Related Research Articles
The Traitor is a Caroline era stage play, a tragedy written by James Shirley. Along with The Cardinal,The Traitor is widely considered to represent the finest of Shirley's efforts in the genre, and to be among the best tragedies of its period. "It is impossible to find a more successful drama of its type than Shirley's Traitor."
The Half-Pay Officers is a 1720 comedy play by the Irish writer Charles Molloy. The play included popular scenes from Henry V, Much Ado About Nothing and Love and Honour. It proved popular with audiences and was revived on a number of occasions. It premiered with the farce Hob's Wedding as an afterpiece.
The Wife's Relief, or, The Husband's Cure is a 1711 comedy play by the British writer Charles Johnson. The plot revolves around a virtuous wife who tries to mend her husband's rakish ways.
The Coquet, or the English Chevalier is a 1718 comedy play by the Irish writer Charles Molloy.
A Woman's Revenge, or a Match in Newgate is a 1715 comedy play by the British writer Christopher Bullock. It was originally performed as an afterpiece to another work The Lucky Prodigal. With its Newgate Prison setting and cynical references to corruption, it could be regarded as a precursor to John Gay's hit The Beggar's Opera of a decade later.
The Dissembled Wanton is a 1726 comedy play by the British writer Leonard Welsted.
Woman Is a Riddle is a 1716 comedy play by the British actor Christopher Bullock. Sometimes its title is written as A Woman Is a Riddle.
The Chimera is a 1721 comedy play by the British writer Thomas Odell.
Hibernia Freed is a 1722 tragedy by the writer William Phillips. It is set during the ninth century during the Viking Invasion of Ireland. It was part of a growing Anglo-Irish interest in traditional Irish history, and part of a tendency to switch tragedy from Ancient Rome or Greece to more native settings.
Hob's Wedding is a 1720 farce by the Irish writer John Leigh.
Themistocles, the Lover of His Country is a 1729 tragedy by the Irish writer Samuel Madden. It is based on the life of the Ancient Greek general Themistocles.
The Unhappy Penitent is a 1701 tragedy by the English writer Catherine Trotter. It is set at the French court of the late fifteenth century where Charles III plans to break his marriage agreement with Margaret of Austria so that he can make a dynastic union with Anne of Brittany acquiring the Duchy of Brittany for France.
The Fatal Legacy is a 1723 tragedy by the British writer Jane Robe. It was inspired by Jean Racine's 1664 play La Thébaïde. It concerns the children of Oedipus in Ancient Thebes.
Antiochus the Great is a 1701 tragedy by the English writer Jane Wiseman. It is also known by the longer title of Antiochus the Great, or, The Fatal Relapse. It is based on the life of Antiochus the Great, the Greek ruler of Ancient Syria.
The Fine Lady's Airs is a 1708 comedy play by the British writer Thomas Baker.
Henry IV of France is a 1719 tragedy by the British writer Charles Beckingham. It portrays the reign of Henry IV of France, who was assassinated in 1610.
The City Ramble is a 1711 comedy play by the British writer Elkanah Settle. It should not be confused with the 1715 play A City Ramble.
Sir Walter Raleigh is a 1719 tragedy by the British writer George Sewell. It is based on the downfall of Walter Raleigh a successful courtier and sailor in the reign of Elizabeth who was executed in the reign of her successor James I. It was originally staged at the Lincoln's Inn Fields Theatre, one of the two patent theatres operating in London.
The Cobbler of Preston is a 1716 comedy play by Christopher Bullock, although a separate play of the same title was written by Charles Johnson the same year. A one-act afterpiece is the origin of the phrase "Tis impossible to be sure of anything but Death and Taxes". In the preface to the published version Bullock suggested that he had begun writing the play just four days before its premiere. It takes inspiration from The Taming of the Shrew by William Shakespeare and is set in Preston, Lancashire. The town had recently been scene of fighting during the 1715 Jacobite Rebellion at the Battle of Preston. Bullock's play does not overtly reference the rebellion, but has undertones supportive of the Hanoverian Dynasty.
Appius and Virginia is a 1709 tragedy by the British writer John Dennis. It was a distinct reworking by Dennis of an older play of the same title by John Webster. It was not a particular success on its debut. It became best known for Dennis' use of an innovative new technique to imitate the sound of thunder. When Dennis' play was taken off and a revival of Macbeth put off, he was angered when he attended a performance and discovered they were using his thunder machine, reportedly exclaiming "they will not let my play run, and yet they steal my thunder". This gave rise to the expression "stealing thunder".
