan's New Wave cinema movement. He won the Golden Lion at the Venice Film Festival in 1989 for his film A City of Sadness (1989), and the Best Director award at the Cannes Film Festival in 2015 for The Assassin (2015). Other highly regarded works of his include The Puppetmaster (1993) and Flowers of Shanghai (1998).

<i>Flowers of Shanghai</i> 1998 film by Hou Hsiao-hsien

Flowers of Shanghai is a 1998 Taiwanese drama film directed by Hou Hsiao-hsien. It is based on the novel The Sing-song Girls of Shanghai (1892) by Han Bangqing, which was originally written in the Wu language (吳語) and translated into Mandarin Chinese by Eileen Chang. The film stars Tony Leung as a wealthy patron and Hada Michiko, Annie Shizuka Inoh, Shuan Fang, Jack Kao, Carina Lau, Rebecca Pan, Michelle Reis and Vicky Wei as "flower girls" in four high-end Shanghai brothels. It was voted the third best film of the 1990s in the Village Voice Film Poll conducted in 1999. The film was selected as the Taiwanese entry for the Best Foreign Language Film at the 71st Academy Awards.

<span class="mw-page-title-main">Lim Giong</span> Taiwanese musician

Lim Giong is a Taiwanese musician, DJ, actor, and an active figure in the Taiwanese experimental electronic music scene. He is known for recording rock songs in Taiwanese Hokkien, starting with his first hit song "Marching Forward" in 1990. He is also known as writing film scores for directors such as Hou Hsiao-hsien, Jia Zhangke, and Bi Gan. His has received numerous awards for his work, including the Cannes Soundtrack Award in 2015 for The Assassin.

<i>Dust in the Wind</i> (film) 1986 Taiwanese film

Dust in the Wind is a 1986 Taiwanese film directed by Hou Hsiao-hsien. It is based on co-screenwriter Wu Nien-jen's own experiences, and is the first of a trilogy of Hou and Wu's collaborations, the others being A City of Sadness (1989) and The Puppetmaster (1993).

Chen Kun-hou (陳坤厚) is a veteran cinematographer, who started his career in the 1960s. He won his first best cinematography award at Golden Horse Awards in 1978 for He Never Gives Up (汪洋中的一條船), directed by Lee Hsing (李行). In the early 1980s he began to direct his own films in collaboration with Hou Hsiao-hsien (侯孝賢). After series of urban comedies, he made quite a few representative films of the Taiwan New Cinema, such as Growing Up, which won him the best director award at the Golden Horse Awards, His Matramony, which won him the second best cinematography award at Golden Horse Awards, and My Favorite Season, and Osmanthus Alley. He is awarded for his life achievement in Taiwan cinema at the 60th Golden Horse Awards in 2023.

<i>Taipei Story</i> 1985 Taiwanese film

Taipei Story is a 1985 Taiwanese film directed by Edward Yang — his second full-length feature film and third overall. The film stars Hou Hsiao-hsien and singer Tsai Chin to depict the grinding relationship of Ah-lung and Ah-chen, who have known each other since childhood in Taipei. It is doomed to fail because Ah-lung cannot forget about the past while Ah-chen is eager to embrace the future as Taipei undergoes modernization and globalization. Taipei Story is one of the representative films of the New Taiwanese Cinema. It won the FIPRESCI Prize at the 38th Locarno Film Festival in 1985.

The Boys from Fengkuei, also known as All the Youthful Days, is a 1983 Taiwanese film directed by Hou Hsiao-hsien. The movie is about a group of impulsive teenagers with nothing to do and high energy. While waiting to be enlisted in the army, they cause trouble in their hometown, Fengkuei, and run away from Penghu to Kaohsiung. From a small town to a big city, through the depression and turmoil of youth they experience unforgettable life scenery and gradually recede from their original youthfulness. It was Hou Hsiao-hsien's first art film after he directed three light comedies in the early eighties and a representative work of the Taiwan New Cinema at its inception.

<i>Dust of Angels</i> 1992 Taiwanese film

Dust of Angels is a 1992 Taiwanese crime film directed by Hsu Hsiao-ming, executive produced by Taiwanese filmmaker Hou Hsiao-hsien. It was entered into Directors' Fortnight at the 1992 Cannes Film Festival. "An lah" (安啦) is a Taiwanese Hokkien colloquialism; the title in full roughly translates to "take it easy, lad" or "cool it, kid."

<span class="mw-page-title-main">Gingle Wang</span> Taiwanese actress

Gingle Wang is a Taiwanese actress and writer. Gingle began her acting career in 2017 in the film All Because of Love. Her breakthrough came in 2019 with the psychological horror film Detention, where her performance won Best Actress at the 22nd Taipei Film Awards and a nomination for Best Leading Actress at the 56th Golden Horse Awards. She has been described by the Harper's Bazaar Taiwan as a rising star amongst the new generation of Taiwanese actresses.

Hou Chi-jan is a Taiwanese director and writer. His works are often related to historical memories.

<i>Father to Son</i> (film) 2018 Taiwanese drama film directed by Hsiao Ya-chuan

Father to Son is a 2018 Taiwanese drama film directed and written by Hsiao Ya-chuan. The production companies behind the film are Bit Production in association with Pixelfly Digital Effects.

<span class="mw-page-title-main">Tseng Jing-hua</span> Taiwanese actor

Tseng Jing-hua is a Taiwanese actor from Yilan. He is best known for playing the character of Birdy in the 2020 film Your Name Engraved Herein, the highest-grossing LGBT film in Taiwan. He also appeared as Wei Chung-ting in the supernatural horror Detention, for which he received a nomination for Best New Performer at the 56th Golden Horse Awards.

<span class="mw-page-title-main">Caitlin Fang</span> Taiwanese actress (born 2006)

Caitlin Fang is a Taiwanese actress. She won the Golden Horse Award for Best New Performer and the Taipei Film Award for Best New Talent for her role in the film American Girl (2021). In 2022, at age 16, Fang became the youngest actor to receive nominations for all three acting awards from Golden Horse Award; namely, Best Leading Actress, Best New Performer and Best Supporting Actress − with the former two for American Girl and the latter for The Post-Truth World (2022).

Yang-Yang is a 2009 Taiwanese film directed by Cheng Yu-Chieh. It is the director’s second feature film, and also the first film in Ang Lee and Khan Lee’s Tui Shou Ji Hua . The film stars Sandrine Pinna, Chang Ruei-Jia, and Huang Chien-Wei to tell the story of a Taiwanese-French biracial girl Yang-Yang, who struggles to balance the image of a nice girl expected of her in the society and her true self longing for love.

Liao Ching-sung, also known as "Liao-san" (廖桑), is a Taiwanese film editor, known for his work with Taiwanese New Wave directors such as Hou Hisao-Hsien, Edward Yang and Wan Jen. He has received numerous accolades including two Golden Horse Awards for Outstanding Taiwanese Filmmaker of the Year, as well as the Special Contribution Award of Golden Horse Awards in 2018.

<span class="mw-page-title-main">Hsieh Hsin-Ying</span> Taiwanese actress

Hsieh Hsin-Ying, also known as Nikki Hsieh is a Taiwanese actress and model. Her works have expanded in different realms, including advertising, movies,and TV series. She appeared in the movies including Make Up, i WEiRDO, and The Assassin. As for the TV shows, she participated in Light the Night, Love @ Seventeen, and Meet Me @ 1006. In 2006, she participated in Reflections and won the 43rd Golden Horse Award for the Best Supporting Actress.

Singing Chen is a Taiwanese film director, documentary filmmaker, and music composer. She graduated from Advertising in the Department of Mass Communication at Fu Jen Catholic University in 1997. Her works primarily focus on topics related to humanities and arts and culture, and she uses a magical realism approach to establish her visual style. She has received numerous international and domestic awards nominations for her work.

Taiwan New Cinema was a film reform movement initiated by young Taiwanese filmmakers and directors which took place from 1982 to 1987. Taiwan New Cinema films primarily showcase a realistic style with their depictions of subject matter close to the social reality, offering a retrospective look into the lives of the common people. Taiwan New Cinema brought about a new chapter for the cinema of Taiwan with its innovative form and unique style.

Lu Hsiao-Fen is a Taiwanese actress known for her roles in the woman's revenge subgenre within Taiwanese social-realist cinema. In the later years of her career, she was critically acclaimed as an actress in adaptations of Taiwan nativist novels, most prominently A Flower in the Raining Night.

<span class="mw-page-title-main">Jake Pollock</span> American cinematographer

Jake Pollock, also known as 包軒鳴 is an American cinematographer based in Taiwan, whose work covers feature films, short films, commercials and music videos. He has collaborated with internationally acclaimed directors such as Wong Kar Wai, Peter Chan, Lou Ye, and Derek Tsang.

References

  1. "聚焦金馬57|從台灣新電影到終身成就獎—侯孝賢 - MyVideo 影音週報". blog.myvideo.net.tw (in Chinese). Retrieved 2023-06-06.
  2. 方, 元 (2022-11-18). "半百老戲骨,楊麗音、游安順戲夢人生:人生如茶葉蛋,裂縫愈多愈入味". 大人社團.
  3. 1 2 白, 睿文 (2014). 煮海時光:侯孝賢的光影記憶 (in Chinese (Taiwan)). Taiwan: 印刻. ISBN   9789865823658.
  4. 1 2 3 4 第15屆台北電影節 (taipeiff2013) (2013-07-10). "【座談記錄】0708《童年往事:數位修復版》映後座談記錄 @ 2013第15屆台北電影節官方部落格 :: 痞客邦 ::". 2013第15屆台北電影節官方部落格 (in Chinese (Taiwan)). Retrieved 2023-06-06.{{cite web}}: CS1 maint: numeric names: authors list (link)
  5. "台北金馬影展 Taipei Golden Horse Film Festival". www.goldenhorse.org.tw (in Chinese (Taiwan)). Retrieved 2023-06-06.
  6. Maslin, Janet (September 23, 1986). "A Time to Live and a Time to Die (1985) 'TIME TO LIVE' RECOUNTS STORY OF TAIWAN FAMILY". The New York Times. Retrieved February 23, 2015.
  7. "Review: 'Tongnian Wangshi'". Variety. December 31, 1984. Retrieved February 23, 2015.
  8. Malcolm, Derek. "Hou Hsiao-hsien: The Time to Live and the Time to Die". The Guardian. Retrieved February 23, 2015.
  9. Rosenbaum, Jonathan (2013). "A Time to Live and a Time to Die". Chicago Reader. Retrieved February 23, 2015.
  10. Andrew, Geoff. "The Time to Live and the Time to Die". Time Out London. Retrieved February 23, 2015.