The Wonderfull Yeare

Last updated

The Wonderfull Yeare is Thomas Dekker's first pamphlet, written and printed in 1603, the year of Queen Elizabeth's death, James I's accession, and an outbreak of the bubonic plague in England.

Contents

Context

Prior to writing The Wonderfull Yeare, Dekker was a playwright in London, but upon the closing of London's theatres in 1603 due to the plague, Dekker turned to pamphleteering to generate an income. [1] Dekker was just one of thousands of Londoners affected by the outbreak of plague, though he did not actually become sick. [2]

Dekker's work focuses on the "wonderful" events that took place in the London area in 1603, where "wonderful" refers to something surprising or astonishing. [2] [3] The year 1603 was generally characterised by extreme instability, both politically and economically. [2]

Summary

Dekker first eulogises the death of Queen Elizabeth I, who had been queen since 1558. He laments the Elizabethan golden age and recalls how England's joy was suddenly eclipsed by Elizabeth's death. Dekker personifies Death and blames him for taking the queen's life. [4]

Dekker recalls how the announcement of Elizabeth's death "tooke away hearts from millions" and plunged her subjects into grief. [5] He recalls the widespread lamentation at her death and includes in his work some of the epigrams written for her funeral at Whitehall. [6] Dekker was not the only one to view the outbreak of plague as a divine consequence of Elizabeth's death. [7] [8]

Dekker then turns to the accession of James I: he says that the "holesome receipt of a proclaymed King" temporarily cured the grief caused by Elizabeth I's death. [9] He recalls the sudden change in monarch and the particular effect that this has on the kingdom: "Upon Thursday it was treason to cry God save king James of England, and upon Friday treason not to cry so". [10] He says that the feeling of the golden age returned in the first months of James I's rule, but when the plague struck in the summer of 1603, people were once again struck with lamentation.

The remainder of The Wonderfull Yeare recounts the horrors of the plague epidemic in 1603, both in London and the surrounding countryside. Dekker also gives the plague a persona in order to personally blame it for the thousands of deaths that it causes, and describes how the plague cannot be avoided: it affects everyone to some extent and takes its victims without warning. [11] Dekker comments on how the number of plague victims could double from morning to night. [12] Overall, Dekker concludes that Death has the last say, and the widespread fear of and the struggle to avoid death during 1603 made "fooles" of everyone. [13]

Related Research Articles

<span class="mw-page-title-main">Thomas Middleton</span> English playwright and poet, 1580–1627

Thomas Middleton was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants.

This article presents lists of the literary events and publications in 1603.

This article contains information about the literary events and publications of 1601.

<span class="mw-page-title-main">John Stow</span> 16th-century English historian and antiquarian

John Stow was an English historian and antiquarian. He wrote a series of chronicles of English history, published from 1565 onwards under such titles as The Summarie of Englyshe Chronicles, The Chronicles of England, and The Annales of England; and also A Survey of London. A. L. Rowse has described him as "one of the best historians of that age; indefatigable in the trouble he took, thorough and conscientious, accurate – above all things devoted to truth".

<span class="mw-page-title-main">Thomas Dekker (writer)</span> 16th/17th-century English dramatist and pamphleteer

Thomas Dekker was an English Elizabethan dramatist and pamphleteer, a versatile and prolific writer, whose career spanned several decades and brought him into contact with many of the period's most famous dramatists.

Henry Chettle was an English dramatist and miscellaneous writer of the Elizabethan era, best known for his pamphleteering.

<span class="mw-page-title-main">Thomas Heywood</span> 16th/17th-century English playwright, actor, and author

Thomas Heywood was an English playwright, actor, and author. His main contributions were to late Elizabethan and early Jacobean theatre. He is best known for his masterpiece A Woman Killed with Kindness, a domestic tragedy, which was first performed in 1603 at the Rose Theatre by the Worcester's Men company. He was a prolific writer, claiming to have had "an entire hand or at least a maine finger in two hundred and twenty plays", although only a fraction of his work has survived.

Anthony Munday was an English playwright and miscellaneous writer. He was baptized on 13 October 1560 in St Gregory by St Paul's, London, and was the son of Christopher Munday, a stationer, and Jane Munday. He was one of the chief predecessors of Shakespeare in English dramatic composition, and wrote plays about Robin Hood. He is believed to be the primary author of Sir Thomas More, on which he is believed to have collaborated with Henry Chettle, Thomas Heywood, William Shakespeare, and Thomas Dekker.

<span class="mw-page-title-main">Elizabethan literature</span>

Elizabethan literature refers to bodies of work produced during the reign of Queen Elizabeth I (1558–1603), and is one of the most splendid ages of English literature. In addition to drama and the theatre, it saw a flowering of poetry, with new forms like the sonnet, the Spenserian stanza, and dramatic blank verse, as well as prose, including historical chronicles, pamphlets, and the first English novels. Major writers include William Shakespeare, Edmund Spenser, Christopher Marlowe, Richard Hooker, Ben Jonson, Philip Sidney, and Thomas Kyd.

Richard Hathwaye, was an English dramatist.

The Admiral's Men was a playing company or troupe of actors in the Elizabethan and Stuart eras. It is generally considered the second most important acting troupe of English Renaissance theatre.

Valentine Simmes was an Elizabethan era and Jacobean era printer; he did business in London, "on Adling Hill near Bainard's Castle at the sign of the White Swan." Simmes has a reputation as one of the better printers of his generation, and was responsible for several quartos of Shakespeare's plays. [See: Early texts of Shakespeare's works.]

The Archpriest Controversy was the debate which followed the appointment of an archpriest by Pope Clement VIII to oversee the efforts of the Roman Catholic Church's missionary priests in England at the end of the sixteenth century.

Thomas Creede was a printer of the Elizabethan and Jacobean eras, rated as "one of the best of his time." Based in London, he conducted his business under the sign of the Catherine Wheel in Thames Street from 1593 to 1600, and under the sign of the Eagle and Child in the Old Exchange from 1600 to 1617. Creede is best known for printing editions of works in English Renaissance drama, especially for ten editions of six Shakespearean plays and three works in the Shakespeare Apocrypha.

Edward Allde was an English printer in London during the Elizabethan and Jacobean eras. He was responsible for a number of significant texts in English Renaissance drama, including some of the early editions of plays by William Shakespeare.

Joseph Gillow was an English Roman Catholic antiquary, historian and bio-bibliographer, "the Plutarch of the English Catholics".

Ellis Gibbons was an English composer of the late Renaissance who was associated with the English Madrigal School. Born in Cambridge to a musical family, Gibbons was the second surviving son of William Gibbons, a town wait. By 1598 he was known to be living in Cambridge's High ward, and later the Market ward. He owned property in Cambridge and London and probably spent much time there, presumably as a musician of some kind. At the age of 28 he became one of only two composers to contribute two pieces to The Triumphs of Oriana, a collection of 25 madrigals published in 1601. These madrigals were Long live faire Oriana and Round about her Charret; modern commentators generally favor the latter. No other compositions by Gibbons survive, and some scholars have doubted his authorship of these works, ascribing them to his brothers. Two months after his mother's death, his career was cut short by his early death in May 1603, leaving behind his brothers Edward, Ferdinando and Orlando, who would become the most famous musician of the family. Orlando's son, Christopher, was also a noted composer.

<span class="mw-page-title-main">F. P. Wilson</span>

Frank Percy Wilson was a British literary scholar and bibliographer. Author of many works on Elizabethan drama and general editor of the Oxford History of English Literature, Wilson was Merton Professor of English Literature at the University of Oxford from 1947 to 1957.

The Governor of Pendennis Castle was a military officer who commanded the fortifications at Pendennis Castle, part of the defences of the River Fal and Carrick Roads, on the south coast of Cornwall near Falmouth. Originally fortified under Henry VIII, defences in the area were intermittently maintained until after the Second World War. The office of governor was abolished in 1837, when Gen. Anderson received the colonelcy of the 78th Regiment of Foot.

<span class="mw-page-title-main">1603 London plague</span> London plague 1603

The 1603 London plague epidemic was the first of the 17th century and marked the transition from the Tudor to the Stuart period.

References

  1. Twyning, John. "Dekker, Thomas (c. 1572-1632), playwright and pamphleteer." Oxford Dictionary of National Biography. February 20, 2018.
  2. 1 2 3 Bayman, Anna. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, Surrey: Ashgate, 2014, page 68.
  3. "wonderful, adj. (and n.) and adv." OED Online. January 2018. Oxford University Press. (Accessed March 2018).
  4. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, p. 86. "made him his Herauld"
  5. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, p. 86: "tooke away hearts from millions"
  6. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, 93.
  7. Jones, Emily Griffiths. "Hereditary Succession and Death in The Wonderful Year and the Revenger's Tragedy." SEL: Studies in English Literature 1500–1900, no. 56, vol 2. (2016): p. 327+, 332.
  8. Bayman, Anna. Thomas Dekker and the Culture of Pamphleteering in Early Modern London. Farnham, Surrey: Ashgate, 2014. Page 131.
  9. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, Page 95.
  10. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, 97.
  11. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, 105.
  12. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, 106.
  13. Dekker, Thomas. The Non-Dramatic Works of. Thomas Dekker: In Five Volumes, Volume 1. 1598-1603. Accessed from Google Books, 145.