The World in the Evening

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The World in the Evening
WorldInTheEvening.jpg
First edition
Author Christopher Isherwood
CountryUnited Kingdom
LanguageEnglish
Publisher Methuen
Publication date
1954
Media typePrint (Hardback & Paperback)
Pages333

The World in the Evening by Christopher Isherwood is a quasi-fictional account of love, loss, and regret. As in many Isherwood novels, the main character is caught in a contest between his personal egoism and the needs of friends and lovers.

Contents

Structure

The novel is narrated in the first person by the protagonist, Stephen Monk, whose experiences are broken into three sections: An End, Letters and Life, and A Beginning. Monk frequently experiences flashbacks triggered by other characters or by the letters of his deceased wife, Elizabeth.

Plot introduction

Marital problems cause Stephen Monk to return to his birthplace, near Philadelphia, where he undergoes a period of cathartic introspection. Though he is a member of the American jeunesse dorée, he is an emotional and observant man, and the novel chronicles his search for love.

Characters

Camp

In Notes on "Camp" , Susan Sontag refers to this novel’s passage regarding the concept of "camp":

Apart from a lazy two-page sketch in Christopher Isherwood's novel The World in the Evening (1954), [the idea of “camp"] has hardly broken into print. [1]

In the novel two characters are discussing the meaning of camp, both High and Low. Charles Kennedy, a friend of the protagonist, says:

You thought it meant a swishy little boy with peroxided hair, dressed in a picture hat and a feather boa, pretending to be Marlene Dietrich? Yes, in queer circles they call that camping. … You can call [it] Low Camp…High Camp is the whole emotional basis for ballet, for example, and of course of baroque art … High Camp always has an underlying seriousness. You can't camp about something you don't take seriously. You're not making fun of it, you're making fun out of it. You're expressing what’s basically serious to you in terms of fun and artifice and elegance. Baroque art is basically camp about religion. The ballet is camp about love … [2]

Then examples are given: Mozart, El Greco and Dostoevsky are camp; Beethoven, Flaubert and Rembrandt are not. [3]

Influence

The composer Nicholas Maw's 1988 orchestral composition The World in the Evening acknowledges Isherwood's novel as supplying the title for the piece, but there is no other narrative connection. [4]

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References

  1. Sontag, Susan. Notes on "Camp". Penguin Random House (2018). ISBN   978-0241339701
  2. Isherwood, Christopher. The World in the Evening. University of Minnesota Press. 2012 p. 10 ISBN   9780099561149
  3. Isherwood, Christopher. The World in the Evening’’. University of Minnesota Press. 2012 ISBN   9780099561149 p. 10-11
  4. "Nicholas Maw Brochure by Faber Music - Issuu".

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